Decolonize Hipsters

Decolonize Hipsters

Author: Grégory Pierrot

Publisher: Decolonize That!

Published: 2022-04-26

Total Pages: 148

ISBN-13: 9781682193174

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Few urban critters are more reviled than the hipster. They are notoriously difficult to define, and yet we know one when we see one. No wonder: they were among the global cultural phenomena that ushered in the 21st century. They have become a bulwark of mainstream culture, cultural commodity, status, butt of all jokes and ready-made meme. But frightening as it is to imagine, for more than a century hipsters have been lurking among us. Defined by their appearances and the cloud of meaning attached to them--the cool vanguard of gentrification, the personification of capitalism with a conscience--hipsters are all looks, and these looks are a visual timeline to America's past and present. Underlining this timeline is the pattern of American popular culture's love/hate/theft relationship with Black culture. Yet the pattern of recycling has reached a chilling point: the 21st century hipster made all possible past fads into new trends, including and especially the old uncool. In Decolonize Hipsters, Grégory Pierrot gives us a field guide to the phenomenon, a symptom and vanguard of the wave of aggressive white supremacist sentiment now oozing from around the globe.


Dance-Punk

Dance-Punk

Author: Larissa Wodtke

Publisher: Bloomsbury Publishing USA

Published: 2023-04-06

Total Pages: 217

ISBN-13: 1501381873

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Beginning in the late 1970s as an offshoot of disco and punk, dance-punk is difficult to define. Also sometimes referred to as disco-punk and funk-punk, it skirts, overlaps, and blurs into other genres including post-punk, post-disco, new wave, mutant disco, and synthpop. This book explores the historical and cultural conditions of the genre as it appeared in the late 1970s and early 1980s and then again in the early 2000s, and illuminates what is at stake in delineating dance-punk as a genre. Looking at bands such as Gang of Four, ESG, Public Image Ltd., LCD Soundsystem, The Rapture, and Le Tigre, this book examines the tensions between and blurring of the rhetoric and emotion in dance music and the cynical and ironic intellectualizing associated with post-punk.


Food Fight!

Food Fight!

Author: Paloma Martinez-Cruz

Publisher: University of Arizona Press

Published: 2019-03-19

Total Pages: 161

ISBN-13: 0816536066

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From the racial defamation and mocking tone of “Mexican” restaurants geared toward the Anglo customer to the high-end Latin-inspired eateries with Anglo chefs who give the impression that the food was something unattended or poorly handled that they “discovered” or “rescued” from actual Latinos, the dilemma of how to make ethical choices in food production and consumption is always as close as the kitchen recipe, coffee pot, or table grape. In Food Fight! author Paloma Martinez-Cruz takes us on a Chicanx gastronomic journey that is powerful and humorous. Martinez-Cruz tackles head on the real-world politics of food production from the exploitation of farmworkers to the appropriation of Latinx bodies and culture, and takes us right into transformative eateries that offer a homegrown, mestiza consciousness. The hard-hitting essays in Food Fight! bring a mestiza critique to today’s pressing discussions of labeling, identity, and imaging in marketing and dining. Not just about food, restaurants, and coffee, this volume employs a decolonial approach and engaging voice to interrogate ways that mestizo, Indigenous, and Latinx peoples are objectified in mainstream ideology and imaginary.


Goldilocks and the Three Bears

Goldilocks and the Three Bears

Author:

Publisher: Weatherhill, Incorporated

Published: 1999-05

Total Pages: 0

ISBN-13: 9780893469146

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A much too curious little girl enters a house when no one is home. Includes instructions for making origami house, chair, bed, cup, and bear.


What a City Is For

What a City Is For

Author: Matt Hern

Publisher: MIT Press

Published: 2016-09-23

Total Pages: 267

ISBN-13: 0262334070

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An investigation into gentrification and displacement, focusing on the case of Portland, Oregon's systematic dispersal of black residents from its Albina neighborhood. Portland, Oregon, is one of the most beautiful, livable cities in the United States. It has walkable neighborhoods, bike lanes, low-density housing, public transportation, and significant green space—not to mention craft-beer bars and locavore food trucks. But liberal Portland is also the whitest city in the country. This is not circumstance; the city has a long history of officially sanctioned racialized displacement that continues today. Over the last two and half decades, Albina—the one major Black neighborhood in Portland—has been systematically uprooted by market-driven gentrification and city-renewal policies. African Americans in Portland were first pushed into Albina and then contained there through exclusionary zoning, predatory lending, and racist real estate practices. Since the 1990s, they've been aggressively displaced—by rising housing costs, developers eager to get rid of low-income residents, and overt city policies of gentrification. Displacement and dispossessions are convulsing cities across the globe, becoming the dominant urban narratives of our time. In What a City Is For, Matt Hern uses the case of Albina, as well as similar instances in New Orleans and Vancouver, to investigate gentrification in the twenty-first century. In an engaging narrative, effortlessly mixing anecdote and theory, Hern questions the notions of development, private property, and ownership. Arguing that home ownership drives inequality, he wants us to disown ownership. How can we reimagine the city as a post-ownership, post-sovereign space? Drawing on solidarity economics, cooperative movements, community land trusts, indigenous conceptions of alternative sovereignty, the global commons movement, and much else, Hern suggests repudiating development in favor of an incrementalist, non-market-driven unfolding of the city.


The Black Avenger in Atlantic Culture

The Black Avenger in Atlantic Culture

Author: Grégory Pierrot

Publisher: University of Georgia Press

Published: 2019

Total Pages: 275

ISBN-13: 0820354929

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With the Ta-Nehisi Coates-authored Black Panther comic book series (2016); recent films Django Unchained (2012) and The Birth of a Nation (2016); Nate Parker's cinematic imagining of the Nat Turner rebellion; and screen adaptations of Marvel's Luke Cage (2016) and Black Panther (2018); violent black redeemers have rarely been so present in mainstream Western culture. Grégory Pierrot argues, however, that the black avenger has always been with us: the trope has fired the news and imaginations of the United States and the larger Atlantic World for three centuries. The black avenger channeled fresh anxieties about slave uprisings and racial belonging occasioned by European colonization in the Americas. Even as he is portrayed as a heathen and a barbarian, his values-honor, loyalty, love-reflect his ties to the West. Yet being racially different, he cannot belong, and his qualities in turn make him an anomaly among black people. The black avenger is thus a liminal figure defining racial borders. Where his body lies, lies the color line. Regularly throughout the modern era and to this day, variations on the trope have contributed to defining race in the Atlantic World and thwarting the constitution of a black polity. Pierrot's The Black Avenger in Atlantic Culture studies this cultural history, examining a multicultural and cross-historical network of print material including fiction, drama, poetry, news, and historical writing as well as visual culture. It tracks the black avenger trope from its inception in the seventeenth century to the U.S. occupation of Haiti in 1915. Pierrot argues that this Western archetype plays an essential role in helping exclusive, hostile understandings of racial belonging become normalized in the collective consciousness of Atlantic nations. His study follows important articulations of the figure and how it has shifted based on historical and cultural contexts.


Worship and Social Engagement in Urban Aboriginal-led Australian Pentecostal Congregations

Worship and Social Engagement in Urban Aboriginal-led Australian Pentecostal Congregations

Author: Tanya Riches

Publisher: BRILL

Published: 2019-05-15

Total Pages: 322

ISBN-13: 9004400273

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Worship and Social Engagement in Urban Aboriginal-led Australian Pentecostal Congregations: (Re)imagining Identity in the Spirit provides an ethnographic account of three Australian Pentecostal congregations with Aboriginal senior leadership. Within this Pentecostalism, Dreaming realities and identities must be brought together with the Christian gospel. Yet current political and economic relationships with the Australian state complicate the possibilities of interactions between culture and Spirit. The result is a matrix or network of these churches stretching across Australia, with Black Australian Pentecostals resisting and accommodating the state through the construction of new and ancient identities. This work occurs most notably in context of the worship ritual, which functions through ritual interaction chains to energise the various social engagement programs these congregations sustain.


A Third University Is Possible

A Third University Is Possible

Author: la paperson

Publisher: U of Minnesota Press

Published: 2017-06-01

Total Pages: 107

ISBN-13: 1452954100

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A Third University is Possible unravels the intimate relationship between the more than 200 US land grant institutions, American settler colonialism, and contemporary university expansion. Author la paperson cracks open uncanny connections between Indian boarding schools, Black education, and missionary schools in Kenya; and between the Department of Homeland Security and the University of California. Central to la paperson’s discussion is the “scyborg,” a decolonizing agent of technological subversion. Drawing parallels to Third Cinema and Black filmmaking assemblages, A Third University is Possible ultimately presents new ways of using language to develop a framework for hotwiring university “machines” to the practical work of decolonization. Forerunners: Ideas First is a thought-in-process series of breakthrough digital publications. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.


Listening for Change

Listening for Change

Author: M. B. Lang

Publisher: Wipf and Stock Publishers

Published: 2024-05-31

Total Pages: 165

ISBN-13: 1666778087

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Listening for Change challenges those who wish to lead in healing and reconciliation with Native American communities, showing the need to be quiet and listen. Even before the civil rights era and the accompanying American Indian Movement, indigenous Americans have insisted that White America is not listening. Scholars since Vine Deloria Jr. have called out academics for their blindness and deafness to the insights of Indians. M. B. Lang brings an account of her determination to listen to what young Native Americans have been telling the larger culture in which they find themselves. The digital age provided a platform from which a new generation could make itself heard, and Lang has aimed to listen respectfully. Listening for Change: Letting Native American Voices Unsettle Our Avoidance reports and recommends, calling for a spiritual hearing that alone may bring change in those who need it most: the listeners.