U.S. Latino Literature is defined as Latino literature within the United States that embraces the heterogeneous inter-groupings of Latinos. For too long U.S. Latino literature has not been thought of as an integral part of the overall shared American literary landscape, but that is slowly changing. This dictionary aims to rectify some of those misconceptions by proving that Latinos do fundamentally express American issues, concerns and perspectives with a flair in linguistic cadences, familial themes, distinct world views, and cross-cultural voices. The Historical Dictionary of U.S. Latino Literature contains a chronology, an introduction, and an extensive bibliography. The dictionary section has cross-referenced entries on U.S. Latino/a authors, and terms relevant to the nature of U.S. Latino literature in order to illustrate and corroborate its foundational bearings within the overall American literary experience. This book is an excellent access point for students, researchers, and anyone wanting to know more about this subject.
Recovering the U.S. Hispanic Literary Project is a national project to locate, identify, preserve and make accessible the literary contributions of U.S. Hispanics from colonial times through 1960 in what today comprises the fifty states of the United States.
"An updated and expanded edition of Tatum's Chicano Popular Culture (2001), touching upon major developments in popular culture since the book's original publication"--Provided by publisher.
This is a searching examination of the life, work, and mysterious disappearance of the charismatic civil rights activist Oscar Zeta Acostaa leading figure in the Chicano movement of the 1960s..
Since the 1980s, a prolific "second wave" of Chicano/a writers and artists has tremendously expanded the range of genres and subject matter in Chicano/a literature and art. Building on the pioneering work of their predecessors, whose artistic creations were often tied to political activism and the civil rights struggle, today's Chicano/a writers and artists feel free to focus as much on the aesthetic quality of their work as on its social content. They use novels, short stories, poetry, drama, documentary films, and comic books to shape the raw materials of life into art objects that cause us to participate empathetically in an increasingly complex Chicano/a identity and experience. This book presents far-ranging interviews with twenty-one "second wave" Chicano/a poets, fiction writers, dramatists, documentary filmmakers, and playwrights. Some are mainstream, widely recognized creators, while others work from the margins because of their sexual orientations or their controversial positions. Frederick Luis Aldama draws out the artists and authors on both the aesthetic and the sociopolitical concerns that animate their work. Their conversations delve into such areas as how the artists' or writers' life experiences have molded their work, why they choose to work in certain genres and how they have transformed them, what it means to be Chicano/a in today's pluralistic society, and how Chicano/a identity influences and is influenced by contact with ethnic and racial identities from around the world.
Eusebio Chacón, born in Peñasco, New Mexico, is arguably one of the most significant and most overlooked figures in New Mexico's cultural heritage. He earned a law degree from Notre Dame and returned to practice law in Trinidad, Colorado. He served as a district attorney for Las Animas County, Colorado, and as a translator for the U.S. Court of Private Land Claims. In 1898, he began to write and edit for El Progreso, in which many of his articles exposed the unjust treatment of Hispanics in Colorado and New Mexico. He was also New Mexico's first novelist, and took pride in his pioneering efforts to establish a Nuevomexicano literary tradition. This collection of Chacón's writings brings together all published and written materials found, displaying his versatility with samples of his work as an accomplished orator, translator, essayist, historian, novelist, and poet.
Chicana Leadership: The "Frontiers" Reader breaks the stereotypes of Mexican American women and shows how these women shape their lives and communities. This collection looks beyond the frequently held perception of Chicanas as passive and submissive and instead examines their roles as dynamic community leaders, activists, and scholars. Chicana Leadership features fifteen essays from the notable women's journal Frontiers: A Journal of Women Studies that demonstrate the strength and diversity of Chicanas as well as their continuing struggle to have their voices heard. Noted scholars discuss issues ranging from the feminist prototype La Malinche to Chicana writers and national ideology, from gender and identity to ideas of culture and romance, andøfrom tokenism to the diversity within the Chicana community. The essays provide an introduction to an evolving understanding of this diverse community of women and how they interact among themselves, with their community, and with the world around them.
U.S. Latinos have made important contributions to American society, and this biographical dictionary is devoted to celebrating those contributions. All 127 men and women profiled in this work have immigrated to or been born in the United States and have made major contributions to American life and culture. Cuban Americans, Puerto Ricans, Mexican Americans, and others of Spanish, South American, Central American and Caribbean heritage—more than one-third of them women—represent 35 fields of endeavor and all 50 states. From historical figures to the newest sports champion, figure-skater Rudy Galindo, this work provides profiles of both prominent and important but less-familiar people who have made significant contributions in their fields. Many of those profiled can be found in no other biographical source. A selection of photos complements the text. All biographies have been written by experts in their ethnic fields. Those profiled range widely from distinguished scientists to sports stars, from actors to activists, from businesswomen to political personalities, from literary luminaries to labor organizers. All are potential role models for young men and women, and many have overcome extreme odds to succeed. These colorfully written, substantive biographies detail their subjects' goals, struggles, and commitments to success and to their ethnic communities. Among the 127 people profiled are: Nobel Prize-winning scientist Luis Alvarez; Treasurer of the United States Romana Acosta Bañuelos; actor/composer/activist Rubén Blades; classical dancer Fernando Bujones; baseball player José Canseco; U.S. Secretary of Education Lauro Cavazos Jr.; writer Sandra Cisneros; fashion designer Oscar de la Renta; U.S. Congressman Lincoln DÍaz-Balart; teacher Jaime Escalante; composer/singer Gloria Estefan; tennis players Gigi Fernández and Mary Joe Fernández ; playwright Mara Fornés; U.S. Men's 1996 Figure Skating Champion Rudy Galindo; physician/political activist Héctor GarcÍa; Coca-Cola CEO Roberto Goizueta; labor leader Dolores Huerta; U.S. Ambassador MarÍa-Luci Jaramillo; artist Marisol; civil-rights activist Vilma Socorro MartÍnez; businessman/politician Jorge Mas Canosa; federal judge Harold Medina; graphic artist Nicholasa Mohr; U.S. Surgeon General Antonia Novello; astronaut Ellen Ochoa; Nobel Prize-winning biochemist Severo Ochoa; TV personality Geraldo Rivera; U.S. Congresswoman Ileana Ros-Lehtinen; educational psychologist George I. Sánchez; newspaper editor Roberto Suárez; women's rights activist/businesswoman MarÍa Elena Toraño-PantÍn; New York State Supreme Court Judge Edwin Torres; mystic Teresa Urrea; film producer/director Luis Valdez. For ease of use, the heading of each profile identifies ethnic group, field of endeavor, birthdate and, where appropriate, death date. Each profile concludes with a suggested reading list of books and periodical articles about the subject. An ethnic index, field of endeavor index, and a general index make research easy. This much needed reference work is essential for school and public libraries.
Both a critical account of contemporary feminist performance and illustration of its depth and diversity, Acting Out is essential reading for anyone interested in feminist theory, sexual difference, queer theory, or the politics of contemporary performance. Contributors include Philip Auslander, C. Carr, Kate Davy, Joyce Devlin, Elin Diamond, Jill Dolan, Hillary Harris, Lynda Hart, Lynda M. Hill, Julie Malnig, Vivan M. Patraka, Peggy Phelan, Janelle Reinelt, Sandra L. Richards, Amy Robinson, Judy C. Rosenthal, Rebecca Schneider, Raewyn Whyte, and Yvonne Yarbro-Bejarano.
