"Dear Essential Workers," is a thank you note to the heroes and helpers of COVID-19 geared toward preschool and elementary school-aged kids. While most children are taught that first responders are heroes, COVID-19 has highlighted others who also play a pivotal role in our community. Through melodic rhyming and colorful illustrations, each page depicts who these essential workers are, how they help and the importance of expressing gratitude to them.
One of Vol. 1 Brooklyn's Favorite Fiction Books of 2017, a Literary Hub Staff Favorite Book of 2017, and one of BOMB Magazine's "Looking Back on 2017: Literature" Selections. "Wondrous . . . [A] sense of the erratic and tangential quality of everyday life—even if it’s displaced into a bizarre, parallel world—drifts off the page, into the world you see, after reading Dear Cyborgs." —Hua Hsu, The New Yorker In a small Midwestern town, two Asian American boys bond over their outcast status and a mutual love of comic books. Meanwhile, in an alternative or perhaps future universe, a team of superheroes ponder modern society during their time off. Between black-ops missions and rescuing hostages, they swap stories of artistic malaise and muse on the seemingly inescapable grip of market economics. Gleefully toying with the conventions of the novel, Dear Cyborgs weaves together the story of a friendship’s dissolution with a provocative and timely meditation on protest. Through a series of linked monologues, a lively cast of characters explores narratives of resistance—protest art, eco-terrorists, Occupy squatters, pyromaniacal militants—and the extent to which any of these can truly withstand and influence the cold demands of contemporary capitalism. All the while, a mysterious cybernetic book of clairvoyance beckons, and trusted allies start to disappear. Entwining comic-book villains with cultural critiques, Eugene Lim’s Dear Cyborgs is a fleet-footed literary exploration of power, friendship, and creativity. Ambitious and knowing, it combines detective pulps, subversive philosophy, and Hollywood chase scenes, unfolding like the composites and revelations of a dream.
NEW YORK TIMES BESTSELLER • READ WITH JENNA BOOK CLUB PICK AS FEATURED ON TODAY • “Make sure you have tissues handy when you read [this] sure-footed tearjerker” (NPR) about a young boy who must learn to go on after surviving tragedy, from the author of the Oprah’s Book Club pick Hello Beautiful. Now streaming as an Apple TV+ series starring Connie Britton, written and executive produced by Jason Katims (Friday Night Lights and Parenthood) ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, Parade, LibraryReads What does it mean not just to survive, but to truly live? One summer morning, twelve-year-old Edward Adler, his beloved older brother, his parents, and 183 other passengers board a flight in Newark headed for Los Angeles. Among them are a Wall Street wunderkind, a young woman coming to terms with an unexpected pregnancy, an injured veteran returning from Afghanistan, a business tycoon, and a free-spirited woman running away from her controlling husband. Halfway across the country, the plane crashes. Edward is the sole survivor. Edward’s story captures the attention of the nation, but he struggles to find a place in a world without his family. He continues to feel that a part of himself has been left in the sky, forever tied to the plane and all of his fellow passengers. But then he makes an unexpected discovery—one that will lead him to the answers of some of life’s most profound questions: When you’ve lost everything, how do you find the strength to put one foot in front of the other? How do you learn to feel safe again? How do you find meaning in your life? Dear Edward is at once a transcendent coming-of-age story, a multidimensional portrait of an unforgettable cast of characters, and a breathtaking illustration of all the ways a broken heart learns to love again. Praise for Dear Edward “Dear Edward is that rare book that breaks your heart and stitches it back together during a reading experience that leaves you profoundly altered for the better.”—Jodi Picoult, New York Times bestselling author of Mad Honey “Will lead you toward something wonderous, something profound.”—Kevin Wilson, New York Times bestselling author of Now Is Not the Time to Panic
This book is all about the care system, and it's written by people who have experienced it first-hand. Free Loaves on Fridays is an anthology of stories, poems, reflections and letters by more than 100 care-experienced people, which aims to challenge worn-out stereotypes. This collection gives voice to diverse experiences including foster care, adoption, kinship care and semi-independent living, among others. Headlines written about care often entrench negative ideas and dominate the narrative, leaving care-experienced people with nothing but crumbs. This anthology is an opportunity to redirect the dialogue and present a window into a world that has been overlooked for too long. Free Loaves on Fridays presents a spectrum of joy and sadness, laughter and tears, love and loss, and reminds us that bread tastes so much better when it’s been chosen.
2024 PNBA Award Winner "[Wong] paints her story with flourish."—The New York Times "A love letter to Atlantic City and the Asian American working class."— The Los Angeles Times "Blazing, lyrical."—The Boston Globe "Joyful. . . . Wong’s memoir invites those who have been overlooked in America to hold up their verses, accolades and solidarity in a collective rejoinder to their detractors."—The Washington Post An incandescent, exquisitely written memoir about family, food, girlhood, resistance, and growing up in a Chinese American restaurant on the Jersey shore. In the late 1980s on the Jersey shore, Jane Wong watches her mother shake ants from an MSG bin behind the family’s Chinese restaurant. She is a hungry daughter frying crab rangoon for lunch, a child sneaking naps on bags of rice, a playful sister scheming to trap her brother in the freezer before he traps her first. Jane is part of a family staking their claim to the American dream, even as this dream crumbles. Beneath Atlantic City’s promise lies her father’s gambling addiction, an addiction that causes him to disappear for days and ultimately leads to the loss of the restaurant. In her debut memoir, Jane Wong tells a new story about Atlantic City, one that resists a single identity, a single story as she writes about making do with what you have—and what you don’t. What does it mean, she asks, to be both tender and angry? What is strength without vulnerability—and humor? Filled with beauty found in unexpected places, Meet Me Tonight in Atlantic City is a resounding love song of the Asian American working class, a portrait of how we become who we are, and a story of lyric wisdom to hold and to share.
“Like Richard Russo’s Straight Man this book has a lot to say about the humanities in American colleges and universities…. Very funny and also moving.” —Tom Perrotta, New York Post A BEST BOOK OF THE YEAR: NPR and Boston Globe Finally a novel that puts the "pissed" back into "epistolary." Jason Fitger is a beleaguered professor of creative writing and literature at Payne University, a small and not very distinguished liberal arts college in the midwest. His department is facing draconian cuts and squalid quarters, while one floor above them the Economics Department is getting lavishly remodeled offices. His once-promising writing career is in the doldrums, as is his romantic life, in part as the result of his unwise use of his private affairs for his novels. His star (he thinks) student can't catch a break with his brilliant (he thinks) work Accountant in a Bordello, based on Melville's Bartleby. In short, his life is a tale of woe, and the vehicle this droll and inventive novel uses to tell that tale is a series of hilarious letters of recommendation that Fitger is endlessly called upon by his students and colleagues to produce, each one of which is a small masterpiece of high dudgeon, low spirits, and passive-aggressive strategies. We recommend Dear Committee Members to you in the strongest possible terms. Don’t miss Julie Schumacher's new novel, The English Experience, coming soon.
In Adrienne Kisner's Dear Rachel Maddow, a high school girl deals with school politics and life after her brother’s death by drafting emails to MSNBC host Rachel Maddow in this funny and heartfelt YA debut. Brynn Haper's life has one steadying force--Rachel Maddow. She watches her daily, and after writing to Rachel for a school project--and actually getting a response--Brynn starts drafting e-mails to Rachel but never sending them. Brynn tells Rachel about breaking up with her first serious girlfriend, about her brother Nick's death, about her passive mother and even worse stepfather, about how she's stuck in remedial courses at school and is considering dropping out. Then Brynn is confronted with a moral dilemma. One student representative will be allowed to have a voice among the administration in the selection of a new school superintendent. Brynn's archnemesis, Adam, and ex-girlfriend, Sarah, believe only Honors students are worthy of the selection committee seat. Brynn feels all students deserve a voice. When she runs for the position, the knives are out. So she begins to ask herself: What Would Rachel Maddow Do?
A deeply-reported examination of why "doing what you love" is a recipe for exploitation, creating a new tyranny of work in which we cheerily acquiesce to doing jobs that take over our lives. You're told that if you "do what you love, you'll never work a day in your life." Whether it's working for "exposure" and "experience," or enduring poor treatment in the name of "being part of the family," all employees are pushed to make sacrifices for the privilege of being able to do what we love. In Work Won't Love You Back, Sarah Jaffe, a preeminent voice on labor, inequality, and social movements, examines this "labor of love" myth—the idea that certain work is not really work, and therefore should be done out of passion instead of pay. Told through the lives and experiences of workers in various industries—from the unpaid intern, to the overworked teacher, to the nonprofit worker and even the professional athlete—Jaffe reveals how all of us have been tricked into buying into a new tyranny of work. As Jaffe argues, understanding the trap of the labor of love will empower us to work less and demand what our work is worth. And once freed from those binds, we can finally figure out what actually gives us joy, pleasure, and satisfaction.
Forced to drop out of school at the age of fourteen to help support her family, Angela, an Italian immigrant, works long hours for low wages in a garment factory, and becomes a participant in the shirtwaist worker strikes of 1909.
