Catalogue of the Harvard University Fine Arts Library, The Fogg Art Museum
Author: Harvard University. Fine Arts Library
Publisher:
Published: 1976
Total Pages: 642
ISBN-13:
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Author: Harvard University. Fine Arts Library
Publisher:
Published: 1976
Total Pages: 642
ISBN-13:
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Publisher: Macmillan Reference USA
Published: 1987
Total Pages: 632
ISBN-13:
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Publisher:
Published: 1987
Total Pages: 656
ISBN-13:
DOWNLOAD EBOOKAuthor: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
Published: 1962
Total Pages: 1056
ISBN-13:
DOWNLOAD EBOOKAuthor: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
Published: 1965
Total Pages: 1056
ISBN-13:
DOWNLOAD EBOOKAuthor: Sotheby's France SA.
Publisher:
Published: 2004
Total Pages: 210
ISBN-13:
DOWNLOAD EBOOKAuthor: Sotheby's Monaco S.A.
Publisher:
Published: 1988
Total Pages: 504
ISBN-13:
DOWNLOAD EBOOKAuthor: New York Public Library. Art and Architecture Division
Publisher:
Published: 1975
Total Pages: 742
ISBN-13:
DOWNLOAD EBOOKAuthor: Hollis Clayson
Publisher: Getty Publications
Published: 2003-10-30
Total Pages: 224
ISBN-13: 0892367296
DOWNLOAD EBOOKIn this engrossing book, Hollis Clayson provides the first description and analysis of French artistic interest in women prostitutes, examining how the subject was treated in the art of the 1870s and 1880s by such avant-garde painters as Cézanne, Degas, Manet, and Renoir, as well as by the academic and low-brow painters who were their contemporaries. Clayson not only illuminates the imagery of prostitution-with its contradictory connotations of disgust and fascination-but also tackles the issues and problems relevant to women and men in a patriarchal society. She discusses the conspicuous sexual commerce during this era and the resulting public panic about the deterioration of social life and civilized mores. She describes the system that evolved out of regulating prostitutes and the subsequent rise of clandestine prostitutes who escaped police regulation and who were condemned both for blurring social boundaries and for spreading sexual licentiousness among their moral and social superiors. Clayson argues that the subject of covert prostitution was especially attractive to vanguard painters because it exemplified the commercialization and the ambiguity of modern life.