This is the autobiography of one of the original members of the much loved "Our Gang" comedy films featuring the Little Rascals: Spanky, Buckwheat, Alfalfa & of course, Butch. Bond played with many of the great stars of the golden age of Hollywood including Eddie Cantor & Laurel & Hardy. Mr. Bond was also the first Jimmy Olsen in the early Superman films. His story is a delightful look at life as a child star with the many luminaries of the time of glitter & imagination that still delight audiences & "Our Gang" fan clubs around the country. DARN RIGHT IT'S BUTCH is the only autobiography of a member of "Our Gang."
Chronicles more than seventy years of the "Our Gang" series using revealing photographs to commemorate such cultural mainstays as Spanky, Alfalfa, Darla, Buckwheat, Porky, Butch, Farina, and Petey the Dog.
It was the age of Jim Crow, riddled with racial violence and unrest. But in the world of Our Gang, black and white children happily played and made mischief together. They even had their own black and white version of the KKK, the Cluck Cluck Klams—and the public loved it. The story of race and Our Gang, or The Little Rascals, is rife with the contradictions and aspirations of the sharply conflicted, changing American society that was its theater. Exposing these connections for the first time, Julia Lee shows us how much this series, from the first silent shorts in 1922 to its television revival in the 1950s, reveals about black and white American culture—on either side of the silver screen. Behind the scenes, we find unconventional men like Hal Roach and his gag writers, whose Rascals tapped into powerful American myths about race and childhood. We meet the four black stars of the series—Ernie “Sunshine Sammy” Morrison, Allen “Farina” Hoskins, Matthew “Stymie” Beard, and Billie “Buckwheat” Thomas—the gang within the Gang, whose personal histories Lee pursues through the passing years and shifting political landscape. In their checkered lives, and in the tumultuous life of the series, we discover an unexplored story of America, the messy, multiracial nation that found in Our Gang a comic avatar, a slapstick version of democracy itself.
The Road to Oz is a complete retelling of how The Wizard of Oz was influenced and created, and attained its iconic status. The new volume by Jay Scarfone and William Stillman will reflect recent research and much more through newly discovered period interviews, media resources of the era, transcriptions and unique contemporary interviews with those who were there. Additionally, never-before-published imagery accompanies the text. In its truth and candor, this new historical contribution is ideal to tie-in with the 2018-19 80th anniversary of the 1939 movie. Tantalizing highlights of the text include: · A thorough synopsis of L. Frank Baum’s The Wonderful Wizard of Oz (1900) and the script, inspired by the book, of the 1903 Broadway musical-comedy extravaganza. · An overview of the plots of prior silent film adaptations of Oz and how they influenced the M-G-M film. · An analysis of newly-discovered audio transcriptions of Wizard of Oz radio programs from 1931-32 and 1937-38—all of which were previously unknown. · A complete accounting of Sam Goldwyn’s proposed (and aborted) 1934 Technicolor musical version of Oz starring Eddie Cantor (including commentary from Cantor’s sole surviving child). · A thorough analysis of the October 10, 1938 M-G-M shooting script (provided by descendants of comedian and Cowardly Lion actor Bert Lahr) that predates the beginning of production by seventy-two hours. · Startling revelations about the operetta that seemingly inspired “Over the Rainbow.” · Judy Garland’s trials and tribulations with the studio, including the threat that M-G-M was grooming a sound-alike who tested for Oz. · The supporting player who was cast in two roles in Oz’s fantasy sequence—the second role revealed for the first time in Scarfone and Stillman’s text. · The Munchkin midgets’ pre-1939 Wizard of Oz connection. · Oz’s film editor with a direct connection to Walt Disney and Snow White. · Studio nepotism, favoritism and politics at the height of Hollywood’s golden age on the making of the world’s most famous film. “The Road to Oz not only delivers exciting, previously unpublished information and insight, but does so in an extremely well-cited format. This is absolutely a must-have for any Oz fan or film historian.” —Sean Barrett, theatrical/film producer and artistic director, Land of Oz, North Carolina “A new and wonderful book penned by the foremost Oz movie history authors. This is a must-read for all old and new Oz fans worldwide.” —Roger S. Baum, author of Dorothy of Oz (on which the film Legends of Oz: Dorothy’s Return is based) and great-grandson of L. Frank Baum “Numerous books have celebrated the fan appeal of MGM’s Wizard of Oz, but there’s far more to this story than nostalgia. Scarfone and Stillman delve deep into the history of this landmark film, exploring its place in the pantheon of classic fantasy films, as well as fascinating details of production. The Road to Oz is an important addition to the film-history bookshelf.” —J.B. Kaufman, film historian and author of The Fairest One of All: The Making of Walt Disney’s Snow White and the Seven Dwarfs “The Road to Oz is a gamechanger in the world of motion picture history books. Long considered the leading authorities on the making of The Wizard of Oz, Scarfone and Stillman have crafted decades of extensive research into a new and unparalleled historical recalling of the classic film.” —Randy L. Schmidt, editor of Judy Garland on Judy Garland: Interviews and Encounters and author of Little Girl Blue: The Life of Karen Carpenter
"From Andy Hardy and the Dead End Kids to Spin and Marty and Bomba the Jungle boy, romantic relationships between teenage boys were a staple in American popular culture from 1900 through World War II. Here, Jeffery Dennis reveals how masculine, red-blooded, all-American boys were supposed to ignore girls during high school, becoming interested only after graduation, and documents the later shift to the presumption that teenage boys are heterosexually active and aware."--BOOK JACKET.
When considering the best dancers in Hollywood's history, some obvious names come to mind—Fred Astaire, Gene Kelly, and Bill Robinson. Yet often overlooked is one of the most gifted and creative dancers of all time, Eleanor Powell. Powell's effervescent style, unmatched technical prowess in tap, and free-flowing musicality led MGM to build top-rate musicals around her unique talents, including Born to Dance (1936) with James Stewart and Broadway Melody of 1940 (1940) with Fred Astaire, in which she became known as the only female tap dancer capable of challenging him. In a male-dominated industry, her fierce drive for perfection, sometimes to her detriment, earned her a place as one of the most accomplished performers in vaudeville, Broadway, and film. Powell's grace, precision, and power established her as one of the greatest American dancers. In 1943, she married actor Glenn Ford and largely stepped away from the spotlight for the duration of their tumultuous marriage. After their divorce, Powell made a courageous comeback, successfully performing in Las Vegas and on the nightclub circuit. Cancer claimed her life at the age of sixty-nine. Eleanor Powell: Born to Dance by Paula Broussard and Lisa Royère is an all-encompassing work following the American dance legend from her premature birth and upbringing by a single parent in Springfield, Massachusetts, to her first Broadway performance at age fifteen, through her days as a blazing icon in the world of Hollywood, and finally, to her inspiring comeback. With access to rare documents, letters, and production files, as well as insights drawn from their own personal relationships with Powell, Broussard and Royère offer a thoroughly researched, comprehensive, and fascinating look at an incredibly talented and unforgettable woman.
“The hottest collection of studs in romance” (New York Times Bestselling Author Angela Knight) returns as J. R. Ward brings together two of the most beloved people in the Black Dagger Brotherhood world—at last.... Qhuinn, son of no one, is used to being on his own. Disavowed from his bloodline, shunned by the aristocracy, he has found an identity as a brutal fighter in the war against the Lessening Society. But his life is not complete. Even as the prospect of having a family of his own seems within reach, he is empty on the inside, his heart given to another.... Blay, after years of unrequited love, has moved on from his feelings for Qhuinn. And it’s about time: it seems Qhuinn has found his perfect match in a Chosen female, and they are going to have a young. It’s hard for Blay to see the new couple together, but building your life around a pipe dream is just a heartbreak waiting to happen. And Qhuinn needs to come to terms with some dark things before he can move forward… Fate seems to have taken these vampire soldiers in different directions, but as the battle over the race’s throne intensifies, and new players on the scene in Caldwell create mortal danger for the Brotherhood, Qhuinn learns the true meaning of courage, and two hearts meant to be together finally become one.
NEW YORK TIMES BESTSELLER "Freaky pleasure...it scratches a nostalgic itch for those who grew up on Saturday morning Scooby-Doo cartoons and sugar-bombed breakfast cereal" --USA Today "Deliriously wild, funny and imaginative. Cantero is an original voice." --Charles Yu, author of How to Live in a Science Fictional Universe With raucous humor and brilliantly orchestrated mayhem, Meddling Kids subverts teen detective archetypes like the Hardy Boys, the Famous Five, and Scooby-Doo, and delivers an exuberant and wickedly entertaining celebration of horror, love, friendship, and many-tentacled, interdimensional demon spawn. SUMMER 1977. The Blyton Summer Detective Club (of Blyton Hills, a small mining town in Oregon’s Zoinx River Valley) solved their final mystery and unmasked the elusive Sleepy Lake monster—another low-life fortune hunter trying to get his dirty hands on the legendary riches hidden in Deboën Mansion. And he would have gotten away with it too, if it weren’t for those meddling kids. 1990. The former detectives have grown up and apart, each haunted by disturbing memories of their final night in the old haunted house. There are too many strange, half-remembered encounters and events that cannot be dismissed or explained away by a guy in a mask. And Andy, the once intrepid tomboy now wanted in two states, is tired of running from her demons. She needs answers. To find them she will need Kerri, the one-time kid genius and budding biologist, now drinking her ghosts away in New York with Tim, an excitable Weimaraner descended from the original canine member of the club. They will also have to get Nate, the horror nerd currently residing in an asylum in Arkham, Massachusetts. Luckily Nate has not lost contact with Peter, the handsome jock turned movie star who was once their team leader . . . which is remarkable, considering Peter has been dead for years. The time has come to get the team back together, face their fears, and find out what actually happened all those years ago at Sleepy Lake. It’s their only chance to end the nightmares and, perhaps, save the world. A nostalgic and subversive trip rife with sly nods to H. P. Lovecraft and pop culture, Edgar Cantero’s Meddling Kids is a strikingly original and dazzling reminder of the fun and adventure we can discover at the heart of our favorite stories, no matter how old we get.
