Specialist of the Strange Dakota Frandsen writes this collection of letters to his younger self at crucial moments in his life to help him overcome the challenges of not only the supernatural but surviving domestic violence, the tragic deaths of his friends and family, and the lessons he's learned from helping others overcome their demons; real and metaphorical. It is an undisturbed insight into Frandsen's efforts to build bridges from the occult to mainstream science, going from a weird kid born in Southern Idaho to a globetrotting hunter of the things that go bump in the night.
"The letters are valuable for ecologists, students, and teachers of contemporary American literature and for those of us eager to know how these two distant neighbors networked, negotiated, and remained friends." —San Francisco Chronicle "In Distant Neighbors, both Berry and Snyder come across as honest and open–hearted explorers. There is an overall sense that they possess a deep and questing wisdom, hard earned through land work, travel, writing, and spiritual exploration. There is no rushing, no hectoring, and no grand gestures between these two, just an ever–deepening inquiry into what makes a good life and how to live it, even in the depths of the machine age."—Orion Magazine In 1969 Gary Snyder returned from a long residence in Japan to northern California, to a homestead in the Sierra foothills where he intended to build a house and settle on the land with his wife and young sons. He had just published his first book of essays, Earth House Hold. A few years before, after a long absence, Wendell Berry left New York City to return to land near his grandfather's farm in Port Royal, Kentucky, where he built a small studio and lived there with his wife as they restored an old house on their newly acquired homestead. In 1969 Berry had just published Long–Legged House. These two founding members of the counterculture and of the new environmental movement had yet to meet, but they knew each other's work, and soon they began a correspondence. Neither man could have imagined the impact their work would have on American political and literary culture, nor could they have appreciated the impact they would have on one another. Snyder had thrown over all vestiges of Christianity in favor of becoming a devoted Buddhist and Zen practitioner, and had lived in Japan for a prolonged period to develop this practice. Berry's discomfort with the Christianity of his native land caused him to become something of a renegade Christian, troubled by the church and organized religion, but grounded in its vocabulary and its narrative. Religion and spirituality seemed like a natural topic for the two men to discuss, and discuss they did. They exchanged more than 240 letters from 1973 to 2013, remarkable letters of insight and argument. The two bring out the best in each other, as they grapple with issues of faith and reason, discuss ideas of home and family, worry over the disintegration of community and commonwealth, and share the details of the lives they've chosen to live with their wives and children. Contemporary American culture is the landscape they reside on. Environmentalism, sustainability, global politics and American involvement, literature, poetry and progressive ideals, these two public intellectuals address issues as broad as are found in any exchange in literature. No one can be unaffected by the complexity of their relationship, the subtlety of their arguments, and the grace of their friendship. This is a book for the ages.
"Rachel Carson, whose brave and lyrical Silent Spring set in motion the modern environmental movement, was an extremely private public figure. Her friendship with Dorothy Freeman was begun in 1953, when Carson was forty-six, after Freeman wrote to the already-famous author. Their friendship, formed around mutual love of the Maine seashore and on an almost immediate emotional recognition, quickly gained in intensity. The friendship with Freeman became Carson's most important emotional haven and her richest source of creative support during the last twelve years of her life. Always, Rachel is first of all a record of a moving, complex, and sustained friendship between two women. It is the first revealing autobiographical writing we have from Carson." "The letters span the writing of The Edge of the Sea and of Silent Spring. They illuminate the creative turmoil Carson underwent as she wrote, her moments of despair and then of calm assurance that she had done what she imagined doing, and her sense of destiny as a writer." "Always, Rachel reveals for the first time the nearly crushing family and physical burdens under which Carson wrote Silent Spring - that she was dying of cancer as she was writing the book that was to change our view and use of environmental toxins."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
