On a bitterly cold night in January of 1979, the heiress to the Sheraton Hotel fortune vanished without a trace. This is the true story of Marcia Moore—daring author, yoga teacher, astrologer, and occultist. She experimented with the psychotropic anesthetic ketamine, in the same vein as Timothy Leary’s consciousness-expanding research with LSD. Her interest in psychedelics has only added to the wild theories about Moore’s mysterious death in the four decades since. Psychics, astrologers, and armchair sleuths have all had their say. Now it’s time to set the record straight. In 1980, famous true crime author Ann Rule referred to Marcia’s disappearance as “probably the strangest case I have ever written about. One day, there may be answers.” After years of painstaking research, this book reveals those answers about a case as multifaceted and intriguing as the woman who perished so tragically. This is the story of a bold woman, raised well-to-do and just a stone’s throw from Walden Pond, who took the road less traveled—and paid for it with her life.
This book adopts an international perspective to examine how the online sale of insurance challenges the insurance regulation and the insurance contract, with a focus on insurance sales, consumer protection, cyber risks and privacy, as well as dispute resolution. Today insurers, policyholders, intermediaries and regulators interact in an increasingly online world with profound implications for what has up to now been a traditionally operating industry. While the growing threats to consumer and business data from cyber attacks constitute major sources of risk for insurers, at the same time cyber insurance has become the fastest growing commercial insurance product in many jurisdictions. Scholars and practitioners from Europe, the United States and Asia review these topics from the viewpoints of insurers, policyholders and insurance intermediaries. In some cases, existing insurance regulations appear readily adaptable to the online world, such as prohibitions on deceptive marketing of insurance products and unfair commercial practices, which can be applied to advertising through social media, such as Facebook and Twitter, as well as to traditional written material. In other areas, current regulatory and business practices are proving to be inadequate to the task and new ones are emerging. For example, the insurance industry and insurance supervisors are exploring how to review, utilize, profit from and regulate the explosive growth of data mining and predictive analytics (“big data”), which threaten long-standing privacy protection and insurance risk classification laws. This book’s ambitious international scope matches its topics. The online insurance market is cross-territorial and cross-jurisdictional with insurers often operating internationally and as part of larger financial-services holding companies. The authors’ exploration of these issues from the vantage points of some of the world’s largest insurance markets – the U.S., Europe and Japan – provides a comparative framework, which is necessary for the understanding of online insurance.
The baffling true story of Marcia Moore—heiress, astrologer, and yoga master—who sacrificed her well-to-do life to study metaphysics and experiment with a mind-bending psychedelic, until her mysterious disappearance in 1979. On a bitterly cold night in January of 1979, the heiress to the Sheraton Hotel fortune vanished without a trace. This is the true story of Marcia Moore—daring author, yoga teacher, astrologer, and occultist. She experimented with the psychotropic anesthetic ketamine, in the same vein as Timothy Leary’s consciousness-expanding research with LSD. Her interest in psychedelics has only added to the wild theories about Moore’s mysterious death in the four decades since. Psychics, astrologers, and armchair sleuths have all had their say. Now it’s time to set the record straight. In 1980, famous true crime author Ann Rule referred to Marcia’s disappearance as “probably the strangest case I have ever written about. One day, there may be answers.” After years of painstaking research, this book reveals those answers about a case as multifaceted and intriguing as the woman who perished so tragically. This is the story of a bold woman, raised well-to-do and just a stone’s throw from Walden Pond, who took the road less traveled—and paid for it with her life.
Victor Silverio Posadas Hernandez explores three sets of questions: What are the investment laws in the Latin American emerging markets (LAEM) and how do they compare to those of developed countries? How heterogeneous are the implicit trading costs in the LAEM and which factors are responsible for the heterogeneity? How does the predictability of stock returns in the LAEM differ from those documented for developed markets?
"Getting what you want" today is increasingly linked to buying something. But is the purchase always enough? Picking up where "simplifying" may not satisfy, Dematerializing acknowledges the pleasures, along with the pitfalls, of living in a material world. With a sharp reporter's eye and a wry sensibility, Jane Hammerslough encourages readers to explore how a consumption-crazed culture affects their own relationships with objects. By considering what possessions can and can't do, and by exploring where belief in the magic of the material encroaches on belief in ourselves and other people, Dematerializing offers insight into the pressures of living in a possession-obsessed environment--and ways to tame materialism in our own lives. Grounded by real-world examples, research, and the author's own experience, this inspiring book is for those who appreciate having "nice things" but are also disturbed by the control "nice things" sometimes have on their lives.
The hidden material histories of music. Music is seen as the most immaterial of the arts, and recorded music as a progress of dematerialization—an evolution from physical discs to invisible digits. In Decomposed, Kyle Devine offers another perspective. He shows that recorded music has always been a significant exploiter of both natural and human resources, and that its reliance on these resources is more problematic today than ever before. Devine uncovers the hidden history of recorded music—what recordings are made of and what happens to them when they are disposed of. Devine's story focuses on three forms of materiality. Before 1950, 78 rpm records were made of shellac, a bug-based resin. Between 1950 and 2000, formats such as LPs, cassettes, and CDs were all made of petroleum-based plastic. Today, recordings exist as data-based audio files. Devine describes the people who harvest and process these materials, from women and children in the Global South to scientists and industrialists in the Global North. He reminds us that vinyl records are oil products, and that the so-called vinyl revival is part of petrocapitalism. The supposed immateriality of music as data is belied by the energy required to power the internet and the devices required to access music online. We tend to think of the recordings we buy as finished products. Devine offers an essential backstory. He reveals how a range of apparently peripheral people and processes are actually central to what music is, how it works, and why it matters.
This landmark anthology collects for the first time the key historical documents that helped give definition and purpose to the conceptual art movement. Compared to other avant-garde movements that emerged in the 1960s, conceptual art has received relatively little serious attention by art historians and critics of the past twenty-five years—in part because of the difficult, intellectual nature of the art. This lack of attention is particularly striking given the tremendous influence of conceptual art on the art of the last fifteen years, on critical discussion surrounding postmodernism, and on the use of theory by artists, curators, critics, and historians. This landmark anthology collects for the first time the key historical documents that helped give definition and purpose to the movement. It also contains more recent memoirs by participants, as well as critical histories of the period by some of today's leading artists and art historians. Many of the essays and artists' statements have been translated into English specifically for this volume. A good portion of the exchange between artists, critics, and theorists took place in difficult-to-find limited-edition catalogs, small journals, and private correspondence. These influential documents are gathered here for the first time, along with a number of previously unpublished essays and interviews. Contributors Alexander Alberro, Art & Language, Terry Atkinson, Michael Baldwin, Robert Barry, Gregory Battcock, Mel Bochner, Sigmund Bode, Georges Boudaille, Marcel Broodthaers, Benjamin Buchloh, Daniel Buren, Victor Burgin, Ian Burn, Jack Burnham, Luis Camnitzer, John Chandler, Sarah Charlesworth, Michel Claura, Jean Clay, Michael Corris, Eduardo Costa, Thomas Crow, Hanne Darboven, Raúl Escari, Piero Gilardi, Dan Graham, Maria Teresa Gramuglio, Hans Haacke, Charles Harrison, Roberto Jacoby, Mary Kelly, Joseph Kosuth, Max Kozloff, Christine Kozlov, Sol LeWitt, Lucy Lippard, Lee Lozano, Kynaston McShine, Cildo Meireles, Catherine Millet, Olivier Mosset, John Murphy, Hélio Oiticica, Michel Parmentier, Adrian Piper, Yvonne Rainer, Mari Carmen Ramirez, Nicolas Rosa, Harold Rosenberg, Martha Rosler, Allan Sekula, Jeanne Siegel, Seth Siegelaub, Terry Smith, Robert Smithson, Athena Tacha Spear, Blake Stimson, Niele Toroni, Mierle Ukeles, Jeff Wall, Rolf Wedewer, Ian Wilson
Confronting sophisticated theoretical reasoning with the actual realities of policy-making, this book is essential reading for all those interested in the risks and opportunities of a comparative-interdisciplinary approach to European governance.
This book evaluates the requirement for specificity as a criterion for property rights in securities evidenced by electronic entries made on securities accounts. It compares English, US and Swedish law with the aim of finding viable solutions.
Tokens are units digitally represented in a distributed ledger or blockchain. The various uses of this technology have the potential to transform a wide array of economic activities, from traditional commercial transactions to sophisticated financial undertakings. This paper explores the similarities and differences of tokens with traditional legal instruments in commercial law and how tokens could offer superior solutions, provided that proper legal foundations are established for their operation, including aspects of the law of securities and consumer protection law.
