Two apparently accidental deaths at the Marconi telegraph station. The drowning of a local girl. Two cases that involve Charles, Lord Sheridan, and his wife, Kate, in foreign espionage, malicious intrigue, and inexplicable messages sent out of the blue.
An ALA Notable Book Kids ages 9-12 will “delight in [the] oddness” of this Home Alone-style tale set in the 1970s—from a prolific children’s author who captures “a magic that’s not like anyone else’s” (Neil Gaiman). With Victor’s parents out of town, he is free to investigate the mysterious lizard musicians who have recently appeared on TV . . . Things Victor loves: pizza with anchovies, grape soda, B movies aired at midnight, the evening news. And with his parents off at a resort and his older sister shirking her babysitting duties, Victor has plenty of time to indulge himself and to try a few things he’s been curious about. Exploring the nearby city of Hogboro, he runs into a curious character known as the Chicken Man (a reference to his companion, an intelligent hen named Claudia who lives under his hat). The Chicken Man speaks brilliant nonsense, but he seems to be hip to the lizard musicians (real lizards, not men in lizard suits) who’ve begun appearing on Victor’s television after the broadcast of the late-late movie. Are the lizards from outer space? From “other space”? Together Victor and the Chicken Man, guided by the able Claudia, journey to the lizards’ floating island, a strange and fantastic place that operates with an inspired logic of its own.
Along with her mother and grandmother, Hana Keller has achieved renown serving tea and cakes with a European flair, but when a local professor is killed, she uncovers a serving of suspects instead… Hana Keller is getting ready for a lovely holiday season. When she receives a rare tea set as a birthday gift, she decides to host a tea at her apartment for her closest friends. During the cozy get-together, one of Hana's friends gets word that a murderer is on the loose. Hana soon learns that the victim was Sandor Balog, a professor of Hungarian Studies at the local college. With her growing psychic ability, Hana senses that she is going to be pulled into the investigation of the professor's death somehow. With her sexy boyfriend Erik on the case, Hana finds the Tea House steeped in suspects. She studies the smiling faces celebrating the season, but the real killer is good at hiding the truth and putting Hana in the hot seat….
Alone on the endless red-sand desert in the Australian outback, tracking Varanus giganteus, the perentie lizard that grows to be more than six feet long. . . for desert rat Eric Pianka, such adventures have led to a satisfying, if unusual, way of life, as well as a distinguished career as a field biologist. In The Lizard Man Speaks, Pianka recounts more than thirty years of adventures in reptile studies, beginning with a boyhood passion for collecting snakes and lizards. He tells of "lizarding" in the North American deserts, the Kalahari Desert of southern Africa, and the Great Victoria Desert in Western Australia. His vivid imagery draws the reader into a world where lions lurk in the darkness beyond a gecko hunter's lights, where being stranded by car trouble miles from the last outpost is a constant danger, and where the wilderness still deserves to be called wild. Along the way, Pianka provides much general information about lizard ecology, the fire succession cycle, and the interaction of humans with the landscape. And he reveals the springs of his own determined spirit and love of solitude, describing a near-fatal boyhood accident and its shaping and character-building effect on the life that followed.
A first collection by an award-winning writer features characters at relationship crossroads in such stories as "Lizard Man," in which two men race to save a sick alligator; and "The End of Aaron," in which a girl helps her boyfriend face his greatest fears.
Jim Morrison, lead singer of the Doors, has achieved a bizarre cult status since his death in 1971. Morrison was one of the most popular and controversial figures to emerge during the sixties; described as an 'erotic politician', poet, shaman, Dionysian drunk, his style and influence have grown steadily in the twenty years since his death, so that the real man has gradually disappeared behind the legend. Now, in The Lizard King: The Essential Jim Morrison, Morrison's biographer Jerry Hopkins, co-author of No One Here Gets Out Alive, reassesses Jim's life and provides fresh insights into him as a human being rather than the myth that he has become. But this reassessment is only part of this remarkable book. At its heart is a series of interviews with Jim Morrison by journalists including Hopkins himself, Ben Fong-Torres, John Tobler, Bob Chorush, Salli Stevenson, Richard Goldstein and the late John Carpenter, Morrison shows himself to have been articulate, intelligent and witty. Published uncut, these interviews provide a unique insight into a man who consciously created his own myth, then lived to regret it. Stripping bare the facts from the fantasies of Jim's death in Paris in 1971, and taking a long hard look at what has happened since to the people who he left behind, The Lizard King: The Essential Jim Morrison brings sharply into focus the broken dreams and unreachable ideals of one of the sixties' most enduring icons.
The 1980s have become a decade of incredible technological advancement thanks to a race of occupying alien reptiles, but sixteen-year-old Danny Thomas thinks they're up to something. Mostly your average video game loving, pop-culture obsessed teenager, Danny finds adolescence in 1987 a bit trying. Now there's this whole new alien technology called social media. According to the world's allegedly benevolent alien benefactors, sharing photos and personal updates online is the first step to guiding Earth toward a peaceful utopia. Danny and his friends have begun to suspect the opposite is true. Together, seven teenagers and a defecting alien reptile set out to expose a sinister plot while navigating the treacherous waters of teenage friendship and romance. Punk Rock vs. The Lizard People combines the coming-of-age teen comedy-drama of The Breakfast Club with the frenetic sci-fi grit of District 9. Celebrating and subverting beloved tropes, what begins as a loving, nostalgic romp becomes a powerful meditation on grief and the quest for significance.
A story by Nobel Prize-winning writer Jose Saramago, gorgeously illustrated in woodcuts by one of Brazil's most famous artists. When a lizard appears in the neighborhood of Chiado, in Lisbon, it surprises passers-by, and mobilizes firefighters and the army. With a clear and precise style, the fable offers a multitude of senses, reaching audiences of all ages. "The Lizard" is a short story included in A Bagagem do Viajante (1973), a volume that brought together the Saramago chronicles for the newspaper A Capital and the weekly Jornal do Fundão between 1971 and 1972. Translated by Nick Caistor and Lucia Caistor, The Lizard, is an illustrated version of the chronicle by J. Borges.