THE MUST-READ MULTIMILLION BESTSELLING MYSTERY SERIES • The final book in the A Good Girl's Guide to Murder series that reads like your favorite true crime podcast or show. By the end, you'll never think of good girls the same way again... Pip is about to head to college, but she is still haunted by the way her last investigation ended. She’s used to online death threats in the wake of her viral true-crime podcast, but she can’t help noticing an anonymous person who keeps asking her: Who will look for you when you’re the one who disappears? Soon the threats escalate and Pip realizes that someone is following her in real life. When she starts to find connections between her stalker and a local serial killer caught six years ago, she wonders if maybe the wrong man is behind bars. Police refuse to act, so Pip has only one choice: find the suspect herself—or be the next victim. As the deadly game plays out, Pip discovers that everything in her small town is coming full circle . . .and if she doesn’t find the answers, this time she will be the one who disappears. . . And don't miss Holly Jackson's next thriller, Five Surive!
Dead End in Norvelt is the winner of the 2012 Newbery Medal for the year's best contribution to children's literature and the Scott O'Dell Award for Historical Fiction! Melding the entirely true and the wildly fictional, Dead End in Norvelt is a novel about an incredible two months for a kid named Jack Gantos, whose plans for vacation excitement are shot down when he is "grounded for life" by his feuding parents, and whose nose spews bad blood at every little shock he gets. But plenty of excitement (and shocks) are coming Jack's way once his mom loans him out to help a fiesty old neighbor with a most unusual chore—typewriting obituaries filled with stories about the people who founded his utopian town. As one obituary leads to another, Jack is launced on a strange adventure involving molten wax, Eleanor Roosevelt, twisted promises, a homemade airplane, Girl Scout cookies, a man on a trike, a dancing plague, voices from the past, Hells Angels . . . and possibly murder. Endlessly surprising, this sly, sharp-edged narrative is the author at his very best, making readers laugh out loud at the most unexpected things in a dead-funny depiction of growing up in a slightly off-kilter place where the past is present, the present is confusing, and the future is completely up in the air.
For readers of Roberto Bolaño's Savage Detectives and Muriel Spark's Loitering with Intent, this "sublime" and "delightfully unhinged" metaphysical mystery disguised as a picaresque romp follows one poet's spectacular fall from grace to ask a vital question: Is everyone a plagiarist? (Nicolette Polek, author of Imaginary Museums). A scandal has shaken the literary world. As the unnamed narrator of Dead Souls discovers at a cultural festival in central London, the offender is Solomon Wiese, a poet accused of plagiarism. Later that same evening, at a bar near Waterloo Bridge, our narrator encounters the poet in person, and listens to the story of Wiese's rise and fall, a story that takes the entire night—and the remainder of the novel—to tell. Wiese reveals his unconventional views on poetry, childhood encounters with "nothingness," a conspiracy involving the manipulation of documents in the public domain, an identity crisis, a retreat to the country, a meeting with an ex-serviceman with an unexpected offer, the death of an old poet, a love affair with a woman carrying a signpost, an entanglement with a secretive poetry cult, and plans for a triumphant return to the capital, through the theft of poems, illegal war profits, and faked social media accounts—plans in which our narrator discovers he is obscurely implicated. Dead Souls is a metaphysical mystery brilliantly encased in a picaresque romp, a novel that asks a vital question for anyone who makes or engages with art: Is everyone a plagiarist?
The 1950s were simple times to grow up. For Lewis Grizzard and his buddies, gallivanting meant hanging out at the local store, eating Zagnut candy bars and drinking "Big Orange bellywashers." About the worst thing a kid ever did was smoke rabbit tobacco rolled in paper torn from a brown grocery sack, or maybe slick back his hair into a ducktail and try gyrating his hips like Elvis. But then assassinations, war, civil rights, free love, and drugs rocked the old order. And as they did, Grizzard frequently felt lost and confused. In place of Elvis, the Pied Piper of his generation, Grizzard now found wormy-looking, long-haired English kids who performed either half-naked or dressed like Zasu Pitts. Elvis Is Dead and I Don't Feel So Good Myself is the witty, satiric, nostalgic account of Grizzard's efforts to survive in a changing world. Sex, music, clothes, entertainment, and life itself receive the Grizzard treatment. In this, his sixth book, Grizzard was never funnier or more in tune with his readers. He might not have felt so good himself, but his social commentary and humor can still make the rest of us feel just fine.
#1 NEW YORK TIMES BESTSELLER • THE BLOCKBUSTER JACK REACHER SERIES THAT INSPIRED TWO MAJOR MOTION PICTURES AND THE STREAMING SERIES REACHER Jack Reacher is back! The “utterly addictive” (The New York Times) series continues as acclaimed author Lee Child teams up with his brother, Andrew Child, fellow thriller writer extraordinaire. “One of the many great things about Jack Reacher is that he’s larger than life while remaining relatable and believable. The Sentinel shows that two Childs are even better than one.”—James Patterson As always, Reacher has no particular place to go, and all the time in the world to get there. One morning he ends up in a town near Pleasantville, Tennessee. But there’s nothing pleasant about the place. In broad daylight Reacher spots a hapless soul walking into an ambush. “It was four against one” . . . so Reacher intervenes, with his own trademark brand of conflict resolution. The man he saves is Rusty Rutherford, an unassuming IT manager, recently fired after a cyberattack locked up the town’s data, records, information . . . and secrets. Rutherford wants to stay put, look innocent, and clear his name. Reacher is intrigued. There’s more to the story. The bad guys who jumped Rutherford are part of something serious and deadly, involving a conspiracy, a cover-up, and murder—all centered on a mousy little guy in a coffee-stained shirt who has no idea what he’s up against. Rule one: if you don’t know the trouble you’re in, keep Reacher by your side.
“A horror landmark and a work of gory genius.”—Joe Hill, New York Times bestselling author of The Fireman New York Times bestselling author Daniel Kraus completes George A. Romero's brand-new masterpiece of zombie horror, the massive novel left unfinished at Romero's death! George A. Romero invented the modern zombie with Night of the Living Dead, creating a monster that has become a key part of pop culture. Romero often felt hemmed in by the constraints of film-making. To tell the story of the rise of the zombies and the fall of humanity the way it should be told, Romero turned to fiction. Unfortunately, when he died, the story was incomplete. Enter Daniel Kraus, co-author, with Guillermo del Toro, of the New York Times bestseller The Shape of Water (based on the Academy Award-winning movie) and Trollhunters (which became an Emmy Award-winning series), and author of The Death and Life of Zebulon Finch (an Entertainment Weekly Top 10 Book of the Year). A lifelong Romero fan, Kraus was honored to be asked, by Romero's widow, to complete The Living Dead. Set in the present day, The Living Dead is an entirely new tale, the story of the zombie plague as George A. Romero wanted to tell it. It begins with one body. A pair of medical examiners find themselves battling a dead man who won’t stay dead. It spreads quickly. In a Midwestern trailer park, a Black teenage girl and a Muslim immigrant battle newly-risen friends and family. On a US aircraft carrier, living sailors hide from dead ones while a fanatic makes a new religion out of death. At a cable news station, a surviving anchor keeps broadcasting while his undead colleagues try to devour him. In DC, an autistic federal employee charts the outbreak, preserving data for a future that may never come. Everywhere, people are targeted by both the living and the dead. We think we know how this story ends. We. Are. Wrong. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Charles Stone has just woken up dead. Well he's pretty sure he's dead, what with the bullet holes in his chest and all. He also appears to be totally alone in the after-life except for the ghostly dog who seems to be his new companion. Unable to interact with the world of the living other than watching and listening, he and the dead dog (whom he names Rose) have nothing to do and all the time in the world to do it. When Charles and Rose try to unravel the circumstances of Charles's death, they uncover a criminal who is raking in millions of dollars by cruelly exploiting, and sometimes killing, his victims. But what difference can a ghost make? And what does the damn dog have to do with any of this? "A wonderful, original, hilarious, and brilliant book. I really enjoyed it. I think you'll like it very much indeed... A must read." --Eric Idle "Beautiful. Lyrical. Unexpected."--Linda L. Richards "Jo Perry has crafted a detailed mystery thriller with incredible heart and the real punk rock spirit ..." --It's An Indie Book Blog "It's funny, foul mouthed, almost heartbreakingly sad in the way Charlies impotence in the face of suffering reflects our own, yet, like all the best crime novels, it's satisfying in its denouement, and hope - a fragile, uncertain hope, but hope nonetheless- left me wanting more of my new favourite detecting duo. Perry's prose here is blunt, clean, simple and sharp. It's Charlie's voice, but it's also Philip Marlow, and, at times, the combination of direct language and surreality overlaying worlds unsaid makes this feel like a Noir novel by Sam Beckett. Which can not be a bad thing. Recommended for lovers of quirky crime, dark humour, Chandler (Raymond, not Bing) and the afore mentioned Hammett." --Derek Farrell, author of Death Of A Diva "DEAD IS BETTER is a total delight, a terrifically original, always surprising, very funny..." --Timothy Hallinan, award-winning author of For The Dead, The Fear Artist, Crashed, Little Elvises, The Fame Thief "DEAD IS BETTER is not just beautifully written but weirdly moving and funnier than death should be and with a dog like Rosie, the afterlife is sweeter than I could have ever hoped for." --Jervey Tervalon, author of Monster's Chef, Lita: A Novel, Understand This, and Dead Above Ground "What a wonderful book! It's witty and wise, and sometimes poignant. It's one of those rare books that made me think, 'How in the world did she think up something like that!' As one of her quotes in the books says, 'Even in the grave, all is not lost...'" --Terry Shames
It all starts with a promise from a stranger: We'll take care of everything. Holly Kendrick's husband is dead. Holly saw it all. In one violent moment, a hit-and-run accident turns Holly's life upside down. Then a fixer for the high-powered guilty party approaches Holly with an offer she is in no position to refuse. Holly and her daughter, Savannah, will want for nothing, beginning with a luxury dream house--all for the price of their silence. But when their sudden appearance in privileged Calabasas, California, piques the curiosity of neighbors, the price becomes greater than they imagined. Because Holly and Savannah aren't the only ones in the neighborhood with something to hide. Told from alternating points of view, Good as Dead draws together an unlikely group of people bound to one another by a crime, a cover-up, and compounding deceptions. As carefully constructed lives begin to crumble, how far will everyone be willing to go to bury the truth and protect the people they love?
"In her hands, Gil Harrington held both the abomination of her daughter's gap-toothed skull, and the mother of her daughter's killer, blessing them both. The phone rang that bright October morning: "Hello, this is the Charlottesville Police Department calling. We've found your daughter's purse on the ground..." For exactly 100 nights, Gil Harrington and her family stumbled, agonized, and learned to function in the uncharted hell of the Missing. Twenty-year old beautiful college co-ed Morgan Harrington, chock-a-block full of potential and promise, had gone to a concert and vanished. This is the story of a devastated mother crawling out of blind grief to become America's most skilled huntress. With love, eloquence, and social media as her only weapons, Gil Harrington pursued her daughter's murderer for five years until he was unmasked as the marauding serial murderer, the Back to School Killer who had hidden in plain sight as a genial, lumbering Charlottesville, Virginia cabbie. Morgan's mother was so crucial in the pursuit of the Back-to-School Rapist and Killer, Jesse Matthew, that Crime Stoppers recognized Gil and her non-profit foundation, Help Save the Next Girl, in solving what prosecutors called "the Super Bowl of Crime Cases." But Gil Harrington, this mother of a murdered precious daughter, is something very different from an investigator. Hers is one of the rare, intimate voices needed in our world right now, when fear and hatred are rampant. Her voice marries the pragmatism of an incisive oncology nurse and the originality of an authentic, raw prose-poet to give the world the tool kit we all need to forge hope. Harrington's voice is joined by artist, Jane Lillian Vance, who attended Matthew's trials. Vance's essays witness Gil's grace, and the stunning alchemy of darkness into freedom." --
When Jana Webster dies in a tragic accident, she finds herself transferred to 'Dead School' in the afterlife, where students fall into distinct cliques. Risers (good kids who died innocently), Sliders (bad kids, who have one foot tied to earth) and Virgins (there are fewer than Jana would expect). Jana's boyfriend and love of her life - Michael - is still in the land of the living. Michael is Romeo to Jana's Juliet and as the story goes... even death can't keep them apart. Tired of waiting for him to kill himself over his grief of losing her, Jana decides she needs to do it for him. To kill Michael she'll need the help of a dangerous and sexy Slider - Mars Dreamcoate. But Mars has a goal of his own: he wants to save a life to atone for having taken one in a drunk-driving accident. And to complicate matters, he was trying to save Jana when she died and saw what was really going on when her 'accident' happened. Jana decides to do whatever it takes to get Michael back, and nothing - not even Mars' warm touch or the devastating secret he holds about her death - will stop her.
