Carefully reproduced from a rare 1923 limited edition, most of these magnificent drawings are unavailable elsewhere in published form. Dancers, nudes, portraits, travel scenes, and more. 100 drawings, including 8 in full color.
Edgar Degas The Dance Class Journal. Beautiful vintage impressionist painting from the 1800s by the famous painter Degas on a lovely dancer notebook. This art portrait features ballerina dancers in green tones during class. 100 page blank lined book.
A lyrical novel about what art can reveal, and a nuanced imagining of the people who influenced Edgar Degas and his work. With key roles for beloved Degas paintings.
Become a more attentive observer and deepen your appreciation for the natural world. The unique five-year calendar format of The Naturalist’s Notebook helps you create a long-term record and point of comparison for memorable events, such as the first songbird you hear in spring, your first monarch butterfly sighting of summer, or the appearance of the northern lights. Biologist Nathaniel T. Wheelwright and best-selling author Bernd Heinrich teach nature lovers of all ages what to look for outdoors no matter where you live, using Heinrich’s classic illustrations as inspiration. As you jot down one observation a day, year after year, your collected field notes will serve as a valuable record of your piece of the planet. This deluxe book, with a three-piece case, gilt edges, a burgundy ribbon bookmark, and a belly band with gold foil stamping, is a perfect gift for all nature lovers.
A lavish new investigation into the Paris Opera’s influence on Edgar Degas's painting. From his debut in the 1860s up to his final works after 1900, the Paris Opera formed a focal point of Edgar Degas's paintings. He explored the theater's various spaces—auditorium and stage, private boxes, foyers, and dance studios—and painted those who frequented them: dancers, singers, orchestral musicians, audience members, and subscribers watching from the wings. This theater presented a microcosm of infinite possibilities, allowing him to experiment with multiple points of view, contrasting lighting, motion, and the precision of movement. This catalog, created in concert with an exhibition at the Muse´e d'Orsay in Paris, and the National Gallery of Art in Washington, DC, considers the Paris Opera’s influence on Degas as a whole, examining not only his passionate relationship with the house and his musical tastes, but also the infinite resources of the opera's marvelous toolbox. Filled with striking reproductions of Degas’s work and including insightful essays by leading curators and scholars, Degas at the Opera offers admission into the world of Degas and the Paris Opera of the nineteenth century.
This newest volume in Hudson Hills Press's acclaimed series about leading collections of master drawings presents sixty-eight great sheets, all reproduced in full-color, including many versos, from one of the finest college museums in America.
Edgar Degas was one of the great pioneers of modern art, and the J. Paul Getty and Norton Simon museums are fortunate to own jointly one of his finest pastels, Waiting (L'Attente), which he made sometime between 1880 and 1882, about midway in his career. In this fascinating monograph, author Richard Thomson explores this brilliant work in detail, revealing both the intricacies of its composition and the source of the emotional pull it immediately exerts upon the viewer. For Waiting is, indeed, an extraordinary object both in its craftsmanship and color and, perhaps most especially, in its aura of ambiguity and even mystery.
DEGAS BY HIMSELF is a milestone in published approaches to the work of this remarkable figure. No other book has illustrated so many of Degas' works in colour, including his best-known paintings and sketches, as well as many works that will be unfamiliar to most people. The book draws on a range of sources - the artist's own notebooks and letters, as well as anecdotes and memoirs from his intimate circle - to trace a vivid portrait of Degas and reveal intimate aspects of his life and personality. His notebooks and letters show him as a forceful and expressive writer; there are letters to friends and customers, urgent messages to exhibitors at the Impressionist exhibition and, finally, a number of short and sad letters from his last years. Degas was also known as a wit and conversationalist, provoking a number of his friends to write down his words for posterity. For the first time, reminiscences and reported remarks have been brought together, conjuring up an unexpected picture of the artist as a man of wisdom and good humour.