Published by the Boy Scouts of America for all BSA registered adult volunteers and professionals, Scouting magazine offers editorial content that is a mixture of information, instruction, and inspiration, designed to strengthen readers' abilities to better perform their leadership roles in Scouting and also to assist them as parents in strengthening families.
For over one hundred years, Congregation Sons of Israel has been the thriving spiritual home of observant Jews in Brooklyn’s Bensonhurst. As that neighborhood grew throughout the twentieth century from a small seaside community to a middle-class haven for immigrants and others, the rabbis, officers, and congregants built a center of worship, education, and service based on the highest principles of the Torah. From the early 1940s to today, Jack Klein was at the center of it all. Taking office in 1974, he is the longest-serving president in the congregation’s history. In these pages, Mr. Klein tells the incredible story of perseverance through times of challenge and triumph for Sons of Israel, the United States, and the Jewish people. There are many congregations in Bensonhurst but only one known as the Big Shul, a center of Jewish life that proudly remains in service today.
A historical exploration of the Irish image in popular culture It only took a century or so to segue from phrases like “No Irish Need Apply” to “Kiss Me, I’m Irish” in American popular culture. Indeed, the transformation of the Irish image is a fascinating blend of political, cultural, racial, commercial, and social influences. The Green Space examines the variety of factors that contributed to remaking the Irish image from downtrodden and despised to universally acclaimed. To understand the forces that molded how people understand “Irish” is to see the matrix—the green space—that facilitated their interaction between the 1890s and 1960s. Marion R. Casey argues that, as “Irish” evolved between the mid-nineteenth and mid-twentieth centuries, a visual and rhetorical expanse for representing ethnicity was opened up in the process. The evolution was also transnational; both Ireland and the United States were inextricably linked to how various iterations of “Irish” were deployed over time—whether as a straightforward noun about a specific people with a national identity or a loose, endlessly malleable adjective only tangentially connected to actual ethnic identity. Featuring a rich assortment of sources and images, The Green Space takes the history of the Irish image in America as a prime example of the ways in which culture and identity can be manufactured, repackaged, and ultimately revolutionized. Understanding the multifaceted influences that shaped perceptions of “Irishness” holds profound relevance for examining similar dynamics within studies of various immigrant and ethnic communities in the US.