Pura Belpré Award Winner Ruth Behar's inspiring story of a Jewish girl who escapes Poland to make a new life in Cuba, where she works to rescue the rest of her family The situation is getting dire for Jews in Poland on the eve of World War II. Esther's father has fled to Cuba, and she is the first one to join him. It's heartbreaking to be separated from her beloved sister, so Esther promises to write down everything that happens until they're reunited. And she does, recording both the good--the kindness of the Cuban people and her discovery of a valuable hidden talent--and the bad: the fact that Nazism has found a foothold even in Cuba. Esther's evocative letters are full of her appreciation for life and reveal a resourceful, determined girl with a rare ability to bring people together, all the while striving to get the rest of their family out of Poland before it's too late. Based on Ruth Behar's family history, this compelling story celebrates the resilience of the human spirit in the most challenging times.
4.25 am, 5 August 1962, West Los Angeles Police Department ‘Marilyn Monroe has died of an overdose’, a man’s voice says dully. And when the stunned policeman asked ‘What?’, the same voice struggled to repeat ‘Marilyn Monroe has died. She has committed suicide.’ If life were scripted like the movies, this extraordinary phone call would have been made by the most important man in Marilyn Monroe’s life – Dr Ralph Greenson, her final psychoanalyst. During her last years Marilyn had come to rely on Greenson more and more. She met with him almost every day. He was her analyst, her friend and her confessor. He was the last person to see her alive, and the first to see her dead. In this highly acclaimed novel, Marilyn’s last years – and her last sessions on Dr Greenson’s couch – are brilliantly recreated. This is the story of the world’s most famous and elusive actress, and the world she inhabited, surrounded by such figures as Arthur Miller, Truman Capote and John Huston. It is a remarkable piece of storytelling that illuminates one of the greatest icons of the twentieth century.
TELL IT TO THE FUTURE is a compilation of stories about the Twentieth Century, written by the people who lived those years. Stories of Coming to America, going off to war, living the life of prosperity and the ups and downs of moving toward the end of the century. Stories to make you cry and laugh, to bring back memories of a Time gone By or to tell of time you never knew. These stories paint a vivid portrait of America during the decades of the 20th century...an America you'll never forget!
Rooted in the creative success of over 30 years of supermarket tabloid publishing, the Weekly World News has been the world's only reliable news source since 1979. The online hub www.weeklyworldnews.com is a leading entertainment news site.
Apart from being one of just two non-Americans in history to be honoured with Americas prestigious Golden Bandstand Award, South African broadcaster, Henry Holloways remarkable impact on American light music during his 40 years on the air, internationally, is told in this book, in words and pictures. Holloways dozens of long-running radio series on American music legends are jewels, in addition to his regular series, Swing, Sing and All That Jazz, the title of which clearly depicts Henrys penchant for that genre. His relentless pursuit to perpetuate the best from the Golden Age has prompted remarkable responses from music legends like Artie Shaw, Buddy DeFranco, Sammy Cahn, Professor Paul Tanner, Neal Hefti, Steve Allen, Bob Crosby, Les Brown, Milt Bernhart and Ray Evans, to mention but a few of many. His Golden Bandstand Award, invitations from the National Academy of Recording Arts and Sciences, the Society Of Singers, the Glenn Miller Birthplace Society, setting world records with his 60 hours radio series on Les Brown in 2001 and his 115 programmes on Glenn Miller in 2004/06, lectures on luxury cruise liners, broadcasting on the BBC, being interviewed on television and by the press in the USA; these and many other highlights are encapsulated on a first-hand basis in this remarkable autobiography by a unique South African.
Many a famous tale began with Once upon a Time. While yet others led off with It was a dark and dreary night. Each author, using these openings, was attempting to set the tone for his or her story and poem that followed. None of the stories or poetry that follow in this book set their tone with such epic or historic and yes sometimes hackneyed openings. Instead they all begin with what the individual author considered a fresh perspective on a subject of either his or her choosing or one chosen for him/her. In order to better understand this last statement, an explanation of how these authors came together to write such stories is required. In 2005, Milli Thornton, the author of the book Fear of Writing, for writers & closet writers, established a writing group in a back room of Chickis Coffee Shop in the small Texas Hill Country community of Bulverde. Each Tuesday morning this eclectic group of would-be authors gathered, and over coffee and a variety of pastries would write for two hours. The two retired school teachers, a nurse and federal agent along with, an Irish lass, and an interior designer/artist would write their stories and poems from prompts offered by Thornton in her book or from other sources such as Texas Public Radio or WritersDigest.com. Making liberal use of their literary licenses, these writers crafted their pieces from these prompts by either embodying the entire prompt or selecting key words and or phrases from these prompts. On a number of occasions the single word the was chosen from the prompt and woven into a tale. Or the writers would choose a subject that was of importance to them at that moment. A tale from ones past; a rail against some minor injustice or poking fun at one of lifes inane situation became fodder for these authors. Just as important as the prompt or fertile material as Thornton refers to them as, was the understanding that the stories and poems, when read at the conclusion of each weekly meeting, would not be negatively critiqued unless requested by the author. Instead, each participant would receive positive feed-back and encouragement on his or her works in hopes that it would inspire him/her to continue writing. The theory behind this kind of writing support can best be articulated in the words of Thornton when she discussed unleashing your imagination. She advised, The more you flex it the more limber it becomes. Positive reinforcement was intended to aid in the limbering effort, to encouraging them to continue to write and therefore become better writers. That the theory proffered by Thorntons was effective one merely has to look at the limited success of several of the authors who have contributed to this book. Two authors submitted and had their short stories selected to be read on Texas Public Radio. One author received honorable mention in another short story competition. Another of this group of authors finished and published a novel and has completed another book that is being readied for publication. These accomplishments might have not been achieved had it not been for this writing group. Moreover, this book would have not been written had it not been for the desire and dedication of these authors who week in and week out continued to pour out their souls in their short stories. Over the succeeding years, numerous writers passed through this group. Some moved on as their life situations changed; others needed something other than what was offered by the group. And still others, decided for personal reasons that the group did not satisfy their writing needs. What remained, was a constant core of writers who continued to meet and toil each Tuesday or whenever possible. The stories and poems contained in this book are the works of that core of writers. This group of writers hope that you, the reader, get as much joy from reading this collection of short stories as their authors did in creating them. The book has been divided
Rooted in the creative success of over 30 years of supermarket tabloid publishing, the Weekly World News has been the world's only reliable news source since 1979. The online hub www.weeklyworldnews.com is a leading entertainment news site.
In his remarkable 50-year career, D-Day veteran, international film publicist and executive and production associate Charles "Jerry" Juroe met, knew or worked with almost "anyone who was anyone," from Cecil B. DeMille and Alfred Hitchcock to Mary Pickford, Marilyn Monroe, Bob Hope, Katherine Hepburn, Brando and the Beatles. He made his name working on the iconic James Bond films, running publicity and advertising for both United Artists and legendary producers Albert "Cubby" Broccoli and Harry Saltzman's EON Productions. From Dr. No to GoldenEye, Juroe traveled the globe with Sean Connery, Roger Moore, Timothy Dalton and Pierce Brosnan. His entertaining memoir reads like insider history of Hollywood.
