Black Harvard Doctorate in Poetics launches poetry that explores modern blackness. Clint Smith's debut poetry collection, Counting Descent, is a coming of age story that seeks to complicate our conception of lineage and tradition. Smith explores the cognitive dissonance that results from belonging to a community that unapologetically celebrates black humanity while living in a world that often renders blackness a caricature of fear. His poems move fluidly across personal and political histories, all the while reflecting on the social construction of our lived experiences. Smith brings the reader on a powerful journey forcing us to reflect on all that we learn growing up, and all that we seek to unlearn moving forward. - Winner, 2017 Black Caucus of the American Library Association Literary Award - Finalist, 2017 NAACP Image Awards - 2017 'One Book One New Orleans' Book Selection
Poetry. African & African American Studies. Women's Studies. LGBTQIA Studies. In 2013, poet Lauren Russell acquired a copy of the diary of her great-great-grandfather, Robert Wallace Hubert, a Captain in the Confederate Army. After his return from the Civil War, he fathered twenty children by three of his former slaves. One of those children was the poet's great-grandmother. Through several years of research, Russell would seek the words to fill the diary's omissions and to imagine the voice of her great-great-grandmother, Peggy Hubert, a black woman silenced by history. The result is a hybrid work of verse, prose, images and documents that traverses centuries as the past bleeds into the present. "In DESCENT, the very talented poet Lauren Russell shows us how to write what we do not know; to give with grace and dignity, humanity to names on the family tree. DESCENT is a search for truths felt in one's bones."--Brenda Coultas "An audacious, acid, lyrical re-membering that asks, what do we demand of the past, and what to do with its refusal? Russell's deep archive would not answer her back. With DESCENT, however, she speaks to us. Sit all the way down and listen up."--Douglas Kearney "Lauren Russell's stellar new book-length poem...portrays a rich, Black American ancestral record. Sifting nimbly through all manner of documentation and employing form in revelatory ways, Russell's poems are as much ascent into a present shaped by the past as descent from America's true heroic figures."--John Keene
The Decent Of Alette is a rich odyssey of transformation in the tradition of The Inferno. Alice Notley presents a feminist epic: a bold journey into the deeper realms. Alette, the narrator, finds herself underground, deep beneath the city, where spirits and people ride endlessly on subways, not allowed to live in the world above. Traveling deeper and deeper, she is on a journey of continual transformation, encountering a series of figures and undergoing fragmentations and metamorphoses as she seeks to confront the Tyrant and heal the world. Using a new measure, with rhythmic units indicated by quotations marks, Notley has created a "spoken" text, a rich and mesmerizing work of imagination, mystery, and power.
Poetry. Literary Nonfiction. African & African American Studies. Australian Book Review Book of the Year. Honorable mention for the 2017 Glenna Luschei Prize for African Poetry. "Timothy Ogene's poems are writings of witness, displacement and beauty. Instead of a home address there are poems as address, at once exquisitely gentle and acute. The sharpness of the poems' blades --whether literal, like the blades that peel cassavas and leave the speaker's arms scarred, or deeper injuries of trauma and loss--sits alongside their subtlety and tenderness. These are poems of deep attentiveness to the smallest encounters, and to the largest questions of love, doubt, solitude and migration. Their crafting reveals Ogene's deep reading, both of poetry and of the landscapes the poems explore. How do poems that bear witness to violence, loss and displacement open so gently to the reader? This paradox is one of many in these wise, important poems. I am reminded of Hélène Cixous's description of Paul Celan's poetry as 'writing that speaks of and through disaster such that disaster and desert become author or spring.' Where trees hold 'time in absent leaves,' these poems mourn roots but refrain from 'easy paths,' offering, instead, the force and grace of a numinous poetics."-- Felicity Plunkett "Where does he come from, Timothy Ogene? From Nigeria, from Liberia, from Texas, from Oxford, now Boston. But look for him in the future, where he will be writing great books. Look for him in the present, too, in this satisfying, wonderful book--already he can do everything--he makes music, his figurative language is rare in that it goes deep, is never arbitrary, there is a care for especially the poor people and objects of this world, he remains hidden behind his language yet clear, which is to say his ego does not control the writing, something else does--a desire to lead us gently to noticing. Not just noticing, experiencing. Suddenly an empty bench comes to the forefront of our sight, from the "remains" of fog. He can personify without anthropomorphizing, maybe because he loves the world without needing to hold on to any aspect of it. He is unusually free yet aware of the limitations imposed on us politically and yes by language itself. If you want some pleasure, slow down and listen to his poems."-- Ruth Lepson "Timothy Ogene's debut collection, DESCENT & OTHER POEMS, presents a lyric and emotional journey that swiftly and utterly captures the reader's eye and heart."--John Keene, judge for the 2017 Glenna Luschei Prize for African Poetry
Describes why secondary students don't read, and offers teachers practical advice and strategies for developing depth, stamina, and passion in adolescent readers.
This book takes you through a mind in turmoil; experience the twisted road that is my life. I attempt to find normalcy amidst psychosis. Where is the balance between family and madness? Like my mind, there is no order; it is a random mess that ends as it should. Can you find the meaning in the meaningless? This is the question that you will need to answer. There is no place in the world for free thinkers; they are labeled ill and quickly given the medicine that molds them into faceless consumers. Sit back, find the riddles and the tragedy within this poet of wonder.
As well as the name of a virus, a corona is a crown, the pearly glow around the sun in certain astronomical conditions and a poetic form where interlinking lines connect a sequence. It is the perfect name therefore for this new collection of 150 poems by the bestselling poet Malcolm Guite, each one written in response to the Bible’s 150 psalms as they appear in William Coverdale’s timeless translation. The Psalms express every human emotion with disarming honesty, as anger and thankfulness alike are directed at God. All of life is here with its moments of beauty and its times of despair and shame. Like the Psalms themselves, the poems do not avoid the cursing and glorying over the downfall of your enemies, but wrestle honestly with them as we do when we come to say them.
Sophie Cabot Black's anticipated follow-up to her award-winning debut, The Misunderstanding of Nature, describes a restless spirit at the crossroads of love and damage, rapture and disenchantment, the mountain and the descent.
Malcolm Guites eagerly awaited second poetry collection 'The Singing Bowl' takes is name from the breathtakingly beautiful opening poem, a sonnet which connects poetry and prayer. It includes poems that seek beauty and transfiguration in contemporary life; sonnets inspired by Francis and other outstanding saints; poems centred on love (which might be used at weddings), others on parting and mortality (which might be used at funerals). A further group, Jamming your Machine, searches for the life of the spirit in the midst of the modern era and includes an ode to an iphone.
Unique Element About the Author / Historical Context A COLLECTION OF POEMS by HENRY WADSWORTH LONGFELLOW. Kéramos and Other Poems, by AMERICAN author HENRY WADSWORTH LONGFELLOW (1807-1882) is a collection of poems first published in 1878 in the UNITED STATES. Longfellow wrote many lyric poems known for their musicality and often presenting stories of mythology and legend. He was among the most popular American poet of his day and had success overseas. This volume contains some original poems by Longfellow, as well as his translations of Virgil, Ovid, and others, including seven sonnets and one canzone by Michelangelo. Included among the poems in this collection are "The Leap of the Roushan Beg," the famous "Haroun Al Raschid" and the sequence "Birds of Passage: Flight the Fifth." "Art is the child of nature," wrote the American poet Henry Wadsworth Longfellow in his book of poetry, Kéramos and Other Poems. Sneak Peak Art is the child of Nature; yes, Her darling child, in whom we trace The features of the mother's face, Her aspect and her attitude, All her majestic loveliness Chastened and softened and subdued Into a more attractive grace, And with a human sense imbued. Title Details Originally published in 1878
