Book Two of the Funny Papers Trilogy, De Haven’s dazzling tour of twentieth-century America. New York City, circa 1936: a legendary cartoonist is taken ill with a mysterious ailment. Though Walter Geebus is stricken, possibly forever, his popular comic strip about an orphan boy and his smart-aleck talking dog must go on. But who can "ghost" the Great Geebus and satisfy millions of avid "Derby Dugan" fans? At once a rollicking and bittersweet tale of ambition, temptation, and jealousy, De Haven's novel is a tribute to the redemptive powers of love, imagination, and the well-chosen wisecrack.
The 1930s world of strip cartoons through the eyes of Al Beady, a lightning-fast pulp fiction writer. He writes text for "Derby Dugan, " a cartoon on an orphan boy and his smart-aleck talking dog, serving as comic relief for hard times.
Book One of the Funny Papers Trilogy, De Haven’s dazzling tour of twentieth-century America, FUNNY PAPERS chronicles cartoon icon Derby Dugan's beginnings in the rough-and-tumble world of yellow journalism in turn-of-the-century New York, when Hearst and Pulitzer owned tabloid America. The aptly named Georgie Wreckage, a sketch artist for Pulitzer's daily World, rockets to fame as the creator of what becomes a hugely successful cartoon franchise.
Book Three of the Funny Papers Trilogy, De Haven’s dazzling tour of twentieth-century America. In 1967, the Summer of Love, Roy Looby, a gifted young cartoonist, deserts his mentor and joins the drop-outs of San Francisco's Haight Ashbury. There Looby creates "The Imp Eugene," a libidinous comic book character who is a far cry from his mentor's signature figure, Derby Dugan—the cheerful icon of a more optimistic generation. Celebrated and vilified for his creation, Looby soon disappears, rumored to have lost his mind during the drug-fueled creation of a cartoon masterpiece, and it's to his long-suffering brother, Nick, to find him. A long, strange trip across a wildly changing America, DUGAN UNDER GROUND is a rich, inventive tale celebrating the mythic qualities of American popular culture.
This engaging book answers such intriguing questions as how author Peter Benchley got the idea for "Jaws; " where Aaron Burr shot Alexander Hamilton; and why the "Hindenberg" exploded over Lakehurst in 1937.
If we want to know how God will treat the Christian Church, we must look at how God treated the ancient people of Israel. That's the premise of Harry Huxhold's seventeen messages based on First Lesson texts from the Revised Common Lectionary, which demonstrate that the word and sacrament of Christian worship are as fresh as the promises of hope, providence, salvation, grace, and steadfast love that God first shared with humanity millennia ago. Titles include: - Days of Promise (Jeremiah 33:14-16) - The Child of Promise (Isaiah 9:2-7) - The Promise of Baptism (Isaiah 43:1-7) - The Fruit of Forgiveness (Genesis 45:3-11, 15) - Keeping the Glow On (Exodus 34:29-35) ... and more! Harry N. Huxhold holds an M.Div. degree from Concordia Seminary (St. Louis), an M.Th. degree from Luther Seminary (St. Paul, Minnesota), and a D.Min. degree (summa cum laude) from Christian Theological Seminary (Indianapolis). The author of fifteen books of devotional and sermonic materials and over fifty articles in theological journals and religious periodicals, Huxhold currently serves on the pastoral staff at King of Glory Lutheran Church in Carmel, Indiana.
The River City emerges as a hot spot for unseemly noir in this anthology with a foreword by New York Times–bestselling author Tom Robbins. A rich literary tradition sets the stage for this talented group of authors who take their inspiration from Virginia’s capital city. Edgar Allan Poe has left his mark on the atmospheric town, giving its residents a taste for walking on the dark side. It’s no wonder that three local writers took it upon themselves to curate this moody and menacing collection, featuring stories by Dean King, Laura Browder, Howard Owen, Yazmina Beverly, Tom De Haven, X.C. Atkins, Meagan J. Saunders, Anne Thomas Soffee, Clint McCown, Conrad Ashley Persons, Clay McLeod Chapman, Pir Rothenberg, David L. Robbins, Hermine Pinson, and Dennis Danvers. “[Fifteen] gritty and ominous tales . . . The writing of Poe—who grew up and forged a literary reputation in Richmond, and is usually credited with inventing the detective story—may have set the stage for the town’s kiss-me-deadly tradition.” —Richmond Times-Dispatch
This penultimate work in John Lent's series of bibliographies on comic art gathers together an astounding array of citations on American cartoonists and their work. Author John Lent has used all manner of methods to gather the citations, searching library and online databases, contacting scholars and other professionals, attending conferences and festivals, and scanning hundreds of periodicals. He has gone to great length to categorize the citations in an easy-to-use, scholarly fashion, and in the process, has helped to establish the field of comic art as an important part of social science and humanities research. The ten volumes in this series, covering all regions of the world, constitute the largest printed bibliography of comic art in the world, and serve as the beacon guiding the burgeoning fields of animation, comics, and cartooning. They are the definitive works on comic art research, and are exhaustive in their inclusiveness, covering all types of publications (academic, trade, popular, fan, etc.) from all over the world. Also included in these books are citations to systematically-researched academic exercises, as well as more ephemeral sources such as fanzines, press articles, and fugitive materials (conference papers, unpublished documents, etc.), attesting to Lent's belief that all pieces of information are vital in a new field of study such as comic art.
