This is the fourth book in the Geiserts’ series on small towns which conveys the wonder and personality of everyday life in the United States.The hot, dry desert town is prone to harsh conditions, but the town is full of life and readers are witness to many cheerful happenings over the course of the year. The Geiserts have once again captured the authenticity and essence of small-town America.
DESERT TOWN is dark crime fiction for those whohave a taste for the perverse and violent. It wasmade into a major film, DESERT FURY, starringBurt Lancaster, Lizabeth Scott and Mary Astor.It's the story of seventeen year old Paula Haller's transition into womanhood as she defies her mother, Fritzi's dominance. Fritzi runs the small town of Chuckawalla including the Purple Sage casino and saloon as well as a bordello or two. Fritzi can control everything but Paula and the tension between the two is drawn as tight as a drum. The scenery includes sprawling ranches, a very much out of place colonial mansion and the vast beauty of the desert.Mix in a notorious gangster, his insanely jealous torpedo, a love triangle, the town sheriff, some weirdly eccentric characters and innuendo aplenty. Once the sun brings all these ingredients to a boil you've got the backdrop for a noir setting like no other.
Since the 1950s, Egypt has developed a dozen new towns in the desert outside of Cairo. Intended to alleviate a growing demand for housing in the capital, most have never been completed. Edited by Marc Angélil and Charlotte Malterre-Barthes, this book presents the first systematic exploration of these cities, analysing their architecture and urban form, along with their possibilities and shortcomings. Describing their condition as 'permanently emerging', the study identifies the towns' potential through a series of design scenarios which underscore the value of re-engaging with modernist town planning, in hopes that examining past failures uncovers future opportunities.
The cult-y pocket-size field guide to the strange and intriguing secrets of the Mojave—its myths and legends, outcasts and oddballs, flora, fauna, and UFOs—becomes the definitive, oracular book of the desert For the past five years, Desert Oracle has existed as a quasi-mythical, quarterly periodical available to the very determined only by subscription or at the odd desert-town gas station or the occasional hipster boutique, its canary-yellow-covered, forty-four-page issues handed from one curious desert zealot to the next, word spreading faster than the printers could keep up with. It became a radio show, a podcast, a live performance. Now, for the first time—and including both classic and new, never-before-seen revelations—Desert Oracle has been bound between two hard covers and is available to you. Straight out of Joshua Tree, California, Desert Oracle is “The Voice of the Desert”: a field guide to the strange tales, singing sand dunes, sagebrush trails, artists and aliens, authors and oddballs, ghost towns and modern legends, musicians and mystics, scorpions and saguaros, out there in the sand. Desert Oracle is your companion at a roadside diner, around a campfire, in your tent or cabin (or high-rise apartment or suburban living room) as the wind and the coyotes howl outside at night. From journal entries of long-deceased adventurers to stray railroad ad copy, and musings on everything from desert flora, rumored cryptid sightings, and other paranormal phenomena, Ken Layne's Desert Oracle collects the weird and the wonderful of the American Southwest into a single, essential volume.
Winner of the Spur Award for Best Western Nonfiction Contemporary Winner of the LA Press Club Award for Best General Nonfiction On a scorching summer day, Donald Kueck-a desert hermit who loved animals and hated civilization-gunned down beloved deputy sheriff Stephen Sorensen when he approached his trailer. As the sound of rifle fire echoed across the Mojave, Kueck vanished. In Desert Reckoning, Deanne Stillman recounts a tragic tale, delving into the hidden history of Los Angeles County and tracing the paths of two men on a collision course that could only end in the modern Wild West.
To escape his troubled past, Norman heads to the desert to lose himself in his work. He has just received a research grant to study the ghost towns and abandoned mines that litter the landscape. But when he comes across a group of desert-dwelling outcasts and is taken captive by their charismatic leader Jacoby, he is introduced to an alternative way of life: one that both repulses and mesmerizes. As he struggles to make sense of this strange new world – with its perverse and unorthodox practices – Norman begins to realize he must either yield to the ever-watchful Jacoby, or take his chances and run. Ireland’s refined and sparse style cuts through to the dark heart of the American dream in this chilling novel about the thin lines that separate the civilized from the primitive, and the living from the dead.
Wolf shifter, Alex McCann, and mountain lion shifter, Teodora "Ted" Vasquez, came from rival clans. They left Cambio Springs together. Ted came back; Alex didn't. Now years later, the future alpha of the McCann wolves has returned with plans to bring new life to the dying desert community—plans that could change everything for the isolated enclave of shapeshifters in the California desert. As the town's doctor, Ted has concerns about exposing her community to outsiders. The two former lovers are at each other's throats. And everyone is watching to see what happens. But when murder once again strikes Cambio Springs, can they overcome their past to help the community they both call home? And can the love they once shared burn again when so many stand against it? Desert Bound is an contemporary fantasy romance. It is the second book in the Cambio Springs Mysteries series by ten-time USA Today bestselling author, Elizabeth Hunter.
In 'Picture Summer on Kodak Film', a poem by two sisters echoes across Fulford's photographs, comprised of recurring motifs: time, test strips, refracted light, rainbow colour, and distortion through shadows. Characters and places are repeated in kaleidoscopic compositions throughout this vivid sequence. Though taken across the world (in Canada, Italy, Japan, Mexico, Nepal, Thailand, USA and Vietnam), these photographs come together to create a singular visual language: one bright, timeless, fictional place. A place imbued with the unexpected beauty, humor and meaning, that one has come to expect from Jason Fulford.
