The rise and near destruction of Dayton in the early 20th century is chronicled in this visual postcard history. The postcards showcase some of the city's unique commercial buildings, hotels, churches, and residences, many now long gone due to urban renewal and highway construction in the 1960s and 1970s. Landmarks featured include the National Soldiers' Home, built for veterans of the Civil War in 1868, and there is an entire chapter dedicated to the events of the 1913 flood that forever changed the face of the city. Over 200 postcard images were selected from the Dayton Metro Library and a number of privately held collections.
More than 19 million tourists flock to Amish Country each year, drawn by the opportunity to glimpse "a better time" and the quaint beauty of picturesque farmland and handcrafted quilts. What they may find, however, are elaborately themed town centers, outlet malls, or even a water park. Susan L. Trollinger explores this puzzling incongruity, showing that Amish tourism is anything but plain and simple. Selling the Amish takes readers on a virtual tour of three such tourist destinations in Ohio’s Amish Country, the world’s largest Amish settlement. Trollinger examines the visual rhetoric of these uniquely themed places—their architecture, interior decor, even their merchandise and souvenirs—and explains how these features create a setting and a story that brings tourists back year after year. This compelling story is, Trollinger argues, in part legitimized by the Amish themselves. To Americans faced with anxieties about modern life, being near the Amish way of life is comforting. The Amish seem to have escaped the rush of contemporary life, the confusion of gender relations, and the loss of ethnic heritage. While the Amish way supports the idealized experience of these tourist destinations, it also raises powerful questions. Tourists may want a life uncomplicated by technology, but would they be willing to drive around in horse-drawn buggies in order to achieve it? Trollinger's answers to important questions in her fascinating study of Amish Country tourism are sure to challenge readers’ understanding of this surprising cultural phenomenon.
Beginning on Easter Sunday, March 23, 1913, torrential rains across the Midwest dropped a record three months of rainfall in four days. Floodwaters funneled down Ohio's Miami Valley into the heart of the vibrant industrial city of Dayton. Levees burst, houses were swept away, and downtown was gutted by fires blazing from broken gas mains. At the end of Easter week, nearly 100 Daytonians had perished, and tens of thousands more were left homeless and destitute--a tragedy that made banner headlines in newspapers nationwide. Out of Dayton's ashes and mud rose fierce public resolve never again to suffer such destruction. The Great Dayton Flood of 1913 reproduces some 200 astounding photographs from the collections of the Dayton Metro Library and the Miami Conservancy District and the archives of the National Cash Register Company at Dayton History. They portray the terrifying flood, monumental destruction, heroic rescues, and compassionate leadership that occurred during the disaster and its immediate aftermath, as well as the pioneering flood-control engineering that has kept Dayton safe ever since.
Many of the places that helped make Dayton a center of innovation were lost to history, while others survived and adapted, representing the city's spirit of revitalization. Some of the city's distinctive and significant structures, such as Steele High School and the Callahan Building, were demolished, while others, including the Arcade and Centre City Building, saw hard times but now await redevelopment. Entire neighborhoods, such as the Haymarket, and commercial districts, such as West Fifth Street, vanished and show no traces of their past. Others, including the popular Oregon District, narrowly escaped the wrecking ball. From the Wright Brothers Factory to the park that hosted the first NFL game, Andrew Walsh explores the diverse selection of retail, industrial, entertainment and residential sites from Dayton's disappearing legacy.
In this sweeping collection of essays, reportage and criticism, Hitchens' polemical talents at their most fearsome. "I did not, I wish to state, become a journalist because there was no other 'profession' that would have me. I became a journalist because I did not want to rely on newspapers for information." Love, Poverty and War: Journeys and Essays showcases the Hitchens' rejection of consensus and cliché, whether he's reporting from abroad in Indonesia, Kurdistan, Iraq, North Korea, or Cuba, or when his pen is targeted mercilessly at the likes of William Clinton, Mother Theresa ("a fanatic, a fundamentalist and a fraud"), the Dalai Lama, Noam Chomsky, Mel Gibson and Michael Bloomberg. Hitchens began the nineties as a "darling of the left" but has become more of an "unaffiliated radical" whose targets include those on the "left," who he accuses of "fudging" the issue of military intervention in the Balkans, Afghanistan and Iraq. Yet, as Hitchens shows in his reportage, cultural and literary criticism, and opinion essays from the last decade, he has not jumped ship and joined the right but is faithful to the internationalist, contrarian and democratic ideals that have always informed his work.