Johannes Schlaf and German Naturalist Drama
Johannes Schlaf and German Naturalist Drama

Author: Raleigh Whitinger

Publisher: Camden House

Published: 1997

Total Pages: 214

ISBN-13: 9781571131072

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First book in English devoted to Johannes Schlaf, the 19th-century German playwright, bringing fresh insights to the whole movement of German naturalist drama. This is the first book in English on the German playwright Johannes Schlaf (1862-1941), whose involvement in 'consistent realism' and modern theatre in the 1890s provides an insight into the origins and development of German naturalist drama. Schlaf's main contributions to this movement were with Die Familie Selicke (1890), on which he collaborated with Arno Holz, and Meister Oelze (1892), works which show his innovative talents. The author considers these works in the context of the experimental prose sketches which Schlaf worked on with Holz after 1888, and of the realist and naturalist dramas of Hebbel, Ibsen, Hauptmann, and Sudermann; he brings out their growing concern with trapped women and victimised children, as well as their critical focus on the problems of traditional poetry.

Gerhart Hauptmann and the Naturalist Drama
Gerhart Hauptmann and the Naturalist Drama

Author: John Osborne

Publisher: Psychology Press

Published: 1998

Total Pages: 238

ISBN-13: 9789057550058

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What was German Naturalism? What were its achievements? How does it compare with its counterparts in other European countries? These are some of the difficult questions addressed by John Osborne in Gerhart Hauptmann and the Naturalist Drama, a revised and updated version of his The Naturalist Drama in Germany, now widely acknowledged as the standard introduction to the subject. The debates to which he contributed, and in some cases initiated, on Naturalism in the German theatre, Naturalist theory in Germany, and the development of the Naturalist movement to the contemporary Social Democrat movement, have remained central issues. This revised edition preserves the structure and approach of the original, including its emphasis on the early dramas of Hauptmann, while taking full account of subsequent scholarship which provides the context in which this Naturalist playwright's work can be placed.

The Cambridge History of German Literature
The Cambridge History of German Literature

Author: Helen Watanabe-O'Kelly

Publisher: Cambridge University Press

Published: 2000-06-12

Total Pages: 632

ISBN-13: 9780521785730

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This is the first book to describe German literary history up to the unification of Germany in 1990. It takes a fresh look at the main authors and movements, and also asks what Germans in a given period were actually reading and writing, what they would have seen at the local theatre or found in the local lending library; it includes, for example, discussions of literature in Latin as well as in German, eighteenth-century letters and popular novels, Nazi literature and radio plays, and modern Swiss and Austrian literature. A new prominence is given to writing by women. Contributors, all leading scholars in their field, have re-examined standard judgements in writing a history for our own times. The book is designed for the general reader as well as the advanced student: titles and quotations are translated, and there is a comprehensive bibliography.

Insights in Germanic Linguistics: Methodology in transition
Insights in Germanic Linguistics: Methodology in transition

Author: Irmengard Rauch

Publisher: Walter de Gruyter

Published: 1995

Total Pages: 368

ISBN-13: 9783110143591

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TRENDS IN LINGUISTICS is a series of books that open new perspectives in our understanding of language. The series publishes state-of-the-art work on core areas of linguistics across theoretical frameworks, as well as studies that provide new insights by approaching language from an interdisciplinary perspective. TRENDS IN LINGUISTICS considers itself a forum for cutting-edge research based on solid empirical data on language in its various manifestations, including sign languages. It regards linguistic variation in its synchronic and diachronic dimensions as well as in its social contexts as important sources of insight for a better understanding of the design of linguistic systems and the ecology and evolution of language. TRENDS IN LINGUISTICS publishes monographs and outstanding dissertations as well as edited volumes, which provide the opportunity to address controversial topics from different empirical and theoretical viewpoints. High quality standards are ensured through anonymous reviewing. To discuss your book idea or submit a proposal, please contact Birgit Sievert.

Methodology in Transition
Methodology in Transition

Author: Irmengard Rauch

Publisher: Walter de Gruyter

Published: 2011-06-24

Total Pages: 361

ISBN-13: 3110810867

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TRENDS IN LINGUISTICS is a series of books that open new perspectives in our understanding of language. The series publishes state-of-the-art work on core areas of linguistics across theoretical frameworks as well as studies that provide new insights by building bridges to neighbouring fields such as neuroscience and cognitive science. TRENDS IN LINGUISTICS considers itself a forum for cutting-edge research based on solid empirical data on language in its various manifestations, including sign languages. It regards linguistic variation in its synchronic and diachronic dimensions as well as in its social contexts as important sources of insight for a better understanding of the design of linguistic systems and the ecology and evolution of language. TRENDS IN LINGUISTICS publishes monographs and outstanding dissertations as well as edited volumes, which provide the opportunity to address controversial topics from different empirical and theoretical viewpoints. High quality standards are ensured through anonymous reviewing.

At the Limit of the Obscene
At the Limit of the Obscene

Author: Erica Weitzman

Publisher: Northwestern University Press

Published: 2021-02-15

Total Pages: 447

ISBN-13: 0810143186

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As German-language literature turned in the mid-nineteenth century to the depiction of the profane, sensual world, a corresponding anxiety emerged about the terms of that depiction—with consequences not only for realist poetics but also for the conception of the material world itself. At the Limit of the Obscene examines the roots and repercussions of this anxiety in German realist and postrealist literature. Through analyses of works by Adalbert Stifter, Gustav Freytag, Theodor Fontane, Arno Holz, Gottfried Benn, and Franz Kafka, Erica Weitzman shows how German realism’s conflicted representations of the material world lead to an idea of the obscene as an excess of sensual appearance beyond human meaning: the obverse of the anthropocentric worldview that German realism both propagates and pushes to its crisis. At the Limit of the Obscene thus brings to light the troubled and troubling ontology underlying German realism, at the same time demonstrating how its works continue to shape our ideas about representability, alterity, and the relationship of human beings to the non-human well into the present day.

Gerhard Hauptmann and the Naturalist Drama
Gerhard Hauptmann and the Naturalist Drama

Author: John Osborne

Publisher: Routledge

Published: 2005-06-27

Total Pages: 238

ISBN-13: 1135293597

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What was German Naturalism? What were its achievements? How does it compare with its counterparts in other European countries? These are some of the difficult questions addressed by John Osborne in Gerhart Hauptmann and the Naturalist Drama, a revised and updated version of his The Naturalist Drama in Germany, now widely acknowledged as the standard introduction to the subject. The debates to which he contributed, and in some cases initiated, on Naturalism in the German theatre, Naturalist theory in Germany, and the development of the Naturalist movement to the contemporary Social Democrat movement, have remained central issues. This revised edition preserves the structure and approach of the original, including its emphasis on the early dramas of Hauptmann, while taking full account of subsequent scholarship which provides the context in which this Naturalist playwright's work can be placed.