Government keeps growing, while our freedoms—and pocketbooks—keep shrinking. As America faces another four years of radical government expansion, columnist James Antle asks in Devouring Freedom, “Can big government ever be stopped?” It’s a problem that’s been fed from both sides of the aisle as politicians for generations have tried to buy their own job security with hand-outs and programs, platitudes and government-subsidized loans. James Antle examines the addition both parties have to bigger spending, bigger government programs, bigger intrusion into our lives and bigger dependency on the nanny state, as he examines how an ever-expanding government inevitably leads to less prosperity, less independence, less ingenuity, less growth, and far less liberty. Devouring Freedom is the book for anyone who believes that Obama’s second term is just the latest installment in the long obituary for American liberty. And it’s the book for anyone who’s ever asked, “Is it too late to turn the ship around?”
This book offers an in-depth analysis of a fundamental human freedom and a cornerstone of democracy: the Freedom of Religions or Beliefs (FoRB). The book focuses on the legal protection and promotion of FoRB in Europe because, in this context, exercising this right goes beyond a mere internal positioning in terms of legislation; rather, it is influenced by international and supranational case law, as well as the promotional activities of selected non-state subjects of international law. The content is divided into three sections: Part I on the European Convention of Human Rights, Part II on the EU, and Part III on other international actors. The first two Parts examine FoRB in its systematic aspects and “day-to-day” aspects. In contrast, the third Part highlights the promotional activities carried out by the Holy See, the ILO, the Council of Europe (“beyond the Strasbourg Court”), and the OSCE to promote, recommend or otherwise support it. Overall, the volume highlights how the exercise of FoRB can be ensured via international and supranational legal protection (both normative and judicial) and via promotional activities aimed at encouraging and helping states guarantee tolerance and pluralism in their national legislation. The 16 main chapters offer a broad overview of the topic under investigation. Each contribution can be seen as a stand-alone study and, simultaneously, as a link in a chain of legal analysis that connects multiple FoRB-focused questions. The book offers a valuable tool for all readers with an academic or professional interest in FoRB and those who have to address the issue of how to protect this freedom. It is intended not only for academics who work in the field of law but also for legal practitioners (judges, lawyers, diplomats), human rights advocates, members of religious and spiritual communities, policymakers and students.
This book is a complete and comprehensive projection of John Whiting as an absurdist playwright. It is a round and unvarnished story of a prodigious playwright who within a short span of his life, did much to outshine his contemporaries. His journey was not limited to stage and theatre. He also wrote for the films, television and even radio. The journey began with The Conditions of Agreement in 1946 and ended with The Devils in 1961. In between he wrote many landmark plays through which one can trace the evolutionary trajectory of a legend in the making who was a confluence of mind and mystery, love and revenge, sentimentality and blood lust. His plays are replete with sin and sleaze, callousness and collusion. This was because in Whiting, one also comes across the diminution of norms owning to ethical elasticity and dispensability of principles. In his plays the pathology of power is matched by the ethos of human failings as is exemplified by the rise and fall of Grandier in The Devils. Here the banality of power fails to keep distance between pretense and principles. Bereft of the romance of renewal and predictability, many of his plays end up on disjointed note in the best tradition of the theatre of the absurd. The playwright's obsession with pre-mediated violence creates a disconnect between storyline and characterization. In practically every plays of Whiting creates a heady cocktail of fear, violence, loathing and paranoia and yet they make for a compelling reading. This book is a summary of my findings regarding John Whiting with terse comments on his qualities as an absurdist playwright. It has been my endeavor to assess him both as a literary figure and a playwright, wedded to the absurdist tradition.
Methods Devour Themselves is a dialogue between fiction and non-fiction. Inspired by Quentin Meillassoux's Science Fiction and Extro-Science Fiction that was paired with an Isaac Asimov short story, this book examines the ways in which stories can provoke philosophical interventions and philosophical essays can provoke stories. Alternating between Benjanun Sriduangkaew's fiction and J. Moufawad-Paul's non-fiction, Methods Devour Themselves is an interstitial project that brings fiction and essay into a unique, avant-garde whole.
‘Hell is other people!’ So said the great French existentialist philosopher, novelist and playwright Jean-Paul Sartre. The Reality of Others explores Sartre’s infamous maxim in detail—when, where and why he said it, what he really meant by it, and what it means for us today. In comprehensively answering that crucial question, author Gary Cox provides an in-depth account of what Sartre and other philosophers and psychologists have said about the human condition, the nature of the self, and the intricate ways in which that nature shapes the interpersonal dynamics of our relationships with others. A genuine guide to lowering the temperature of our interactions with others, the book offers invaluable philosophical advice on how to establish more amicable, constructive and productive human relations, both with the people we know intimately and with the strangers we have to deal with each day. Ultimately, the key to not seeing hell in others lies in being calm, rational, moderate and authentic in our own person, while always treating others with consideration and respect—especially when they are making it most difficult for us to do so.
An alternate view of the perplexing and often contradictory fiction of an elusive author Few if any writers in the English language have been cited, praised, chided, or marveled at more routinely than Joseph Conrad for the perplexing evasiveness, contradictoriness, and indeterminacy of their fiction. William Freedman argues that the explanations typically offered for these identifying characteristics of much of Conrad's work are inadequate if not mistaken. Freedman's claim is that the illusiveness of a coherent interpretation of Conrad's novels and shorter fictions is owed not primarily to the inherent slipperiness or inadequacy of language or the consequence of a willful self-deconstruction. Nor is it a product of the writer's philosophical nihilism or a realized aesthetic of suggestive vagueness. Rather, Freedman argues, the perplexing elusiveness of Conrad's fiction is the consequence of a pervasive ambivalence toward threatening knowledge, a protective reluctance and recoil that are not only inscribed in Conrad's tales and novels, but repeatedly declared, defended, and explained in his letters and essays. Conrad's narrators and protagonists often set out on an apparent quest for hidden knowledge or are drawn into one. But repelled or intimidated by the looming consequences of their own curiosity and fervor, they protectively obscure what they have barely glimpsed or else retreat to an armory of practiced distractions. The result is a confusingly choreographed dance of approach and withdrawal, fascination and revulsion, revelation and concealment. The riddling contradictions of these fictions are thus in large measure the result of this ambivalence, their evasiveness the mark of intimidation's triumph over fascination. The idea of dangerous and forbidden knowledge is at least as old as Genesis, and Freedman provides a background for Conrad's recoil from full exposure in the rich admonitory history of such knowledge in theology, myth, philosophy, and literature. He traces Conrad's impassioned, at times pleading case for protective avoidance in the writer's letters, essays, and prefaces, and he elucidates its enactment and its connection to Conrad's signature evasiveness in a number of short stories and novels, with special attention to The Secret Agent, Heart of Darkness, Lord Jim, Under Western Eyes, and The Rescue.
Ranger, the time-traveling golden retriever, is back for the third book in Kate Messner's new chapter book series. This time, he helps two kids navigate the Underground Railroad! Ranger is a time-traveling golden retriever with search-and-rescue training. In this adventure, he goes to a Maryland plantation during the days of American slavery, where he meets a young girl named Sarah. When she learns that the owner has plans to sell her little brother, Jesse, to a plantation in the Deep South, it means they could be separated forever. Sarah takes their future into her own hands and decides there's only one way to run -- north.
