Die Anomalie des Wassers handelt von Chancen, Gewissensbissen und Ängsten. Die Kurzgeschichten und Gedichte sind sowohl auf Deutsch als auch auf Englisch verfasst worden und thematisieren Gedanken und Sorgen einer Jugendlichen. Neben den teilweise fiktiven Stoff befinden sich Illustrationen aus Träumen, meinem Alltag und Gedanken. Die Anomalie des Wassers besteht zwar aus individuellen Gesichten mit verschiedenen Protagonisten kann aber wie ein Kapitel aus meinem Tagebuch gelesen und auf verschiedenen Weisen interpretiert und verstanden werden. Fundamental ist in den meisten der Geschichten jedoch eine Faszination für das Meer, Wasser und die damit verbundenen Tiefen und Ungewissheit.
In an underpopulated future Earth, devastated by the dire consequences of the millennium bug, the survival of mankind—and, maybe, of the planet itself—is handled by a small number of people. Talented scientists who, despite the adverse situation and the stupid feuds that continue to divide the small number of people still alive, try to understand and study what is hidden in the depths of the abyss. Something mysterious and dangerous, which could eventually cause an even worse and more destructive catastrophe! The 100 meets LOW, with a hint of Death Stranding in the brand-new sci-fi thriller series from acclaimed creator MIRKA ANDOLFO (UNNATURAL, MERCY), teaming up with writer DAVID GOY and rising-star artist ANDREA BROCCARDO (Star Wars: Doctor Aphra, Empyre: X-Men) and colorist BARBARA NOSENZO (The Ballad of Halo Jones).
The History of German Agriculture; Agriculture in Germany - Production and Structure; German Agricultural Policy - Issues and Challenges; Transformation of Agriculture in East Germany; Macroeconomic Framework and Implications for German Agriculture after Reunification; Rural Development in German - Issues and Policies; Social Policies for German Agriculture; Institutional Characteristics of German Agriculture; The Hierarchy of Agricultural Policies:European Union, Federal Republic and Federal States; The Role of Germany in the Common Agricultural Policy; Agriculture and the Environment; Research and Technology in German Agriculture; The Value-added Chain in the German Food.
The volume sheds light on Ancient Near Eastern kingship by focusing on its constant urge for legitimation. Thus, it highlights specific aspects like royal building activities, warfare and wisdom and frames these into material and textual expressions that take the powerful form of narratives. The contributions made in this volume look for specific topoi of kingship and examine which shapes they took and why. The publication determines which narrative topoi have once been selected to legitimize kingship, which media have been chosen to transmit these narratives, and what kind of narrative strategies have been applied. To consider both, texts and images, in the same margin, the book is based on a dual approach: referring to certain narrative themes both philological and archaeological material will be presented. By joining diverse perspectives of scholars of material culture and texts and their various approaches the publication promises new and special insight into the connection of narration and legitimation in Mesopotamia. It reflects Ancient Near Eastern kingship and its narrative strategies from a interdisciplinary and transmedial point of view and gives new insights into the matter of royal legitimation.
This is a study of the structure and composition of the official learning current in medieval Arabic culture. This comprises natural sciences both exoteric and esoteric (medicine, alchemy, astrology and others), traditional and religious sciences (such as theology, exegesis and grammar), philosophical sciences such as metaphysics and ethics, in addition to technical disciplines like political theory and medicine, and other fields of intellectual endeavour. The book identifies and develops a number of conceptual elements common to the various areas of official Arabic scientific discourse, and shows how these elements integrate these disparate sciences into an historical epistemic unity. The specific profile of each of these different sciences is described, in terms of its conceptual content, but especially with reference to its historical circumstances. These are seen to be embodied in a number of institutional supports, both intellectual and social: paradigms, schools of thought, institutions of learning, pedagogic techniques, and a body of professionals, all of which combine to form definite, albeit ever renewed, traditions of learning. Finally, an attempt is made to relate Arabic scientific knowledge in the Middle Ages to patterns of scientific and political authority. First published in 1986.
This book explores common ethical issues faced by human geographers in their research. It offers practical guidance for research planning and design that incorporates geographic disciplinary knowledge to conceptualise research ethics. The volume brings together international insights from researchers in geography and related fields to provide a comprehensive overview of relevant ethical frameworks and challenges in human geography research. It includes in-depth reflections on a range of ethical dilemmas that arise in certain contextual conditions and spatial constructions that face those researching and teaching on spatial dimensions of social life. With a focus on the increased need for specialist ethics training as part of postgraduate education in the Humanities and Social Sciences and the necessity for fostering sensitivity in cross-cultural comparative research, the book seeks to enable people to engage in ethical decision-making and moral reasoning while conducting research. Chapters examine the implications of geographical research for conceptualising ethics and discuss specific case studies from which more general conclusions, linked to conceptual debates, are drawn. As a research-based reference guide for tackling ethically sensitive projects and international differences in legal and institutional standards and requirements, the book is useful for postgraduate and undergraduate students as well as academics teaching at senior levels.
This book examines how, beginning in the 1960s up to the present, a new type of fiction was created in America, but also in Europe and Latin America, in response to the cultural, social, and political turmoil of the time. The author has coined the term Surfiction for this New Fiction. Written in an informal, provocative style, by an internationally known practitioner, these essays examine the cultural, social, and political conditions that forced serious writers to reflect (often within the work itself) on the act of writing fiction in the modern world. The entire book can be read as a manifesto for the present and future of the new fiction. This book is the first in the SUNY series in Postmodern Culture, edited by Joseph Natoli.
Bilingual texts have been left outside the mainstream of both translation theory and literary history. Yet the tradition of the bilingual writer, moving between different sign systems and audiences to create a text in two languages, is a rich and venerable one, going back at least to the Middle Ages. The self-translated, bilingual text was commonplace in the mutlilingual world of medieval and early modern Europe, frequently bridging Latin and the vernaculars. While self-translation persisted among cultured elites, it diminished during the consolidation of the nation-states, in the long era of nationalistic monolingualism, only to resurge in the postcolonial era. The Bilingual Text makes a first step toward providing the fields of translation studies and comparative literature with a comprehensive account of literary self-translation in the West. It tracks the shifting paradigms of bilinguality across the centuries and addresses the urgent questions that the bilingual text raises for translation theorists today: Is each part of the bilingual text a separate, original creation or is each incomplete without the other? Is self-translation a unique genre? Can either version be split off into a single language or literary tradition? How can two linguistic versions of a text be fitted into standard models of foreign and domestic texts and cultures? Because such texts defeat standard categories of analysis, The Bilingual Text reverses the usual critical gaze, highlighting not dissimilarities but continuities across versions, allowing for dissimilarities within orders of correspondence, and englobing the literary as well as linguistic and cultural dimensions of the text. Emphasizing the arcs of historical change in concepts of language and translation that inform each case study, The Bilingual Text examines the perdurance of this phenomenon in Western societies and literatures.
In Hamlet in Purgatory, renowned literary scholar Stephen Greenblatt delves into his longtime fascination with the ghost of Hamlet's father, and his daring and ultimately gratifying journey takes him through surprising intellectual territory. It yields an extraordinary account of the rise and fall of Purgatory as both a belief and a lucrative institution--as well as a capacious new reading of the power of Hamlet. In the mid-sixteenth century, English authorities abruptly changed the relationship between the living and dead. Declaring that Purgatory was a false "poem," they abolished the institutions and banned the practices that Christians relied on to ease the passage to Heaven for themselves and their dead loved ones. Greenblatt explores the fantastic adventure narratives, ghost stories, pilgrimages, and imagery by which a belief in a grisly "prison house of souls" had been shaped and reinforced in the Middle Ages. He probes the psychological benefits as well as the high costs of this belief and of its demolition. With the doctrine of Purgatory and the elaborate practices that grew up around it, the church had provided a powerful method of negotiating with the dead. The Protestant attack on Purgatory destroyed this method for most people in England, but it did not eradicate the longings and fears that Catholic doctrine had for centuries focused and exploited. In his strikingly original interpretation, Greenblatt argues that the human desires to commune with, assist, and be rid of the dead were transformed by Shakespeare--consummate conjurer that he was--into the substance of several of his plays, above all the weirdly powerful Hamlet. Thus, the space of Purgatory became the stage haunted by literature's most famous ghost. This book constitutes an extraordinary feat that could have been accomplished by only Stephen Greenblatt. It is at once a deeply satisfying reading of medieval religion, an innovative interpretation of the apparitions that trouble Shakespeare's tragic heroes, and an exploration of how a culture can be inhabited by its own spectral leftovers. This expanded Princeton Classics edition includes a new preface by the author.
