When Jim Botticelli launched the Dirty Old Boston Facebook page as a salute to the gritty city he once knew, he discovered that thousands of people were equally nostalgic and curious about Boston's recent past. And for good reason; after World War II, Boston changed rapidly, without apology, for better and worse, and in many ways forever.Dirty Old Boston chronicles the people, streets, and buildings from the postwar years to 1987. From ball games to dive bars, Dirty Old Boston also covers some of the city's most tumultuous events including the razing of neighborhoods, Boston's busing crisis, and the continual fight for affordable housing.Photographs—assembled from family albums, student projects, institutional archives, and professional collections—reveal Boston as seen from the streets. Illuminating Boston's tenacity and spirit, Dirty Old Boston presents our proud moments and our growing pains. Raw and beautiful, this book is an evocative tribute to the city and its people.
"Herein, we bring you to sites that have been central to the lives of 'the people' of Greater Boston over four centuries. You'll visit sites associated with the area's indigenous inhabitants and with the individuals and movements who sought to abolish slavery, to end war, challenge militarism, and bring about a more peaceful world, to achieve racial equity, gender justice, and sexual liberation, and to secure the rights of workers. We take you to some well-known sites, but more often to ones far off the well-beaten path of the Freedom Trail, to places in Boston's outlying neighborhoods. We also visit sites in numerous other municipalities that make up the Greater Boston region-from places such as Lawrence, Lowell and Lynn to Concord and Plymouth. The sites to which we do 'travel' include homes given that people's struggles, activism, and organizing sometimes unfold, or are even birthed in many cases in living rooms and kitchens. Trying to capture a place as diverse and dynamic as Boston is highly challenging. (One could say that about any 'big' place.) We thus want to make clear that our goal is not to be comprehensive, or to 'do justice' to the region. Given the constraints of space and time as well as the limitations of knowledge--both our own and what is available in published form--there are many important sites, cities, and towns that we have not included. Thus, in exploring scores of sites across Boston and numerous municipalities, our modest goal is to paint a suggestive portrait of the greater urban area that highlights its long-contested nature. In many ways, we merely scratch the region's surface--or many surfaces--given the multiple layers that any one place embodies. In writing about Greater Boston as a place, we run the risk of suggesting that the city writ-large has some sort of essence. Indeed, the very notion of a particular place assumes intrinsic characteristics and an associated delimited space. After all, how can one distinguish one place from another if it has no uniqueness and is not geographically differentiated? Nonetheless, geographer Doreen Massey insists that we conceive of places as progressive, as flowing over the boundaries of any particular space, time, or society; in other words, we should see places as processual or ever-changing, as unbounded in that they shape and are shaped by other places and forces from without, and as having multiple identities. In exploring Greater Boston from many venues over 400 years, we embrace this approach. That said, we have to reconcile this with the need to delimit Greater Boston--for among other reasons, simply to be in a position to name it and thus distinguish it from elsewhere"--
When Jim Botticelli launched the Dirty Old Boston Facebook page as a salute to the gritty city of his past, he unwittingly galvanized thousands of people who were also nostalgic for and curious about this crucial time in the city's development. Now captured in a rich and compelling collection, Dirty Old Boston chronicles the people, streets, and buildings from the postwar years to 1987, when a new wave of transformation began. Along with the ball games and dive bars, the four decades covered in this book document some of the city's most dramatic changes and tumultuous events--wholesale razing of neighborhoods, Boston's busing crisis, and the continual fight for affordable housing.Photographs are drawn from family albums, student photography projects, institutional archives, and professional collections, revealing a view of Boston shot from the street. What emerges is a narrative of a city tearing down and rebuilding, protesting and celebrating, fading and thriving. Illuminating Boston's singular tenacity and spirit, Dirty Old Boston presents her proud moments and doesn't shy away from her growing pains. Dirty Old Boston recalls the city as it used to be, the challenges it faced, the maddening traffic and outlandish politics, the simple pleasures of block parties and parades, and those neighborhood haunts where people found camaraderie amidst it all. Raw and beautiful, this book is a tribute to a city and its people.
Boston has always been known for its stiff character. So how did this great New England city become home to one of the largest and most notorious adult entertainment districts in the nation? In this expertly crafted history, veteran reporter Stephanie Schorow teases out the issues that created this controversial neighborhood, giving voice to the players who sought to tame or profit from the sleaze snaking its way through Boston. At turns comic and tragic, Schorow introduces us to the politicians, exotic dancers, and wise guys, and residents brought together by the adult entertainment district—a five-acre neighborhood the city engineered to contain the very porno plague it wanted to eliminate. (Meet the nun-turned-attorney who advocated for the First Amendment rights of adult bookstores, a dancer called “the thinking man's stripper,” and Boston's unofficial city censor.) For these people and thousands of others, the Combat Zone is more than a memory—it was a life-altering adventure.
At once a fascinating narrative and a visual delight, Lost Boston brings the city's past to life. This updated edition includes a new section illustrating the latest gains and losses in the struggle to preserve Boston 's architectural heritage. With an engaging text and more than 350 seldom-seen photographs and prints, Lost Boston offers a chance to see the city as it once was, revealing architectural gems lost long ago. An eminently readable history of the city's physical development, the book also makes an eloquent appeal for its preservation. Jane Holtz Kay traces the evolution of Boston from the barren, swampy peninsula of colonial times to the booming metropolis of today. In the process, she creates a family album for the city, infusing the text with the flavor and energy that makes Boston distinct. Amid the grand landmarks she finds the telling details of city life: the neon signs, bygone amusement parks, storefronts, and windows plastered with images of campaigning politicians-sights common in their time but even more meaningful in their absence today. Kay also brings to life the people who created Boston-architects like Charles Bulfinch and H. H. Richardson, landscape architect and master park-maker Frederick Law Olmsted, and such colorful political figures as Mayors John "Honey Fitz" Fitzgerald and James Michael Curley. The new epilogue brings Boston's story to the end of the twentieth century, showing elements of the city's architecture that were lost in recent years as well as those that were saved and others threatened as the city continues to evolve.
Boston Harbor served as a colonial gateway to the world, witnessed the Boston Tea Party, and helped the community transform itself from an outpost of a few hardy settlers into a bustling metropolis and self-proclaimed hub of the universe. Yet for hundreds of years Boston Harbor was also a cesspool. Long before Bostonians dumped tea into the harbor to protest English taxes, they dumped sewage there. As the Boston area grew and prospered, its sewage problems worsened, as did the harbor's health, to the point where in the 1980s it was considered the most polluted harbor in the country and ridiculed as the harbor of shame. Then, in one of the most impressive environmental comebacks in American history, Boston Harbor was dramatically cleaned up. All it took was two lawsuits, two courts, dozens of lawyers, the creation of a powerful sewage authority, thousands of workers, millions of labor hours, and billions of dollars. Sewage management is rarely as compelling and exciting as higher profile environmental issues such as global climate change, preserving endangered species, or protecting tropical rainforests. But it can be, as Eric Jay Dolin shows in this engaging narrative account. Boston's struggle to deal with its sewage is an epic story of failure and success, replete with colorful characters, political, bureaucratic, and legal twists and turns, engineering feats, and massive amounts of money. In the end, success hinged on the often overlooked yet monumentally important act of responsibly disposing of the waste people produce every day.
Now in paperback, two fiercely avid Red Sox fans document one of the most eagerly anticipated baseball seasons of all time. From devoted fans O'Nan and King comes this unique chronicle of one baseball team's journey from spring training to post-season play.
This book is, quite simply, remarkable journalism, and remarkable writing. --Robert B. Parker An infamous murder spree. A monstrous hoax. The definitive book--updated with new evidence. "DeSalvo Is the Strangler!" declared the headlines after handyman Albert DeSalvo confessed to eleven brutal rape/murders that terrorized Boston from 1962 to 1964. The repeat sex offender boasted he had raped an additional 2,000 women. His story became the subject of a bestselling book and major Hollywood movie. But DeSalvo was not The Boston Strangler. Author Susan Kelly's detailed investigation shows us the true DeSalvo--a pathological liar whose hunger for celebrity drove him to false confessions--and indicates that the stranglings were committed by more than one killer. In an eye-opening update that explores stunning DNA findings, a shocking re-autopsy, and expert profiling evidence, she shows why this savage, unsolved case continues to fascinate and haunt us. With 16 Pages Of Powerful Photos "Taut with suspense. . .crackles like a bestselling novel." --Barry Reed, author of The Verdict "Prodigious research." --Publishers Weekly
They did the dirty work of the American Revolution Their spontaneous uprisings and violent actions steered America toward resistance to the Acts of Parliament and finally toward revolution. They tarred and feathered the backsides of British customs officials, gutted the mansion of Lieutenant Governor Thomas Hutchinson, armed themselves with marline spikes and cudgels to fight on the waterfront against soldiers of the British occupation, and hurled the contents of 350 chests of British East India Company tea into Boston Harbor under the very guns of the anchored British fleet. Cradle of Violence introduces the maritime workers who ignited the American Revolution: the fishermen desperate to escape impressment by Royal Navy press gangs, the frequently unemployed dockworkers, the wartime veterans and starving widows--all of whose mounting "tumults" led the way to rebellion. These were the hard-pressed but fiercely independent residents of Boston's North and South Ends who rallied around the Liberty Tree on Boston Common, who responded to Samuel Adams's cries against "Tyranny," and whose headstrong actions helped embolden John Hancock to sign the Declaration of Independence. Without the maritime mobs' violent demonstrations against authority, the politicians would not have spurred on to utter their impassioned words; Great Britain would not have been provoked to send forth troops to quell the mob-induced rebellion; the War of Independence would not have happened. One of the mobs' most telling demonstrations brought about the Boston Massacre. After it, John Adams attempted to calm the town by dismissing the waterfront characters who had been killed as "a rabble of saucy boys, negroes and mulattoes, Irish teagues, and outlandish jack tars." Cradle of Violence demonstrates that they were, more truly, America's first heroes.
