Spotlights the graphic abilities of Giambattista Tiepolo's most famous son and closest collaborator. The catalogue accompanied an exhibition arranged in collaboration with the Indiana University Art Museum. Four essays pertaining to the artist and his work are followed by color and bandw reproductions and commentary. No index. Annotation copyrighted by Book News, Inc., Portland, OR
In this major new work of art history, Adelheid M. Gealt and George Knox assemble, present, and document for the first time a cycle of 313 drawings of scenes from the New Testament by the 18th-century Venetian draftsman Domenico Tiepolo (1727-1804). When Domenico died in 1804, the drawings were dispersed among various purchasers. Locating, identifying, and documenting them required years of detective work by Gealt and Knox. This book presents the fruit of their labours and is a treasure that any art lover will wish to own. The book will accompany an exhibition to open October 2006 at The Frick Museum in New York.Introductory chapters by Knox and Gealt provide a history of the drawings and a discussion of the literary and pictorial traditions in which Domenico worked and the complexities of his narrative approach. The heart of the book is a catalog of full-colour reproductions of the drawings, arranged to follow the New Testament narrative from the lives of Joachim and Anna (Christ's grandparents) through the acts of Peter and Paul. The accompanying text includes the biblical passages depicted in each drawing, synopses of the stories that Domenico tells, and commentaries. A reference section provides further information on the traditions of iconography and on the biblical and historical sources reflected in Domenico Tiepolo's work.Adelheid M. Gealt has been Director of the Indiana University Art Museum since 1989. An internationally recognized expert on Domenico, she is the author of Domenico Tiepolo: The Punchinello Drawings (Braziller, 1986).George Knox, Professor Emeritus at the University of British Columbia, is an authority on Venetian art and has published on the works of both Gimabattista and Domenico Tiepolo.Gealt and Knox are coauthors of Domenico Tiepolo: Master Draftsman (IUP, 1997).
This volume, one of a series of sixteen, catalogues the eighteenth-century Italian drawings in The Robert Lehman Collection at The Metropolitan Museum. -- Metropolitan Museum of Art website.
Published in conjunction with an exhibit which opened in Venice in 1996 and at the Metropolitan Museum of Art in New York during the first part of 1997. The exhibit organizers aimed to show Tiepolo as one of the presiding geniuses of the European imagination. In essays and entries on every work shown, the text illuminates his formation; his mastery of mythological and poetic subjects; his religious pictures; his excursions into portraiture and studies of ideal heads; and the process by which he proceeded from initial ideas--small- scale sketches--to large canvases and frescoes. Beautifully produced, the volume makes a stunning impact, and will have to suffice for those who can't make it to the exhibit itself. Distributed by Abrams. 10x12"Annotation copyrighted by Book News, Inc., Portland, OR
