Dear Naija Girl, is a blend of stories, and experiences, highlighting the ordeals of women and what it means to be female in Nigeria. It opens up its readers to what women go through in this part of the world to be successful and also be heard or given a voice in their individual spheres. Asides from sharing true life stories of several women, it also highlights the struggles of women in Nigeria go through even when they appear successful, how they have to constantly defend their success in the judging and preying eyes of the society they come from. Amidst all, it offers a way forward.Enjoy the read.
The Diary of a Desperate Naija WomanTM in the Year 20-Ten is the second in the ‘The Diary’ series published by Bola Essien-Nelson. This book, just like the first – The Diary of a Desperate Naija Woman in the Year Two Thousand and 9—is a collection of daily blogs that capture, in a very random way, the thoughts, musings and sometimes the ‘mad rants’ of a Nigerian working woman, wife and mother who desperately wants to be like her Saviour-Brother-Friend, Jesus Christ. As you flip the pages, you will travel with Bola on a year long journey across 2010 during which she tries to keep all the balls of her life up in the air AND fulfill her most passionate goal – To be an authentic Christian. This book you hold in your hand is an open invitation to all who read it to join her on this truly life-changing quest.
The Diary of a Desperate Naija Woman in the Year 2011 is collection of random blogs written by Bola Essien-Nelson giving the reader an insight into her daily life. It captures, in her own unique conversational manner, the soars and dips, the losses and the victories, the whoops of joy and the frustrated cries of defeat, and pain of an ordinary woman desperately chasing after her extraordinary God. Bola hopes that, as you read this book, the words you encounter will make you smile a little, laugh out loud a lot, and maybe even tear up on occasion as you realise that you are not alone and that many of lifes experiences are universal. She hopes that you will read and come to a deeper understanding of the incredibly intense love God has for you and that this realisation will birth a new hunger in your belly to chase after God and to do so desperately.
From the globally acclaimed, best-selling novelist and author of We Should All Be Feminists, a timely and deeply personal account of the loss of her father: “With raw eloquence, Notes on Grief … captures the bewildering messiness of loss in a society that requires serenity, when you’d rather just scream. Grief is impolite ... Adichie’s words put welcome, authentic voice to this most universal of emotions, which is also one of the most universally avoided” (The Washington Post). Notes on Grief is an exquisite work of meditation, remembrance, and hope, written in the wake of Chimamanda Ngozi Adichie's beloved father’s death in the summer of 2020. As the COVID-19 pandemic raged around the world, and kept Adichie and her family members separated from one another, her father succumbed unexpectedly to complications of kidney failure. Expanding on her original New Yorker piece, Adichie shares how this loss shook her to her core. She writes about being one of the millions of people grieving this year; about the familial and cultural dimensions of grief and also about the loneliness and anger that are unavoidable in it. With signature precision of language, and glittering, devastating detail on the page—and never without touches of rich, honest humor—Adichie weaves together her own experience of her father’s death with threads of his life story, from his remarkable survival during the Biafran war, through a long career as a statistics professor, into the days of the pandemic in which he’d stay connected with his children and grandchildren over video chat from the family home in Abba, Nigeria. In the compact format of We Should All Be Feminists and Dear Ijeawele, Adichie delivers a gem of a book—a book that fundamentally connects us to one another as it probes one of the most universal human experiences. Notes on Grief is a book for this moment—a work readers will treasure and share now more than ever—and yet will prove durable and timeless, an indispensable addition to Adichie's canon.
An edgy, bitingly funny debut about a queer, half-Nigerian college sophomore who, enraged and exhausted by the racism at her elite college, is determined to reveal the truth about The Unfortunates—the unlucky subset of Black undergrads who Just. Keep. Disappearing. Sahara is Not Okay. Entering her sophomore year, she already feels like a failure: her body is too much, her love life is nonexistent, she’s not Nigerian enough for her family, her grades are subpar, and, well, the few Black classmates she has are vanishing—or dying. Sahara herself is close to giving up: depression has been her longtime “Life Partner." She believes that this narrative—taking the form of an irreverent, no-holds-barred “thesis” addressed to the powerful University Committee that will judge her—may be her last chance to document the Unfortunates' experience before she joins their ranks...But maybe, just maybe, she and her complex community of BIPOC women aren't ready to go out without a fight.
With her award-winning debut novel, Purple Hibiscus, Chimamanda Ngozi Adichie was heralded by the Washington Post Book World as the “21st century daughter” of Chinua Achebe. Now, in her masterly, haunting new novel, she recreates a seminal moment in modern African history: Biafra’s impassioned struggle to establish an independent republic in Nigeria during the 1960s. With the effortless grace of a natural storyteller, Adichie weaves together the lives of five characters caught up in the extraordinary tumult of the decade. Fifteen-year-old Ugwu is houseboy to Odenigbo, a university professor who sends him to school, and in whose living room Ugwu hears voices full of revolutionary zeal. Odenigbo’s beautiful mistress, Olanna, a sociology teacher, is running away from her parents’ world of wealth and excess; Kainene, her urbane twin, is taking over their father’s business; and Kainene’s English lover, Richard, forms a bridge between their two worlds. As we follow these intertwined lives through a military coup, the Biafran secession and the subsequent war, Adichie brilliantly evokes the promise, and intimately, the devastating disappointments that marked this time and place. Epic, ambitious and triumphantly realized, Half of a Yellow Sun is a more powerful, dramatic and intensely emotional picture of modern Africa than any we have had before.
Meet Zuri. She’s living a fabulous life. Great car, gorgeous apartment, well paid job. Meet Zuri. Broken down car, an apartment she cant afford, a job she’s about to lose. What’s a broke girl to do? With each chapter of The Smart Money Woman comes a Smart Money Lesson, there to help you work your way up the financial ladder.
To define Nigeria is to tell a half-truth. Many have tried, but most have concluded that it is impossible to capture the true scope and significance of Africa’s most populous nation through words or images.
Dear Naija Girl, is a blend of stories, and experiences, highlighting the ordeals of women and what it means to be female in Nigeria. It opens up its readers to what women go through in this part of the world to be successful and also be heard or given a voice in their individual spheres. Asides from sharing true life stories of several women, it also highlights the struggles of women in Nigeria go through even when they appear successful, how they have to constantly defend their success in the judging and preying eyes of the society they come from. Amidst all, it offers a way forward.Enjoy the read.
