The African writer, Yvonne Vera, used to recall that, as a young girl in the cotton fields, the urge to write was so strong that with no pen and paper available she picked up a twig and started to scratch words onto her skin. Stories in South Africa kept the dream of freedom alive during the colonial and apartheid years; and the tradition of the people and elders of a village meeting under the shade of a tree is based on telling stories as a way of arriving at an understanding. This rich tradition is brought to life here, by women who write of and from the landscape and its people. Part of a series showcasing contemporary women writers from around the world.
This is a remarkable chronicle of the struggles of many people - black and white - whose lives have been rooted in one district of the South African highveld over the last hundred years. Thaba Nchu (Black Mountain) was the territory of an independent African chiefdom until it ws annexed by the Orange Free State republic in 1884. By 1977, one-third had emegred as part of 'independent' Bophutswana with consequent 'inter-ethnic' antagonisms. As a result, on and adjoining piece of bare veld, there had developed the largest slum in South Africa, Botshabelo - a massive concentraion of poverty and unemployment. The sorties told by the inhabitants of the slum in 1980 led to this book. Detailed archival evidence and contemporary oral history illuminate all the important themes of the political economy of the rural highveld of South Africa from the mineral revolution of the late nineteenth century to the erosion of apartheid in the late twentieth century.
When eleven-year-old Chimuka and her younger brother Ali find themselves orphaned in the 1990s, it's clear that their seemingly ordinary Zambian family is brimming with secrets: from HIV/AIDS to infidelity to suicide. Faced with the difficult choice of living with their abusive extended family or slithering into the dark underbelly of Lusaka's streets, Chimuka and Ali escape and become street kids. Against the backdrop of a failed military coup, election riots and a declining economy, Chimuka and Ali are raised by drugs, crime and police brutality. As a teenager, Chimuka is caught between prostitution and the remnants of the fragile stability from before her parents' death. The Mourning Bird is not just Chimuka's story, it's a national portrait of Zambia in an era of strife. With lively and unflinching prose, Kalimamukwento paints a country's burden, shame and silence that, when juxtaposed with Chimuka's triumph, forms an empowering debut novel.
Stories that Bind: Political Economy and Culture in New India examines the assertion of authoritarian nationalism and neoliberalism; both backed by the authority of the state and argues that contemporary India should be understood as the intersection of the two. More importantly, the book reveals, through its focus on India and its complex media landscape that this intersection has a narrative form, which author, Madhavi Murty labels spectacular realism. The book shows that the intersection of neoliberalism with authoritarian nationalism is strengthened by the circulation of stories about “emergence,” “renewal,” “development,” and “mobility” of the nation and its people. It studies stories told through film, journalism, and popular non-fiction along with the stories narrated by political and corporate leaders to argue that Hindu nationalism and neoliberalism are conjoined in popular culture and that consent for this political economic project is crucially won in the domain of popular culture. Moving between mediascapes to create an archive of popular culture, Murty advances our understanding of political economy through material that is often seen as inconsequential, namely the popular cultural story. These stories stoke our desires (e.g. for wealth), scaffold our instincts (e.g. for a strong leadership) and shape our values.
A riveting account of how a popularly elected leader has steered the world's largest democracy toward authoritarianism and intolerance Over the past two decades, thanks to Narendra Modi, Hindu nationalism has been coupled with a form of national-populism that has ensured its success at the polls, first in Gujarat and then in India at large. Modi managed to seduce a substantial number of citizens by promising them development and polarizing the electorate along ethno-religious lines. Both facets of this national-populism found expression in a highly personalized political style as Modi related directly to the voters through all kinds of channels of communication in order to saturate the public space. Drawing on original interviews conducted across India, Christophe Jaffrelot shows how Modi's government has moved India toward a new form of democracy, an ethnic democracy that equates the majoritarian community with the nation and relegates Muslims and Christians to second-class citizens who are harassed by vigilante groups. He discusses how the promotion of Hindu nationalism has resulted in attacks against secularists, intellectuals, universities, and NGOs. Jaffrelot explains how the political system of India has acquired authoritarian features for other reasons, too. Eager to govern not only in New Delhi, but also in the states, the government has centralized power at the expense of federalism and undermined institutions that were part of the checks and balances, including India's Supreme Court. Modi's India is a sobering account of how a once-vibrant democracy can go wrong when a government backed by popular consent suppresses dissent while growing increasingly intolerant of ethnic and religious minorities.
