Detroit Metal City, Vol. 2
Author: Kiminori Wakasugi
Publisher: VIZ Media LLC
Published: 2012-11-26
Total Pages: 200
ISBN-13: 1421557614
DOWNLOAD EBOOKThere's nothing chic about you anymore!! -- VIZ Media
Read and Download eBook Full
Author: Kiminori Wakasugi
Publisher: VIZ Media LLC
Published: 2012-11-26
Total Pages: 200
ISBN-13: 1421557614
DOWNLOAD EBOOKThere's nothing chic about you anymore!! -- VIZ Media
Author: Kiminori Wakasugi
Publisher: VIZ Media LLC
Published: 2013-04-24
Total Pages: 206
ISBN-13: 1421560364
DOWNLOAD EBOOKI AM the scum of the earth!! -- VIZ Media
Author: Kiminori Wakasugi
Publisher: VIZ Media LLC
Published: 2012-11-06
Total Pages: 194
ISBN-13: 1421557185
DOWNLOAD EBOOKHow did this happen? When and where did I go wrong? This is not the kind of band I wanted to be in! -- VIZ Media
Author: Kiminori Wakasugi
Publisher: VIZ Media LLC
Published: 2010-12-14
Total Pages: 0
ISBN-13: 9781421532561
DOWNLOAD EBOOKGo to DMC!! By all appearances, Soichi Negishi is a sweet, well-mannered boy who likes Swedish pop music, trendy boutiques, and all things fashionable. But at the same time he's also Krauser II, front man for Detroit Metal City, an indie death metal band whose popularity increases by the day. Once the DMC makeup goes on and Soichi takes the stage, his natural talent as a death metal god can't help but flourish. Is this the band he's truly destined to be in? Because I love youuu!
Author: Chuck Klosterman
Publisher: Simon and Schuster
Published: 2012-12-11
Total Pages: 312
ISBN-13: 1471104508
DOWNLOAD EBOOKThe year is 1983, and Chuck Klosterman just wants to rock. But he's got problems. For one, he's in the fifth grade. For another, he lives in rural North Dakota. Worst of all, his parents aren't exactly down with the long hairstyle which rocking requires. Luckily, his brother saves the day when he brings home a bit of manna from metal heaven, SHOUT AT THE DEVIL, Motley Crue's seminal paean to hair-band excess. And so Klosterman's twisted odyssey begins, a journey spent worshipping at the heavy metal altar of Poison, Lita Ford and Guns N' Roses. In the hilarious, young-man-growing-up-with-a-soundtrack-tradition, FARGO ROCK CITY chronicles Klosterman's formative years through the lens of heavy metal, the irony-deficient genre that, for better or worse, dominated the pop charts throughout the 1980s. For readers of Dave Eggers, Lester Bangs, and Nick Hornby, Klosterman delivers all the goods: from his first dance (with a girl) and his eye-opening trip to Mandan with the debate team; to his list of 'essential' albums; and his thoughtful analysis of the similarities between Guns 'n' Roses' 'Lies' and the gospels of the New Testament.
Author: Michael J. Sullivan
Publisher: Orbit
Published: 2011-12-14
Total Pages: 571
ISBN-13: 0316192430
DOWNLOAD EBOOKThe adventure continues as Royce and Hadrian aid the struggling kingdom of Melengar as it alone stands in defiance against the newly formed empire. War approaches and a desperate gamble behind enemy lines is their only chance at forming an alliance with the Nationalists to the south. But Royce has plans of his own as he uses this opportunity to discover if an ancient wizard is using Riyria as pawns in his own bid for power. To find the truth, Royce must unravel Hadrian's hidden past. What he discovers will lead them to the end of the known world, on a journey rife with treachery and intrigue. When author Michael J. Sullivan self-published the first books of his Riyria Revelations, they rapidly became ebook bestsellers. Now, Orbit is pleased to present the complete series for the first time in bookstores everywhere.
Author: Kiminori Wakasugi
Publisher: VIZ Media LLC
Published: 2013-05-21
Total Pages: 216
ISBN-13: 1421563541
DOWNLOAD EBOOKThe Mega Brutal Final Volume! -- VIZ Media
Author: Drew Philp
Publisher: Simon and Schuster
Published: 2017-04-11
Total Pages: 283
ISBN-13: 147679801X
DOWNLOAD EBOOKA young college grad buys a house in Detroit for $500 and attempts to restore it—and his new neighborhood—to its original glory in this “deeply felt, sharply observed personal quest to create meaning and community out of the fallen…A standout” (Kirkus Reviews, starred review). Drew Philp, an idealistic college student from a working-class Michigan family, decides to live where he can make a difference. He sets his sights on Detroit, the failed metropolis of abandoned buildings, widespread poverty, and rampant crime. Arriving with no job, no friends, and no money, Philp buys a ramshackle house for five hundred dollars in the east side neighborhood known as Poletown. The roomy Queen Anne he now owns is little more than a clapboard shell on a crumbling brick foundation, missing windows, heat, water, electricity, and a functional roof. A $500 House in Detroit is Philp’s raw and earnest account of rebuilding everything but the frame of his house, nail by nail and room by room. “Philp is a great storyteller…[and his] engrossing” (Booklist) tale is also of a young man finding his footing in the city, the country, and his own generation. We witness his concept of Detroit shift, expand, and evolve as his plan to save the city gives way to a life forged from political meaning, personal connection, and collective purpose. As he assimilates into the community of Detroiters around him, Philp guides readers through the city’s vibrant history and engages in urgent conversations about gentrification, racial tensions, and class warfare. Part social history, part brash generational statement, part comeback story, A $500 House in Detroit “shines [in its depiction of] the ‘radical neighborliness’ of ordinary people in desperate circumstances” (Publishers Weekly). This is an unforgettable, intimate account of the tentative revival of an American city and a glimpse at a new way forward for generations to come.
Author: Mercy Otis Warren
Publisher: Palala Press
Published: 2016-04-27
Total Pages: 426
ISBN-13: 9781354838389
DOWNLOAD EBOOKThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Brett Lashua
Publisher: Springer
Published: 2018-10-24
Total Pages: 446
ISBN-13: 3319940813
DOWNLOAD EBOOKThis book draws from a rich history of scholarship about the relations between music and cities, and the global flows between music and urban experience. The contributions in this collection comment on the global city as a nexus of moving people, changing places, and shifting social relations, asking what popular music can tell us about cities, and vice versa. Since the publication of the first Sounds and the City volume, various movements, changes and shifts have amplified debates about globalization. From the waves of people migrating to Europe from the Syrian civil war and other conflict zones, to the 2016 “Brexit” vote to leave the European Union and American presidential election of Donald Trump. These, and other events, appear to have exposed an anti-globalist retreat toward isolationism and a backlash against multiculturalism that has been termed “post-globalization.” Amidst this, what of popular music? Does music offer renewed spaces and avenues for public protest, for collective action and resistance? What can the diverse histories, hybridities, and legacies of popular music tell us about the ever-changing relations of people and cities?