Dionysos in Classical Athens
Dionysos in Classical Athens

Author: Cornelia Isler-Kerényi

Publisher: BRILL

Published: 2014-11-14

Total Pages: 310

ISBN-13: 9004270124

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Dionysos, with his following of satyrs and women, was a major theme in a big part of the figure painted pottery in 500-300 B.C. Athens. As an original testimonial of their time, the imagery on these vases convey what this god meant to his worshippers. It becomes clear that he was not only appropriate for wine, wine indulgence, ecstasy and theatre. Rather, he was presenton many, both happy and sad, occasions. The vase painters have emphasized different aspects of Dionysos for their customers inside and outside of Athens, depending on the political and cultural situation.

In the Theatre of Dionysos
In the Theatre of Dionysos

Author: Richard Sewell

Publisher: McFarland

Published: 2007-07-27

Total Pages: 226

ISBN-13:

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"Describes parallel lives of Athenian democracy and Athenian tragedy--how and why they concurrently arose, blossomed and died, shaped especially by a fatal Athenian penchant for war. Demonstrates how drama emerged from four unique elements in Greek culture: bardic poetry; open sporting competition; uncodified religion; and exploratory philosophy. Imagines evolution of the tragic genre from practitioner's viewpoint"--Provided by publisher.

Nothing to Do with Dionysos?
Nothing to Do with Dionysos?

Author: John J. Winkler

Publisher: Princeton University Press

Published: 1990

Total Pages: 438

ISBN-13: 9780691015255

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'The more we learn about the original production of tragedies and comedies in Athens the more it seems wrong even to call them plays in the modern sense of the word, ' write the editors in this collection of critically diverse innovative essays aimed at restoring the social context of ancient Greek drama.

Dionysos in Archaic Greece
Dionysos in Archaic Greece

Author: Cornelia Isler-Kerényi

Publisher: BRILL

Published: 2007

Total Pages: 384

ISBN-13: 9004144455

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An interpretation of the god Dionysos as seen by Greek vase painters before the golden age of classical culture, which will help understand his wide popularity beyond wine consumption, which lasted until the end of antiquity.

Redefining Dionysos
Redefining Dionysos

Author: Alberto Bernabé

Publisher: Walter de Gruyter

Published: 2013-06-26

Total Pages: 700

ISBN-13: 3110301326

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This book contributes to the understanding of Dionysos, the Greek god of wine, dancing, theatre and ecstasy, by putting together 30 studies of classical scholars. They combine the analysis of specific instances of particular dimensions of the god in cult, myth, literature and iconography, with general visions of Dionysos in antiquity and modern times. Only from the combination of different perspectives can we grasp the complex personality of Dionysos, and the forms of his presence in different cults, literary genres, and artistic forms, from Mycenaean times to late antiquity. The ways in which Dionysos was experienced may vary in each author, each cult, and each genre in which this god is involved. Therefore, instead of offering a new all-encompassing theory that would immediately become partial, the book narrows the focus on specific aspects of the god. Redefinition does not mean finding (again) the essence of the god, but obtaining a more nuanced knowledge of the ways he was experienced and conceived in antiquity.

The Cambridge Companion to Ancient Athens
The Cambridge Companion to Ancient Athens

Author: Jenifer Neils

Publisher: Cambridge University Press

Published: 2021-02-18

Total Pages: 505

ISBN-13: 1108484557

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This book is a comprehensive introduction to ancient Athens, its topography, monuments, inhabitants, cultural institutions, religious rituals, and politics. Drawing from the newest scholarship on the city, this volume examines how the city was planned, how it functioned, and how it was transformed from a democratic polis into a Roman urbs.

Dionysus and Rome
Dionysus and Rome

Author: Fiachra Mac Góráin

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2019-12-16

Total Pages: 260

ISBN-13: 3110672235

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While most work on Dionysus is based on Greek sources, this collection of essays examines the god’s Roman and Italian manifestations. Nine contributions address Bacchus’ appearance at the crossroads of Greek and Roman cultures, tracing continuities and differences between literary and archaeological sources for the god. The essays offer coverage of Dionysus in Roman art, Italian epigraphy; Latin poetry including epic, drama and elegy; and prose, including historiography, rhetorical and Christian discourse. The introduction offers an overview of the presence of Dionysus in Italy from the archaic to the imperial periods, identifying the main scholarly trends, with treatment of key Dionysian episodes in Roman history and literature. Individual chapters address the reception of Euripides’ Bacchae across Greek and Roman literature from Athens to Byzantium; Dionysus in Roman art of the archaic and Augustan periods; the god’s relationship with Fufluns and Liber in the 4th and 3rd centuries BCE; Dionysian associations; Bacchus in Cicero; Ovid’s Tristia 5.3; Bacchus in the writings of Christian Latin writers. The collection sheds light on a relatively understudied aspect of Dionysus, and will stimulate further research in this area.

Music and Image in Classical Athens
Music and Image in Classical Athens

Author: Sheramy Bundrick

Publisher: Cambridge University Press

Published: 2005-10-17

Total Pages: 284

ISBN-13: 9780521848060

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Bundrick proposes that depictions of musical performance were linked to contemporary developments in music.

The Pronomos Vase and Its Context
The Pronomos Vase and Its Context

Author: Oliver Taplin

Publisher: Oxford University Press

Published: 2010-08-12

Total Pages: 320

ISBN-13: 0199582599

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The Pronomos Vase is the single most important piece of pictorial evidence for ancient theatre to have survived from ancient Greece. It depicts an entire theatrical chorus and cast along with the celebrated musician Pronomos, in the presence of their patron god, Dionysos. In this collection of essays, illustrated with nearly 60 drawings and photographs, leading specialists from a variety of disciplines tackle the critical questions posed by this complex hub of evidence. Thediscussion covers a wide range of perspectives and issues, including the artist's oeuvre; the pottery market; the relation of this piece to other artistic, and especially celebratory, artefacts; the political and cultural contexts of the world that it was produced in; the identification of figures portrayedon it: and the significance of the Pronomos Vase as theatrical evidence. The volume offers not only the most recent scholarship on the vase but also some ground-breaking interpretations of it.

The Derveni Krater
The Derveni Krater

Author: Beryl Barr-Sharrar

Publisher: ASCSA

Published: 2008

Total Pages: 283

ISBN-13: 0876619626

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This beautifully illustrated book represents the first full publication of the most elaborate metal vessel from the ancient world yet discovered. Found in an undisturbed Macedonian tomb of the late 4th century B.C., the volute krater is a tour de force of highly sophisticated methods of bronze working. An unusual program of iconography informs every area of the vessel. Snakes with copper and silver inlaid stripes frame the rising handles, wrapping their bodies around masks of underworld deities. On the shoulder sit four cast bronze figures: on one side a youthful Dionysos with an exhausted maenad, on the other a sleeping Silenos and a maenad handling a snake. In the major repousse frieze on the body a bearded hunter is associated with Dionysian figures. What was the function of this extraordinary object? And what is the meaning of the intricate iconography? The krater is placed in its Macedonian archaeological context as an heirloom of the descendants of the man named in the Thessalian inscription on its rim, and in its art-historical context as a highly elaborated, early-4th-century version of a metal type known in Athens by about 470 B.C.