Dick Merriwell's Stand, Or, A Fight Against Prejudice
Author: Burt L. Standish
Publisher:
Published: 1908
Total Pages: 356
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Burt L. Standish
Publisher:
Published: 1908
Total Pages: 356
ISBN-13:
DOWNLOAD EBOOKAuthor: Burt L. Standish
Publisher: BoD – Books on Demand
Published: 2023-08-31
Total Pages: 198
ISBN-13: 3368920146
DOWNLOAD EBOOKReproduction of the original.
Author: Burt L. Standish
Publisher: DigiCat
Published: 2022-07-21
Total Pages: 253
ISBN-13:
DOWNLOAD EBOOKIn this sports-themed novel, we are introduced to Dick Merriwell, a young boy who is part of his school's baseball team. The story begins at the beginning of the sixth inning when Sam Kates went into the box against the Tufts freshmen. The score then stood seven to one, in favor of Yale Umpty-ten. Tufts had shown no ability to connect with Dick Merriwell's shoots and benders. This was the opportunity to give Sam a good try-out, and so, at Dick's suggestion, he changed places with Kates, who had been playing first.
Author: Burt L. Standish
Publisher:
Published: 1908
Total Pages: 322
ISBN-13:
DOWNLOAD EBOOKAuthor: Burt L. Standish
Publisher:
Published: 1908
Total Pages: 332
ISBN-13:
DOWNLOAD EBOOKAuthor: David Hajdu
Publisher: Macmillan
Published: 2009-02-03
Total Pages: 462
ISBN-13: 9780312428235
DOWNLOAD EBOOKIn the years between the end of World War II and the mid-1950s, the popular culture of today was invented in the pulpy, boldly illustrated pages of comic books. But no sooner had comics emerged than they were beaten down by mass bonfires, congressional hearings, and a McCarthyish panic over their unmonitored and uncensored content. Esteemed critic David Hajdu vividly evokes the rise, fall, and rise again of comics in this engrossing history. "Marvelous . . . a staggeringly well-reported account of the men and women who created the comic book, and the backlash of the 1950s that nearly destroyed it....Hajdu’s important book dramatizes an early, long-forgotten skirmish in the culture wars that, half a century later, continues to roil."--Jennifer Reese,Entertainment Weekly(Grade: A-) "Incisive and entertaining . . . This book tells an amazing story, with thrills and chills more extreme than the workings of a comic book’s imagination."--Janet Maslin,The New York Times "A well-written, detailed book . . . Hajdu’s research is impressive."--Bob Minzesheimer,USA Today "Crammed with interviews and original research, Hajdu’s book is a sprawling cultural history of comic books."--Matthew Price,Newsday "To those who think rock 'n' roll created the postwar generation gap, David Hajdu says: Think again. Every page ofThe Ten-Cent Plagueevinces [Hajdu’s] zest for the 'aesthetic lawlessness' of comic books and his sympathetic respect for the people who made them. Comic books have grown up, but Hajdu’s affectionate portrait of their rowdy adolescence will make readers hope they never lose their impudent edge."--Wendy Smith, Chicago Tribune "A vivid and engaging book."--Louis Menand,The New Yorker "David Hajdu, who perfectly detailed the Dylan-era Greenwhich Village scene in Positively 4th Street, does the same for the birth and near death (McCarthyism!) of comic books inThe Ten-Cent Plague." --GQ "Sharp . . . lively . . . entertaining and erudite . . . David Hajdu offers captivating insights into America’s early bluestocking-versus-blue-collar culture wars, and the later tensions between wary parents and the first generation of kids with buying power to mold mass entertainment."--R. C. Baker,The Village Voice "Hajdu doggedly documents a long national saga of comic creators testing the limits of content while facing down an ever-changing bonfire brigade. That brigade was made up, at varying times, of politicians, lawmen, preachers, medical minds, and academics. Sometimes, their regulatory bids recalled the Hays Code; at others, it was a bottled-up version of McCarthyism. Most of all, the hysteria over comics foreshadowed the looming rock 'n' roll era."--Geoff Boucher, Los Angeles Times "A compelling story of the pride, prejudice, and paranoia that marred the reception of mass entertainment in the first half of the century."--Michael Saler,The Times Literary Supplement(London) David Hajdu is the author ofLush Life: A Biography of Billy StrayhornandPositively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Fariña and Richard Fariña.
Author: Upton Sinclair
Publisher: Library of Alexandria
Published:
Total Pages: 204
ISBN-13: 1465505512
DOWNLOAD EBOOKAuthor: J. Douglas Canfield
Publisher: University Press of Kentucky
Published: 2014-10-17
Total Pages: 330
ISBN-13: 0813157528
DOWNLOAD EBOOKIf the Renaissance was the Golden Age of English comedy, the Restoration was the Silver. These comedies are full of tricksters attempting to gain estates, the emblem and the reality of power in late feudal England. The tricksters appear in a number of guises, such as heroines landing their men, younger brothers seeking estates, or Cavaliers threatened with dispossession. The hybrid nature of these plays has long posed problems for critics, and few studies have attempted to deal with their diversity in a comprehensive way. Now one of the leading scholars of Restoration drama offers a cultural history of the period's comedy that puts the plays in perspective and reveals the ideological function they performed in England during the latter half of the seventeenth century. To explain this function, J. Douglas Canfield groups the plays into three categories: social comedy, which underwrites Stuart ideology; subversive comedy, which undercuts it; and comical satire, which challenges it as fundamentally immoral or amoral. Through play-by-play analysis, he demonstrates how most of the comedies support the ideology of the Stuart monarchs and the aristocracy, upholding what they regarded as their natural right to rule because of an innate superiority over all other classes. A significant minority of comedies, however, reveal cracks in class solidarity, portray witty heroines who inhabit the margins of society, or give voice to folk tricksters who embody a democratic force nearly capable of overwhelming class hierarchy. A smaller yet but still significant minority end in no resolution, no restoration, but, at their most radical, playfully portray Stuart ideology as empty rhetoric. Tricksters and Estates is a truly comprehensive work, offering serious critical readings of many plays that have never before received close attention and fresh insights into more familiar works. By juxtaposing the comedies of such lesser-known playwrights as Orrery, Lacy, and Rawlins with those of more familiar figures like Behn, Wycherley, and Dryden, the author invites a greater appreciation than has previously been possible of the meaning and function of Restoration comedy. This intelligent and wide-ranging study promises is a standard work in its field.
Author: LeRoy Ashby
Publisher: University Press of Kentucky
Published: 2006-05-12
Total Pages: 713
ISBN-13: 0813123976
DOWNLOAD EBOOKWith Amusement for All contextualizes what Americans have done for fun since 1830, showing the reciprocal nature of the relationships among social, political, economic, and cultural forces and the ways in which the entertainment world has reflected, changed, or reinforced the values of American society.