Composer Genealogies

Composer Genealogies

Author: Scott Pfitzinger

Publisher: Rowman & Littlefield

Published: 2017-03-01

Total Pages: 629

ISBN-13: 1442272252

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Throughout the western classical tradition, composers have influenced and been influenced by their students and teachers. Many musicians frequently add to their personal acclaim by naming their teachers and the lineage through which they were taught. Until now, the relationships between composers have remained uncataloged and understudied, but with enough research, it is possible to document entire schools of composition. Composer Genealogies: A Compendium of Composers, Their Teachers, and Their Students is the first volume to gather the genealogies of more than seventeen thousand classical composers in a single volume. Functioning as its own fully cross-referenced index, this volume lists composers and their dates, followed by their teachers and notable students. A short introduction presents the parameters by which composers were selected and provides a survey of the literature available for further study. Gathering records and information from reference books, university websites, obituaries, articles, composers’ websites, and even direct contact with some composers, Pfitzinger creates a valuable resource for music researchers, composers, and performers.


Douglas Moore

Douglas Moore

Author: Jerry L. McBride

Publisher: A-R Editions, Inc.

Published: 2011-01-01

Total Pages: 676

ISBN-13: 9780895796660

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MLA Index and Bibliography Series vol. 36 Additional information online at https://www.areditions.com/books/IB036.html


Sergei Rachmaninoff

Sergei Rachmaninoff

Author: Robert E. Cunningham Jr.

Publisher: Bloomsbury Publishing USA

Published: 2000-10-30

Total Pages: 366

ISBN-13: 031309540X

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Sergei Rachmaninoff was a renowned composer, pianist, and conductor. Because he was a member of the Russian aristocracy, he fled the country after the tsar's abdication, and eventually relocated in the United States. Many of his compositions are for piano, yet he also composed orchestral and symphony works, three operas, choral and liturgical works, some chamber works, and numerous songs. This guide catalogues his numerous works and performances, provides a detailed bibliography, and includes a discography of recordings released within the last half-century. Cross-referenced throughout, this volume should appeal to music and Rachmaninoff scholars who are looking for a comprehensive guide to further research.


A Singer's Guide to the American Art Song: 1870-1980

A Singer's Guide to the American Art Song: 1870-1980

Author: Victoria Etnier Villamil

Publisher: Scarecrow Press

Published: 2004-10-05

Total Pages: 480

ISBN-13: 1461655994

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New in Paperback 2004. Probably the most comprehensive work on the American art song ever available, this book considers the lives and contributions of 144 significant composers in the field, including many for whom information has been extremely scarce. Most composers' entries consist of a biographical sketch; a brief discussion of his or her song writing characteristics (with emphasis on performers' concerns); a partial or complete listing of annotated songs; recording information; and the composer's individual bibliography. Song annotations include poet, publisher, date of composition (when known), voice type, range, duration, tempo indication, mood, subject matter, vocal style, special difficulties, general impression, artists who have recorded the song, and any other pertinent information. Thirty composers whose contributions are deemed of lesser import are summarized in brief essays. Appendixes include a supplement of recommended songs; a listing of American song anthologies and their contents; and the most recent information regarding publishers cited in the guide. There is also a general discography, a general bibliography, and indexes for both titles and poets. Documenting the most important 110 years in the development of American art song, this book is an indispensable tool for singers, teachers, coaches, accompanists, and libraries.


William Schuman

William Schuman

Author: K. Gary Adams

Publisher: Bloomsbury Publishing USA

Published: 1998-05-30

Total Pages: 283

ISBN-13: 0313388091

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William Howard Schuman, a celebrated figure in 20th-century music, was a composer and a copious writer on music and music education. Early on, as a composer, he received the attention of several musicians and writers such as Nathan Broder, Elliott Carter, and Leonard Bernstein. He was the recipient of numerous prestigious awards, including the Pulitzer Prize, a Guggenheim Fellowship, and the New York Music Critics Circle Award. After teaching at Sarah Lawrence College from 1935 to 1945 and serving as president of the Juilliard School from 1945 to 1962, Schuman assumed the presidency of Lincoln Center, where he successfully implemented that institution's artistic programs. Schuman, who composed in several genres, is perhaps best known for his orchestral compositions and choral music. This reference work provides a biography and a thorough catalog and guide to Schuman's writings and compositions and to the current research available on this gifted and multi-talented musician. An invaluable resource to music scholars interested in William Schuman's career, five sections provide accessible detailed information: a biography, works and performances, discography, bibliography, and bibliography of writings by Schuman. The biography traces Schuman's life and career with an emphasis on illustrating his compositional activity. The bibliography includes books, dissertations, articles, and reviews that chronicle Schuman's activities from his days as a young composer to his death in 1992. An author index, index of compositions, and general index complete this in-depth reference on William Schuman.


Art Song in the United States, 1759-1999

Art Song in the United States, 1759-1999

Author: Judith E. Carman

Publisher: Scarecrow Press

Published: 2001

Total Pages: 504

ISBN-13: 9780810841376

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Originally created as a teaching tool, this bibliography has taken on a second life as a research tool for various facets of American art song, including, in this edition, both current and historical discography.


Deems Taylor

Deems Taylor

Author: James A. Pegolotti

Publisher: UPNE

Published: 2003

Total Pages: 444

ISBN-13: 9781555535872

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Composer, critic, author, and radio personality, (Joseph) Deems Taylor (1885-1966) was one of the most influential figures in American culture from the 1920s through the 1940s. A self-taught composer, the New York City native wrote such pieces as the orchestral suite Through the Looking Glass and the acclaimed operas The King's Henchman and Peter Ibbetson, the first commissions ever offered by the Metropolitan Opera. Taylor's operatic works were among the most popular and widely performed of his day, yet he achieved greatest fame and recognition as the golden-voiced intermission commentator for the New York Philharmonic radio broadcasts and as the on-screen host of Walt Disney's classic film Fantasia. With his witty, clever, charming, and informative but unpatronizing manner, he almost single-handedly introduced classical music to millions of Americans across the nation. In this first biography of Taylor, James A. Pegolotti brings to life the remarkably multi-talented man within the context of his times. The captivating portrait recounts his formative years in the Bronx, his college years at New York University, where he composed four successive varsity musicals, his journalistic career first as a writer for the New York Tribune Sunday Magazine and then as the powerful music critic for the New York World, and his musical triumphs. Pegolotti also details Taylor's stints as editor of Musical America, president of the American Society of Composers, Authors and Publishers (ASCAP), best-selling author of Of Men and Music and other books, collaborator with Disney and Leopold Stokowski on Fantasia, and even judge for the Miss America pageant. He describes how Taylor used his critic's pulpit to champion American music, opera, and musicians, and also chronicles his colorful personal life, including his third marriage at age sixty to a twenty-year-old costume designer. Enlivened with such figures as George Gershwin, Jerome Kern, F. Scott Fitzgerald, Ayn Rand, and Taylor's fellow Algonquin Round Table tastemakers, this in-depth, well-balanced, and objective biography will stand as the definitive work on the great American composer-critic.


Granville Bantock (1868–1946)

Granville Bantock (1868–1946)

Author: John C. Dressler

Publisher: Liverpool University Press

Published: 2020-06-05

Total Pages: 426

ISBN-13: 1942954808

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Granville Bantock: A Guide to Research provides both researchers and British music aficionados an entry to documents, books, articles, recordings, and the like currently available for further study about Bantock’s life and music.


Elizabeth Craven: Writer, Feminist and European

Elizabeth Craven: Writer, Feminist and European

Author: Julia Gasper

Publisher: Vernon Press

Published: 2018-04-13

Total Pages: 330

ISBN-13: 1622734084

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Elizabeth Craven’s fascinating life was full of travel, love-affairs and scandals but this biography, the first to appear for a century, is the only one to focus on her as a writer and draw attention to the full range of her output, which raises her stature as an author considerably. Born into the upper class of Georgian England, she was pushed into marriage at sixteen to Lord Craven and became a celebrated society hostess and beauty, as well as mother to seven children. Though acutely conscious of her relative lack of education, as a woman, she ventured into writing poetry, stories and plays. Incompatibility and infidelities on both sides ended her marriage and she had to move to France where, living in seclusion, she wrote the little-known feminist work Letters to Her Son. In the years that followed, she travelled extensively all over Europe and turned her letters into a travelogue which is one of her best-known works. On her return she went to live in Germany as the companion and eventually second wife of the Margrave of Ansbach. At his court she organised and appeared in theatricals, and wrote several more plays of great interest, including The Modern Philosopher. In 1792 she and the Margrave settled in England, where they were never fully accepted by the more strait-laced pillars of society but mixed with all the musicians and actors and the more rakish of the Regency set. Craven continued to put on her own theatricals and write for the theatre. In her old age, she moved to Naples where she passed her time sailing, gardening and writing her Memoirs. Even in her final years, scandal dogged her, and Craven made her feminist principles and criticisms of the laws of marriage apparent through her involvement in the notorious divorce case of Queen Caroline.