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Devi Purana

Author: Dinesh Bhatia

Publisher: Bloomsbury Publishing

Published: 2023-02-18

Total Pages: 412

ISBN-13: 9354359736

Srimad Devi Bhagavatam, also known as Devi Purana, is one of the many works of Maharishi Veda Vyasa. Consisting of 18,000 verses, it is divided into 12 chapters and numerous sections. Though classified as an upapurana (sub-Purana), it is the only Purana that Veda Vyasa terms 'Mahapurana', or the great Purana, at the end of each chapter. Vyasa's narration reiterates that the Supreme Goddess or the Divine Mother, as described in all scriptures, is the one beyond and above the Trinity of Gods and all Devas. The stories in the book not only establish this but also describe various manifestations of the Devi. All the Puranas are essentially collections of stories, through a narrator called Suta, who heard these from his guru, Vyasa. These, in their original form, are woven like a web and are not easy to comprehend since there is no defined order, be it chronological or otherwise. Dinesh Bhatia segregates and simplifies the stories as well as their underlying philosophies in order to present them in a simple and comprehensible way. He also reorganises the flow of stories as a direct narration by Vyasa to King Janamejaya, the grandson of Abhimanyu, while retaining the essence of the original work.

Devi Bhagwat Purana

Author: B. K. Chaturvedi

Publisher: Diamond Pocket Books (P) Ltd.

Published: 2024-08-30

Total Pages: 116

ISBN-13: 9788171828326

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This Puran is devoted to the mother goddess. Owing to her brocreational capabilities she is considered to be the geacom of all energy. Hence the term 'shakti' for mother Godders which literally means energy.

Devi

Author: Ramesh Menon

Publisher: books catalog

Published: 2006

Total Pages: 536

ISBN-13:

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The Devi Bhagavatam is said to have been composed in Bengal in the sixth century CE, in twelve Parvas and 18,000 slokas. The text is only available in Bengali, with Hindi commentaries. It is replete with references to and legends from an obviously pre-Vedic religion of the Goddess. The Devi Bhagavatam is a Shakta Purana. It is for the Shakta what the Bhagavata Purana is for the Vaishnava: his or her most sacred book. The Shaktas worship Shakti, the Eternal Feminine, in all her forms. Devi is Kali and Durga; she is Saraswati, Mahalakshmi and Parvati; she is Sati, Sita and Radha. She is the Mother of the Universe; without her animating power, Shiva becomes shava, a corpse. This book is an abridged literary rendering of the Devi Bhagavatam. It retells all the major legends of the Goddess, as well as some other, less known tales.

Bhagavata Purana

Author: Ramesh Menon

Publisher:

Published: 2007

Total Pages: 1492

ISBN-13:

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Even after he has composed the awesome Mahabharata, the Maharishi Vyasa finds no peace. Narada Muni says to him, Ordinary men will be delighted by your work, but what about the Sages of heaven and earth? You have described the human life, its strife and its ends, but you have not yet described the Lord himself. You must turn your great gift to that task; only then will you find peace. Veda Vyasa composes the Bhagavata Purana, in eighteen thousand slokas and twelve kandas. He teaches it to his illumined son Suka, who narrates the Secret Purana to Yudhishtira s heir, King Parikshit, on the banks of the Ganga. The Bhagavata Purana is a living embodiment of the Lord Narayana and claims to bestow moksha merely by being heard. Just before Krishna, the Avatara, leaves the world, Uddhava says to him, leave us a tangible form, Lord, in which we can find you, touch you, and be near you. Krishna enters the Bhagavata Purana with all of his being. This book is a full literary rendering of the Bhagavata Purana, bringing all the wonder, wisdom and grace of the Book of God to the modern reader.

The Devī Gītā

Author: C. Mackenzie Brown

Publisher: State University of New York Press

Published: 1998-09-11

Total Pages: 422

ISBN-13: 0791497739

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This book provides a translation, with introduction, commentary, and annotation, of the medieval Hindu Sanskrit text the Devi Gita (Song of the Goddess). It is an important but not well-known text from the rich SAakta (Goddess) tradition of India. The Devi Gita was composed about the fifteenth century C.E., in partial imitation of the famous Bhagavad Gita (Song of the Lord), composed some fifteen centuries earlier. Around the sixth century C.E., following the rise of several male deities to prominence, a new theistic movement began in which the supreme being was envisioned as female, known as the Great Goddess (Maha-Devi). Appearing first as a violent and blood-loving deity, this Goddess gradually evolved into a more benign figure, a compassionate World-Mother and bestower of salvific wisdom. It is in this beneficent mode that the Goddess appears in the Devi Gita. This work makes available an up-to-date translation of the Devi Gita, along with a historical and theological analysis of the text. The book is divided into sections of verses, and each section is followed by a comment explaining key terms, concepts, ritual procedures, and mythic themes. The comments also offer comparisons with related schools of thought, indicate parallel texts and textual sources of verses in the Devi Gita, and briefly elucidate the historical and religious background, supplementing the remarks of the introduction.

In Praise of the Goddess

Author:

Publisher: Nicolas-Hays, Inc.

Published: 2003-12-01

Total Pages: 407

ISBN-13: 0892546166

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About 16 centuries ago, an unknown Indian author or authors gathered together the diverse threads of already ancient traditions and wove them into a verbal tapestry that today is still the central text for worshippers of the Hindu Devi, the Divine Mother. This spiritual classic, the Devimahatmya, addresses the perennial questions of the nature of the universe, humankind, and divinity. How are they related, how do we live in a world torn between good and evil, and how do we find lasting satisfaction and inner peace? These questions and their answers form the substance of the Devimahatmya. Its narrative of a dispossessed king, a merchant betrayed by the family he loves, and a seer whose teaching leads beyond existential suffering sets the stage for a trilogy of myths concerning the all-powerful Divine Mother, Durga, and the fierce battles she wages against throngs of demonic foes. In these allegories, her adversaries represent our all-too-human impulses toward power, possessions, and pleasure. The battlefields symbolize the field of human consciousness on which our lives' dramas play out in joy and sorrow, in wisdom and folly. The Devimahatmya speaks to us across the ages of the experiences and beliefs of our ancient ancestors. We sense their enchantment at nature's bounty and their terror before its destructive fury, their recognition of the good and evil in the human heart, and their understanding that everything in our experience is the expression of a greater reality, personified as the Divine Mother.

The Roots of Tantra

Author: Katherine Anne Harper

Publisher: SUNY Press

Published: 2002-02-21

Total Pages: 284

ISBN-13: 9780791453056

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Among the many spiritual traditions born and developed in India, Tantra has been the most difficult to define. Almost everything about it its major characteristics, its sources, its relationships to other religions, even its practices are debated among sc

The Triumph of the Goddess

Author: C. Mackenzie Brown

Publisher: SUNY Press

Published: 1990-08-29

Total Pages: 352

ISBN-13: 9780791403648

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The authors of the Devī-Bhāgavata Purāna endeavored to demonstrate the superiority of the Devī over competing masculine deities, and to articulate in new ways the manifold nature of the Goddess. Brown's book sets out to examine how the Purana pursues these ends. The Devī-Bhāgavata employs many ancient myths and motifs from older masculine theologies, incorporating them into a thoroughly "feminized" theological framework. The text also seeks to supplant older "masculine" canonical authorities. Part I of Brown's study explores these strategies by focusing on the Purana's self-conscious endeavor to supersede the famous VaisBhagavata Purana. The Devī-Bhāgavata also re-envisions older mythological traditions about the Goddess, especially those in the first great Sanskritic glorification of the Goddess, the Devi-Mahatmya. Brown shows in Part II how this re-envisioning process transforms the Devī from a primarily martial and erotic goddess into the World-Mother of infinite compassion. Part III examines the Devi Gita, the philosophical climax of the Purana modeled upon the Bhagavad Gita. The Devi Gita, while affirming that ultimate reality is the divine Mother, avows that her highest form as consciousness encompasses all gender, thereby suggesting the final triumph of the Goddess. It is not simply that She is superior to the male gods, but rather that She transcends Her own sexuality without denying it.