Guide to the Pianist's Repertoire, third edition

Guide to the Pianist's Repertoire, third edition

Author: Maurice Hinson

Publisher: Indiana University Press

Published: 2001-05-22

Total Pages: 986

ISBN-13: 9780253109088

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"The Hinson" has been indispensable for performers, teachers, and students. Now updated and expanded, it's better than ever, with 120 more composers, expertly guiding pianists to solo literature and answering the vital questions: What's available? How difficult is it? What are its special features? How does one reach the publisher? The "new Hinson" includes solo compositions of nearly 2,000 composers, with biographical sketches of major composers. Every entry offers description, publisher, number of pages, performance time, style and characteristics, and level of difficulty. Extensively revised, this new edition is destined to become a trusted guide for years to come.


Paul Hindemith

Paul Hindemith

Author: Stephen Luttmann

Publisher: Routledge

Published: 2013-01-11

Total Pages: 578

ISBN-13: 1135848416

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Paul Hindemith: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a musician and teacher. The second edition includes research published since the publication of the first edition and provides electronic resources.


CageTalk

CageTalk

Author: Peter Dickinson

Publisher: University Rochester Press

Published: 2014

Total Pages: 305

ISBN-13: 1580465099

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John Cage was one of America's most renowned composers from the 1940s until his death in 1992. But he was also a much-admired writer and artist, and a uniquely attractive personality able to present his ideas engagingly wherever he went. As an interview subject he was a consummate professional. The main source of CageTalk: Dialogues with and about John Cage is a panoply of vivid and compulsively readable interviews given to Peter Dickinson in the late 1980s for a BBC Radio 3 documentary. The original BBC program lasted an hour, but the full discussions with Cage and many of the main figures connected with him were not published until the first edition of this book. CageTalk also includes earlier BBC interviews with Cage, including ones by the renowned literary critic Frank Kermode and art critic David Sylvester. And Dickinson, the editor of this volume, contributes little-known source material about Cage's Musicircus and Roaratorio as well as a substantial introduction exploring the multiple roles that Cage's varied and challenging output played during much of the twentieth century and continuesto play in the early twenty-first. Apart from the long interview with Cage himself, there are discussions with Bonnie Bird, Earle Brown, Merce Cunningham, Minna Lederman, Otto Luening, Jackson Mac Low, Peadar Mercier, Pauline Oliveros, John Rockwell, Kurt Schwertsik, Karlheinz Stockhausen, Virgil Thomson, David Tudor, La Monte Young, and Paul Zukovsky. Most of the interviews were given to Peter Dickinson but there are others involving Rebecca Boyle,Anthony Cheevers, Michael Oliver, and Roger Smalley. Peter Dickinson, British composer and pianist, is Emeritus Professor, University of Keele and University of London, and has written or edited several books about twentieth-century music, including Copland Connotations [Boydell Press, 2002] and The Music of Lennox Berkeley [Boydell Press, 2003].


I–VI

I–VI

Author: John Cage

Publisher: Wesleyan University Press

Published: 1997-11-14

Total Pages: 474

ISBN-13: 9780819563132

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Cage's contribution to Harvard's prestigious Norton Lecture Series in 1988-89. More like performances than lectures, these six mesotics - a complex horizontal arrangement of text to form vertical letter sequences that spell out key word- a kind of meticulously choreographed anarchy in which choce and chance join to redefine the concepts of meaning and meaningfulness.


John Cage and Peter Yates

John Cage and Peter Yates

Author: Martin Iddon

Publisher: Cambridge University Press

Published: 2019-11-14

Total Pages: 331

ISBN-13: 1108480063

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The last - and largest - of Cage's most important formative exchanges of letters, discussing music criticism and questions of aesthetics.


John Cage

John Cage

Author: David Patterson

Publisher: Routledge

Published: 2013-10-28

Total Pages: 279

ISBN-13: 1136527842

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John Cage seeks to explore the early part of the composer's life and career, concentrating on the pre-chance period between 1933 and 1950 that is crucial to understanding his later work. The essays consider Cage's influences, his evolving aesthetic, and his movement toward ideology that would later shape his work.


John Kirkpatrick, American Music, and the Printed Page

John Kirkpatrick, American Music, and the Printed Page

Author: Drew Michael Massey

Publisher: University Rochester Press

Published: 2013

Total Pages: 240

ISBN-13: 1580464041

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How one extraordinary pianist, scholar, and editor prepared for publication important scores by Ives, Copland, and Ruggles, and reshaped the history of American musical modernism. For over sixty years, the scholar and pianist John Kirkpatrick tirelessly promoted and championed the music of American composers. In this book, Drew Massey explores how Kirkpatrick's career as an editor of music shaped the musicand legacies of some of the great American modernists, including Aaron Copland, Ross Lee Finney, Roy Harris, Hunter Johnson, Charles Ives, Robert Palmer, and Carl Ruggles. Drawing on oral histories, interviews, and Kirkpatrick's own extensive archives, Massey carefully reconstructs Kirkpatrick's collaborations with such luminaries, displaying his editorial practice and inviting reconsideration of many of the most important debates in American modernism --for example, the self-fashioning of young composers during the 1940s, the cherished myth of Ruggles as a composer in communion with the "timeless," and Ives's status as a pioneer of modernist techniques. First winner (November 2014) of ASCAP's Virgil Thomson Award for Outstanding Music Criticism. Drew Massey is an Assistant Professor of Music at Binghamton University.