Dio lo vuole
Author: Arlincourt (vicomte d', Charles Victor Prévôt)
Publisher:
Published: 1849
Total Pages: 644
ISBN-13:
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Author: Arlincourt (vicomte d', Charles Victor Prévôt)
Publisher:
Published: 1849
Total Pages: 644
ISBN-13:
DOWNLOAD EBOOKAuthor: R. L. BERNINZONE
Publisher:
Published: 1848
Total Pages:
ISBN-13:
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Publisher: BoD – Books on Demand
Published:
Total Pages: 578
ISBN-13: 3385051010
DOWNLOAD EBOOKAuthor: Institut national genevois
Publisher:
Published: 1889
Total Pages: 1016
ISBN-13:
DOWNLOAD EBOOKAuthor: Gerald Parsons
Publisher: Routledge
Published: 2017-03-02
Total Pages: 227
ISBN-13: 1351892037
DOWNLOAD EBOOKThis book examines the origins, development and history of the cult of Saint Catherine of Siena. Gerald Parsons argues that the cult of Catherine of Siena constitutes a remarkable example of the cult of a particular saint which, across more than six centuries, has been the vehicle for an evolving sequence of civil religious rituals and meanings. He shows how the cult of this particular saint developed, firstly, as an expression of Sienese civil religion; secondly, as a focus for Italian civil religion; and finally into an expression of European civil religion. Instead of the predominantly devotional - and frequently essentially hagiographical - approach of much of the literature on Catherine of Siena, Parsons examines the significance of her cult from the perspective of civil religion and the social history of religion.
Author: Joseph Gariolo
Publisher: Edition Reichenberger
Published: 2005
Total Pages: 222
ISBN-13: 9783937734071
DOWNLOAD EBOOKAuthor: Spink & Son
Publisher:
Published: 1908
Total Pages: 422
ISBN-13:
DOWNLOAD EBOOKAuthor: Paolo Manteguzza
Publisher:
Published: 1910
Total Pages: 610
ISBN-13:
DOWNLOAD EBOOKAuthor: F. Noske
Publisher: Springer Science & Business Media
Published: 2012-12-06
Total Pages: 428
ISBN-13: 9401010870
DOWNLOAD EBOOKThe studies collected in this volume deal with the interpretation of opera. In most cases the results are based on structural analysis, a concept which may require some clarification in this context. During the past de cade 'structure' and 'structural' have become particularly fashionable terms lacking exact denotation and used for the most divergent purposes. As employed here, structural analysis is concerned with such concepts as 'relationship', 'coherence' and 'continuity', more or less in contrast to formal analysis which deals with measurable material. In other words, I have analysed the structure of an opera by seeking and examining factors in the musico-dramatic process, whereas analysts of form are generally preoccupied with the study of elements contained in the musical object. Though admittedly artificial, the dichotomy of form and structure may elucidate the present situation with regard to the study of opera. Today, nearly one hundred years after the death of Wagner, the proclaimed anti thesis of Oper und Drama is generally taken for what it really was: a means to propagate the philosophy of its inventor. The conception of opera (whether 'continuous' or composed of 'numbers') as a special form of drama is no longer contested. Nevertheless musical scholarship has failed to draw the consequences from this view and few scholars realize the need to study general theory of drama and more specifically the dramatic experience.
Author: Massimo Taparelli Azeglio (Marchese d')
Publisher:
Published: 1868
Total Pages: 498
ISBN-13:
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