It’s a New Year and it has gotten off to a very bad start for Carson. Several prominent citizens and business leaders from Humboldt are dying in some strange and bizarre accidents. Carson becomes involved when an insurance company hires him to investigate. What happens next is even more strange and bizarre for this little town in West Tennessee. The clues are everywhere, but none of them make any sense. It may be that the ‘last man standing’ is responsible for these accidents – but why? Follow Carson as he works on one his wildest adventures ever in ‘Dead Men Don’t Remember’.
The classic mystery that introduces Inspector Henry Tibbett. “If you’re hungry for a really good whodunit, you will welcome the debut of Patricia Moyes.” —The New York Times Are you craving Christie? Yearning for a plot? Whimpering softly into your teacup about the days when one could count on a nice civilized, mannerly sort of murder, with a sleuth who was reasonably free of neuroses and substance addictions? Patricia Moyes to the rescue! In Dead Men Don’t Ski she introduces Inspector Henry Tibbett, a blissfully ordinary English copper with a pleasantly plump wife and a nose for the bad guys. Sadly for Henry (but happily for us) that nose has a knack of ruining his vacations. In Dead Men, he and Emmy are headed for the Italian Dolomites, ready for a spot of skiing and some first-class people-watching, all those athletic youngsters in their swanky late-1950s ski outfits. It’s all very “Mad Men” until one dead body turns up, and then another, and it becomes clear that Murder has come to the mountain. Praise for Patricia Moyes “The author who put the ‘who’ back in whodunit.” —Chicago Daily News “A new queen of crime . . . her name can be mentioned in the same breath as Agatha Christie and Ngaio Marsh.” —Daily Herald “An excellent detective novel in the best British tradition. Superbly handled.” —Columbus Dispatch “Intricate plots, ingenious murders, and skillfully drawn, often hilarious, characters distinguish Patricia Moyes’ writing.” —Mystery Scene
In People Who Don't Know They're Dead, Gary Leon Hill tells a family story of how his Uncle Wally and Aunt Ruth, Wally's sister, came to counsel dead spirits who took up residence in bodies that didn?t belong to them. And in the telling, Hill elucidates much of what we know, or think we know, about life, death, consciousness, and the meaning of the universe. When people die by accident, in violence, or maybe they're drunk, stoned, or angry, they get freeze-framed. Even if they die naturally but have no clue what to expect, they might not notice they're dead. It's frustrating to see and not be seen. It's frustrating not to know what you're supposed to do next. It's especially frustrating to be in someone else's body and think it's your own. That's if you're dead. If you're alive and that spirit has attached itself to you, well that's a whole other set of frustrations. Wally Johnston, a behavioral psychologist, first started working with a medium in the 70s to help spirits move on to the next stage. Some years after that, Ruth Johnston, an academic psychiatric nurse, who'd become interested in new consciousness and alternative healing, began working with Wally to clear spirits who weren't moving on. These hitchhikers had attached themselves to the auras of living relatives or strangers in an attempt to hold on to a physical existence they no longer need. Through her pendulum, Ruth obtains permission from the higher self of both hitchhiker and host to work with them. Then Wally speaks with them, gently but firmly, to make sure they know they are no longer welcome to inhabit the bodies and wreak havoc on the lives of the living. Hill has woven this fascinating story with the history and theory of what happens at death, with particular emphasis on the last 40 years and the work of such groundbreaking thinkers as Elmer Green, Raymond Moody, William James, Aldous Huxley, Edith Fiore, Martha Rogers, Mark Macy, Elisabeth Kubler-Ross, Bruce Lipton, and a host of others, whose work helps inform our idea of what it is to live and to die. As it turns out, our best defense against hitchhikers is to live consciously. And our best chance of doing that is by paying attention and staying open to possibilities.
When Annie's boyfriend, the owner of D.C.'s latest hotspot, offers a six-week bar-food cooking class, tensions boil over after a student's murder and Annie's best friend Eve becomes a suspect.
Sequel Alert: Dead Men Don’t Eat Quiche, is the sequel to the hilarious Dead Men Don’t Chew Gum. It’s highly recommended that you read “Gum” first. - What Doesn’t Kill You Makes You Hungrier… Rika’s father, Chef Diego Martín, has finally been able to return to Los Angeles after 15 years, brought over to work in the VIP Center restaurant of the Temple of Microtology by its founders. But, a month later, his sous chef is found dead, Diego, missing. Rika is panicked at the thought of losing her one living parent permanently. All she knows is that she has to find her father, and she needs Nick Owen by her side. Not one night passed in the last six months that Nick hasn’t lain awake thinking of Rika, even though he’s given up hope she’ll contact him. It’s for the best, anyway. They weren’t right for each other. But when she calls and asks him to fly to L.A., nothing can stop him from racing to her side. And when he sees her again, she’s even more beautiful than she was last summer. However, he may not be prepared for what he discovers in her hometown, like Rika’s formidable grandmother who treats him like molester, the fact that L.A. men find him really, really attractive, or the weird Hollywood cult members who are spying on him and Rika. Oh, and maybe worst of all—LeeAnne. Nick never wants to see tears in Paprika’s beautiful eyes again. But is there really a chance of finding her father alive and solving the murder before the Microtologists get them, too? - More about this series: Is this series humorous? Yes, most readers find it laugh-out-loud funny. Is this series romantic? Yes, while each funny mystery is solved at the end of each book, the romance between the geek girl heroine and the "cowboy" lawyer grows throughout the series. Is there action? Yes, it's full of original, often wild and quirky, action scenes. Will this series have warm, touching, uplifting moments like the Nina Cordoba romantic comedies? Yes, Nina is all about creating unique, unforgettable characters you can feel with. Does it matter which order I read them in? Due to the many revelations about recurring characters as you get to know them as well as the humor "call backs" to earlier books, this series is best read in order. (Book 2 is Dead Men Don't Eat Quiche.) Keywords: Mystery series, romantic mystery, mysteries, amateur sleuth, cozy mysteries, women sleuths, geek romance, funny mystery, funny romance, Latina heroine, Hispanic Heroine, Latina author, diverse fiction, mystery romance, romance mystery, mysteries with dogs, dog mysteries, Los Angeles, Castle, Janet Evanovich, Stephanie Plumb, Stephanie Bond.
“NEVER HAS THE WEST BEEN WILDER.” —Ward Larsen, USA Today bestselling author Wanted in thirteen states. Locked up for two years in a Mexican prison. Released into the wilds of the American West with a twenty-thousand-dollar bounty on his head. The outlaw Torn Slater doesn’t just live outside the law, he takes it into his own hands—and makes it cry for mercy . . . After robbing some banks, Slater knows he should lay low. But when a beautiful widow asks for his help, he can’t say no. Her reckless son has gone looking for trouble in Mexico—and found it in a woman called “La Senorita.” This power-mad femme fatale combines the torture methods of the Spanish Inquisition with the heart-ripping rituals of the Aztecs to get whatever she wants. And she wants the widow’s son. Slater would be lying if he said taking down “La Senorita” would be easy. But dead men don’t lie . . . “GRITTIER THAN LOUIS L’AMOUR, Jackson Cain writes . . . some of the wildest, juiciest, fast-galloping western adventures you’ll ever read.” —William Martin, New York Times bestselling author “NON-STOP ACTION . . . These novels are tough as nails, written by a pro who knows what he’s doing.” —Steve Berry, New York Times bestselling author
On the night Leo Stone returns—notionally from the dead, in reality from the Democratic Republic of the Congo—Cass Tuplin gets a call from Gary Kellett. A call about an actual dead person: Gary’s daughter, killed in a car crash. Gary’s adamant it wasn’t an accident. Cass agrees to investigate. After all, not just Rusty Bore’s only purveyor of fine fast food, Cass is also the closest thing to a private detective within a couple of hundred k’s. The local police (Cass’s son Dean) try to warn her off. It’s true Cass’s status as a celebrated yet non-licensed nobody doesn’t entirely suit Dean. But Dean also believes Gary’s a delusional, grieving father. Is that the case? Or did a young journalist die after asking too many questions? Cass intends to find out. As soon as she’s dealt with some queries raised by the reappearance of Leo Stone. Sue Williams is a science writer and chartered accountant who also holds a PhD in marine biology. She lives in Melbourne with her husband. Her first Cass Tuplin mystery, Murder with the Lot, also published by Text, was shortlisted in the Ned Kelly Awards. ‘There’s a wry, satirical element to much of Williams’ humour...In the grand tradition of cosies, [Cass is] a woman underestimated at your peril...Fun and often charming crime fiction, thanks to its winning super-sleuth heroine.’ Saturday Paper ‘Williams captures small town Victoria with ease and her plot has enough twists and red herrings to keep it interesting. Fans of Murder With The Lot will not be disappointed, and no doubt will be hoping for more of Cass Tuplin. An excellent sequel!’ BookMooch ‘Once again, Williams has created a small-town mystery with big repercussions with the wacky, loveable characters who fill Rusty Bore making a comeback in this novel.’ Weekly Times ‘An enormously enjoyable and pacy novel set in a speck of a country town in rural Victoria, with a plucky amateur sleuth amid a quirky ensemble of townsfolk and family. Quintessentially Australian without being overcooked.’ Abbey’s Bookshop ‘[A] finely wrought and highly amusing crime novel...Williams has created a wonderful new series in the comedy crime genre. Dead Men Don’t Order Flake is a multilayered yarn that mines the rich ore of regional Australia and I can’t wait for the next Cass Tuplin adventure.’ Australian ‘Williams has put together a recipe for madcap adventure the main ingredient an engaging female lead whose nosiness solves the mysteries of her tiny hometown.’ Adelaide Advertiser ‘This book is pure entertainment the author captures the quirky ways of small town Australia perfectly, well, apart from murder that is, we don’t get too many of them in these parts.’ Audiothing ‘Smoothly written with plenty of humour, and some wry observations by Cass, this is an enjoyable, off-beat crime novel with a good cast of characters and a nicely paced storyline.’ Sydney Morning Herald
One of a series of readers for African students which aims to help them to develop an awareness and a love of language, and consists of stories from all over Africa. In this story Tembo - an African James Bond - enjoys danger, and his life is now under threat. Who is trying to kill him, and why?
""Dead Men Don't Eat Lunch"" paints a devastating picture of how British Governments have been corrupted for 30 years by huge bribes from the international arms trade, and how that corruption may even now be tainting the Liberal-Conservative Coalition Government of David Cameron and Nick Clegg. Special emphasis is given in ""Dead Men"" to the role of 'Al Yamamah, ' the notorious $150 billion arms contract between Great Britain and Saudi Arabia, which still generates $300 million in kickbacks every year. The author sets out, in gripping detail, his own discovery that the mysterious death of his close colleague, and former rising British political star, Hugh Simmonds CBE, was the direct consequence of his deadly role as British Prime Minister Margaret Thatcher's personal arms dealer, money-launderer and assassin.
