Darwinism Under the Microscope probes the exciting "Darwinism vs. Design" debate that is making headlines. It lays a scientific foundation for "divine design" and equips the reader to discuss the topic intelligently...even with professors!
A compelling portrait of a unique moment in American history when the ideas of Charles Darwin reshaped American notions about nature, religion, science and race “A lively and informative history.” – The New York Times Book Review Throughout its history America has been torn in two by debates over ideals and beliefs. Randall Fuller takes us back to one of those turning points, in 1860, with the story of the influence of Charles Darwin’s just-published On the Origin of Species on five American intellectuals, including Bronson Alcott, Henry David Thoreau, the child welfare reformer Charles Loring Brace, and the abolitionist Franklin Sanborn. Each of these figures seized on the book’s assertion of a common ancestry for all creatures as a powerful argument against slavery, one that helped provide scientific credibility to the cause of abolition. Darwin’s depiction of constant struggle and endless competition described America on the brink of civil war. But some had difficulty aligning the new theory to their religious convictions and their faith in a higher power. Thoreau, perhaps the most profoundly affected all, absorbed Darwin’s views into his mysterious final work on species migration and the interconnectedness of all living things. Creating a rich tableau of nineteenth-century American intellectual culture, as well as providing a fascinating biography of perhaps the single most important idea of that time, The Book That Changed America is also an account of issues and concerns still with us today, including racism and the enduring conflict between science and religion.
A brilliant book celebrating improbability as the engine that drives life, by the acclaimed author of The Selfish Gene and The Blind Watchmaker. The human eye is so complex and works so precisely that surely, one might believe, its current shape and function must be the product of design. How could such an intricate object have come about by chance? Tackling this subject—in writing that the New York Times called "a masterpiece"—Richard Dawkins builds a carefully reasoned and lovingly illustrated argument for evolutionary adaptation as the mechanism for life on earth. The metaphor of Mount Improbable represents the combination of perfection and improbability that is epitomized in the seemingly "designed" complexity of living things. Dawkins skillfully guides the reader on a breathtaking journey through the mountain's passes and up its many peaks to demonstrate that following the improbable path to perfection takes time. Evocative illustrations accompany Dawkins's eloquent descriptions of extraordinary adaptations such as the teeming populations of figs, the intricate silken world of spiders, and the evolution of wings on the bodies of flightless animals. And through it all runs the thread of DNA, the molecule of life, responsible for its own destiny on an unending pilgrimage through time. Climbing Mount Improbable is a book of great impact and skill, written by the most prominent Darwinian of our age.
A provocative new life restoring Agassiz--America's most famous natural scientist of the 19th century, inventor of the Ice Age, stubborn anti-Darwinist--to his glorious, troubling place in science and culture.
How, asks James E. Strick, could spontaneous generation--the idea that living things can suddenly arise from nonliving materials--come to take root for a time (even a brief one) in so thoroughly unsuitable a field as British natural theology? No less an authority than Aristotle claimed that cases of spontaneous generation were to be observed in nature, and the idea held sway for centuries. Beginning around the time of the Scientific Revolution, however, the doctrine was increasingly challenged; attempts to prove or disprove it led to important breakthroughs in experimental design and laboratory techniques, most notably sterilization methods, that became the cornerstones of modern microbiology and sped the ascendancy of the germ theory of disease. The Victorian debates, Strick shows, were entwined with the public controversy over Darwin's theory of evolution. While other histories of the debates between 1860 and 1880 have focused largely on the experiments of John Tyndall, Henry Charlton Bastian, and others, Sparks of Life emphasizes previously understudied changes in the theories that underlay the debates. Strick argues that the disputes cannot be understood without full knowledge of the factional infighting among Darwinians themselves, as they struggled to create a socially and scientifically viable form of Darwinian science. He shows that even the terms of the debate, such as biogenesis, usually but incorrectly attributed to Huxley, were intensely contested.
A collection of essays by leading scientists, and includes essays by science writer Carl Zimmer, historian Janet Browne, and a foreword by journalist David Quammen. As Quammen says in his foreword, the book collects "reports from the field, plainspoken descriptions of lifetime obsessions, hard-earned bits of wisdom, and works in progress, pried loose from some of the most interesting, eminent researchers in evolutionary biology...” The book is intended for anyone with an interest in evolution, and it can be used in a wide variety of courses, including major's and non-major's introductory biology and evolution classes. For anyone who is fascinated by evolutionary biology and who desire to understand better the day-by-day, species, ecosystem-by-ecosystem texture of its practice as a scientific profession.
The Victorian novel clearly joins with science in the pervasive secularizing of nature and society and in the exploration of the consequences of secularization that characterized mid-Victorian England. p. viii.
In this book William A. Dembski brilliantly argues that intelligent design provides a crucial link between science and theology. This is a pivotal work from a thinker whom Phillip Johnson calls "one of the most important of the `design' theorists."