It is January 1961 and Margaret Spencer and Nat Southby are relaxing on a ski holiday when their vacation takes a bone-chilling turn. While cross-country skiing the couple comes across the frozen body of Maurice Dubois, a man who went missing from a fishing resort the month before. When Maurice’s wife is also found murdered, the two Vancouver detectives are hired by the victims’ children to investigate. An energetic hunt begins, as Maggie and Nat find themselves involved in clandestine visits to a clothing factory on East Hastings Street, encounters at horse-breeding stables in Langley, a car chase to Lulu Island and eventually a pilgrimage to the fishing resort at St. Clare’s Cove in Pender Harbour. In Death As a Last Resort, the fourth book in the popular Margaret Spencer Mystery series, our favourite Vancouver female sleuth Maggie Spencer and her partner Nat Southby continue their escapades as they track down the unlawful and dangerous.
Edgar Award Winner: True stories of miscarriages of justice, legal battles, and landmark reversals, by the creator of Perry Mason. In 1945, Erle Stanley Gardner, noted attorney and author of the popular Perry Mason mysteries, was contacted by an overwhelmed California public defender who believed his doomed client was innocent. William Marvin Lindley had been convicted of the rape and murder of a young girl along the banks of the Yuba River, and was awaiting execution at San Quentin. After reviewing the case, Gardner agreed to help—it seemed the fate of the “Red-Headed Killer” hinged on the testimony of a colorblind witness. Gardner’s intervention sparked the Court of Last Resort. The Innocence Project of its day, this ambitious and ultimately successful undertaking was devoted to investigating, reviewing, and reversing wrongful convictions owing to poor legal representation, prosecutorial abuses, biased police activity, bench corruption, unreliable witnesses, and careless forensic-evidence testimony. The crimes: rape, murder, kidnapping, and manslaughter. The prisoners: underprivileged and vulnerable men wrongly convicted and condemned to life sentences or death row with only one hope—the devotion of Erle Stanley Gardner and the Court of Last Resort. Featuring Gardner’s most damning cases of injustice from across the country, The Court of Last Resort won the Edgar Award for Best Fact Crime. Originating as a monthly column in Argosy magazine, it was produced as a dramatized court TV show for NBC.
In his blazing debut novel, Andrew Lipstein blurs the lines of fact and fiction with a thrilling story of fame, fortune, and impossible choices. Caleb Horowitz is twenty-seven, and his wildest dreams are about to come true. His manuscript has caught the attention of the agent, who offers him money, acclaim, and a taste of the literary life. He can’t wait for his book to be shopped to every editor in New York, except one: Avi Deitsch, an old college rival and the novel’s “inspiration.” When Avi gets his hands on it, he sees nothing but theft—and opportunity. Caleb is forced to make a Faustian bargain, one that tests his theories of success, ambition, and the limits of art. Last Resort is the razor-edged account of a young man’s reckless journey into authenticity. As Caleb fights to right his mistakes and reclaim his name, he must burn every bridge, confront his deepest desires, and finally see his work from the perspectives of characters he’d imagined were his own.
Named a Top 10 Book of the Year by Slate Named a Best Book of 2022 by The New Yorker Named a Best Book of 2022 by Vulture A New York Times Editors’ Choice Shortlisted for the Bollinger Everyman Wodehouse Prize for Comic Fiction In his blazing debut novel, Andrew Lipstein blurs the lines of fact and fiction with a thrilling story of fame, fortune, and impossible choices. Caleb Horowitz is twenty-seven, and his wildest dreams are about to come true. His manuscript has caught the attention of the agent, who offers him money, acclaim, and a taste of the literary life. He can’t wait for his book to be shopped to every editor in New York, except one: Avi Deitsch, an old college rival and the novel’s “inspiration.” When Avi gets his hands on it, he sees nothing but theft—and opportunity. Caleb is forced to make a Faustian bargain, one that tests his theories of success, ambition, and the limits of art. Last Resort is the razor-edged account of a young man’s reckless journey into authenticity. As Caleb fights to right his mistakes and reclaim his name, he must burn every bridge, confront his deepest desires, and finally see his work from the perspectives of characters he’d imagined were his own.
A BBC RADIO 2 BOOK CLUB CHOICE SHORTLISTED FOR THE KERRY GROUP IRISH NOVEL OF THE YEAR AWARD LONGLISTED FOR THE INTERNATIONAL DUBLIN LITERARY AWARD Unintentional psychic Maud Drennan arrives to look after Cathal Flood, a belligerent man hiding in his filthy, cat-filled home. Her job is simple: clear the rubbish, take care of the patient. But the once-grand house has more to reveal than simply its rooms. There is a secret here, and whether she likes it or not, Maud may be the one to finally uncover what has previously been kept hidden . . . * In the US, this book is published under the title Mr Flood's Last Resort
A Pulitzer Prize–winning author’s “sparkling, smart” tale of an aging writer and his younger wife looking for new life—or a way to end it—in Key West (The New York Times). Every schoolboy in America knows the work of author Wilkie Walker, who won fame and fortune with his accessible nature books. But as he turns seventy, his renown is nearly gone. Now he sits up at night torturing himself with fears that his career was a waste, his talent is gone, and his body destroyed by cancer. His wife, Jenny, twenty-five years younger, can tell only that he is out of sorts. She has no idea her husband is on the verge of giving up on life. When Jenny suggests spending the winter in Key West, Wilkie goes along with it. After all, if you need to plan a fatal “accident,” Florida is a perfectly good place to do so. And when they touch down in the sunshine state, the Walkers find it’s not too late to live life—or end it—however they damn well please. The National Book Award–shortlisted author of Foreign Affairs Affairs, The War Between the Tates, and The Last Resort writes a “sparkling, smart . . . highly volatile” novel (The New York Times). This ebook features an illustrated biography of Alison Lurie including rare images from the author’s collection.
This book examines two large and generally overlooked diaspora communities, one Jewish, the other Slavic, who found refuge in Shanghai during the tumultuous first half of the twentieth century.
In 1966, when his parents abandoned their suburban Toronto split-level to buy Green Acres, a cottage and trailer resort in Ontario’s Kawartha Lakes region, eleven-year-old Linwood Barclay’s life took an unexpected turn. No more rec-room train sets. Now Linwood was hauling fish guts to the woods for burial, answering distress calls from women in the ladies’ room who found themselves without toilet paper, and standing in leaky chest-waders pounding dock posts into the lake bottom. The chores weren’t so bad, especially when he could help his father, who had been a commercial artist before he bought his way into the tourist business. And in other ways, it was a good life for a boy. He had wheels (a John Deere riding mower), a small aluminum boat with a 9.5-horsepower outboard and only one speed (fast), and Chipper, a dog that chased boats the way other dogs chase cars, sometimes with catastrophically comic results. Linwood also had access to The Chart, a cottage reservations list that was, for him, a guide to the arrivals and departures of the guests’ teenaged daughters. Summer romances could be as intense as they were heartbreaking. When he was sixteen, an unexpected tragedy changed Linwood’s life again. His older brother, Rett, helped out as best he could, but he was wrestling with demons of his own – often withdrawing into his own complicated inner world. Linwood found an extended family in the resort’s guests, who lent him a hand, and shaped him into the man he would become. His mother’s eccentricities (she quit driving to shame the police for having given her a ticket) made Linwood’s new responsibilities heavier than they might otherwise have been. When he finally decided to move away from Green Acres to make a separate life, she made it as difficult as possible for him. In the midst of all this, Linwood found his vocation, and mentors, too, in Margaret Laurence, and in Kenneth Millar, who (under the pen name Ross MacDonald) wrote a highly successful series of detective novels. In this memoir, Linwood Barclay looks back with humour, sadness, and affection on the singular circumstances of his coming of age.
Thrilling, heartbreaking, and, at times, absurdly funny, The Last Resort is a remarkable true story about one family in a country under siege and a testament to the love, perseverance, and resilience of the human spirit. Born and raised in Zimbabwe, Douglas Rogers is the son of white farmers living through that country’s long and tense transition from postcolonial rule. He escaped the dull future mapped out for him by his parents for one of adventure and excitement in Europe and the United States. But when Zimbabwe’s president Robert Mugabe launched his violent program to reclaim white-owned land and Rogers’s parents were caught in the cross fire, everything changed. Lyn and Ros, the owners of Drifters–a famous game farm and backpacker lodge in the eastern mountains that was one of the most popular budget resorts in the country–found their home and resort under siege, their friends and neighbors expelled, and their lives in danger. But instead of leaving, as their son pleads with them to do, they haul out a shotgun and decide to stay. On returning to the country of his birth, Rogers finds his once orderly and progressive home transformed into something resembling a Marx Brothers romp crossed with Heart of Darkness: pot has supplanted maize in the fields; hookers have replaced college kids as guests; and soldiers, spies, and teenage diamond dealers guzzle beer at the bar. And yet, in spite of it all, Rogers’s parents–with the help of friends, farmworkers, lodge guests, and residents–among them black political dissidents and white refugee farmers–continue to hold on. But can they survive to the end? In the midst of a nation stuck between its stubborn past and an impatient future, Rogers soon begins to see his parents in a new light: unbowed, with passions and purpose renewed, even heroic. And, in the process, he learns that the "big story" he had relentlessly pursued his entire adult life as a roving journalist and travel writer was actually happening in his own backyard. Evoking elements of The Tender Bar and Absurdistan, The Last Resort is an inspiring, coming-of-age tale about home, love, hope, responsibility, and redemption. An edgy, roller-coaster adventure, it is also a deeply moving story about how to survive a corrupt Third World dictatorship with a little innovation, humor, bribery, and brothel management.
'Profoundly imagined characters, spiced with the off-kilter and deliciously mad . . . a work of great empathy and imagination' THE IRISH TIMES The season's just begun at Seacliff Caravan Park, but none of the residents are having a good time. Frankie is haunted by his daughter's death. Vidas, homeless and far from Lithuania, seeks sanctuary in an abandoned caravan. Anna struggles to shake off the ghost of her overbearing mother. Kathleen struggles to accept her daughter for who she is. Malcolm, a failed illusionist, makes one final attempt to reinvent himself. Agatha Christie-obsessed Alma faces her toughest case yet as she tries to help them all find what they've lost. With trademark wit and playfulness, in this stunning linked short-story collection Jan Carson explores complex family dynamics, ageing, immigration, gender politics, the decline of the Church and the legacy of the Troubles. The Last Resort firmly places Carson as one of the most inventive and daring writers of her generation. 'One of the most exciting and original Northern Irish writers of her generation' SUNDAY TIMES
