'Keane has a sharp eye, but a compassionate one' GUARDIAN 'I admired many authors. But Molly, I loved' DIANA ATHILL 'Miss Farrell's genius lies in her remorselessness . . . deliciously funny' NEW YORK TIMES BOOK REVIEW Jessica and Jane have been living together for six months and are devoted friends - or are they? Jessica loves her friend with the cruelty of total possessiveness; Jane is rich, silly, and drinks rather too many brandy-and-sodas. Watching from the sidelines, their friend Sylvester regrets that Jane should be 'loved and bullied and perhaps even murdered by that frightful Jessica', but decides it's none of his business. When the Irish gentleman George Playfair meets Jane, however, he thinks otherwise and entices her to Ireland where the battle for her devotion begins.
Jessica and Jane have been living together for six months. They are devoted friends--or are they? Jessica loves her friend with the cruelty of total possessiveness. Jane is rich, silly, and drinks rather too many brandy-and-sodas. Watching from the sidelines, Sylvester regrets that she should be loved and bullied and perhaps even murdered by that frightful Jessica, but decides it is none of his business. When the Irish gentleman George Playfair meets Jane, however, he thinks otherwise--he entices Jane to Ireland where the battle for her devotion begins. A studied satire of art deco decadence and louche behavior, "Devoted Ladies" is a sharp and glittering satire on female love.
The lives of many lesbians prior to 1965 remain cloaked in mystery. Historians have turned the spotlight on upper-middle-class “romantic friends” and on working-class butch and femme women, but the lives of the lower-middle-class majority remain in the shadows. Awfully Devoted Women offers a portrait of middle-class lesbianism in the decades before the gay rights movement in English Canada. This intimate study of the lives of women who were forced to love in secret not only challenges the idea that lesbian relationships in the past were asexual, it also reveals the courage it took to explore desire in an era when women were supposed to know little about sexuality.
Ulrich von Liechtenstein's extraordinary account of his adventures as a knight-errant is one of the most vivid images of chivalric life. Ulrich von Liechtenstein's extraordinary account of his adventures as a knight-errant is one of the most vivid images of chivalric life to have come down to us. His knightly autobiography was written in the mid-thirteenth century, and gives an account of the "journey of Venus" which he undertook in 1226 in honour of his lady, in which he claimed to have broken 307 spears in jousts against all comers in the space of a month. Some of it is obviously quietlyexaggerated, written for his friends' entertainment many years later, and he is not above a sly dig at the conventions of courtly love, but he completely accepts its basic ideas. It is full of lively episodes and good stories, aswell as verses in honour of his lady; if the tale has been polished up for effect, it is nonetheless a thoroughly entertaining account of how a knight saw his ideal career in the jousting field. If the name is unexpectedly familiar to modern readers, it is because it was borrowed by the hero of the film A Knight's Tale; Ulrich would have certainly approved of his exploits. Introduction by KELLY DEVRIES.
This book situates the single woman within the evolving landscape of modernity, examining how she negotiated rural and urban worlds, explored domestic and bohemian roles, and traversed public and private spheres. In the modern era, the single woman was both celebrated and derided for refusing to conform to societal expectations regarding femininity and sexuality. The different versions of single women presented in cultural narratives of this period—including the old maid, odd woman, New Woman, spinster, and flapper—were all sexually suspicious. The single woman, however, was really an amorphous figure who defied straightforward categorization. Emma Sterry explores depictions of such single women in transatlantic women’s fiction of the 1920s to 1940s. Including a diverse selection of renowned and forgotten writers, such as Djuna Barnes, Rosamond Lehmann, Ngaio Marsh, and Eliot Bliss, this book argues that the single woman embodies the tensions between tradition and progress in both middlebrow and modernist literary culture.
Literary Nonfiction. California Interest. LGBT Studies. Women's Studies. Elizabeth Hall began writing I HAVE DEVOTED MY LIFE TO THE CLITORIS in the summer of 2010 after reading Thomas Laqueur's Making Sex. She was particularly struck by Laqueur's bold assertion: "More words have been shed, I suspect, about the clitoris, than about any other organ, or at least, any organ its size." How was it possible that Hall had been reading compulsively for years and never once stumbled upon this trove of prose devoted to the clit? If Lacquer's claim was correct, where were all these "words"? And more: what did size have to do with it? Hall set out to find all that had been written about the clit past and present. As she soon discovered, the history of the clitoris is no ordinary tale; rather, its history is marked by the act of forgetting. "Marvelously researched and sculpted... Bulleted points rat-tat-tatting the patriarchy, strobing with pleasure." Dodie Bellamy "Freud, terra cotta cunts, hyenas, anatomists, and Acker, mixed with a certain slant of light on a windowsill and a leg thrown open invite us... Bawdy and beautiful." Wendy C. Ortiz "Gorgeous little book about a gorgeous little organ... Mines discourses as varied as sexology, plastic surgery, literature and feminism to produce an eye-opening compendium... The 'tender button' finally gets its due." Janet Sarbanes "God this book is glorious... You will learn and laugh and wonder why it took you so long to find this book." Suzanne Scanlon "The luxury of lingering in pleasure is what Hall's book gives its readers, not only because the subject is at once sexy and scientifically compelling, but because it is rendered with graceful care, delivering in small bites an investigation of the clit that is simultaneously a meditation on the myriad ways in which smallness hides power." The Rumpus"
