It's the end of the world, and precious few have survived the invasion, fewer still captive. An ordinary linguist, Matilda Opalski must bond with an alien warship to rescue the human race from enslavement or worse. An epic saga of war and survival spanning the galaxies as humanity fights for its very existence.
The war with the Shaitans continues, and Lieutenant Commander Shawn 'Calvin' Hobbs has stayed behind to help the reptilian Ssselipsssiss race fight the Shaitans while his ship, the TSS Vella Gulf, has gone for aid. Formerly enemies, Calvin now finds himself supporting the Ssselipsssiss in their war against the Shaitans in a "must-win" situation. If the Ssselipsssiss fall, Terra is next! Able to operate in two universes and armed with unavoidable time-based weapons, the Shaitans have proven unstoppable. Although Calvin has experience fighting the Shaitans, the Ssselipsssiss are down to their last three planets, and Calvin's assistance may very well be too little, too late. The only ship with any success against the Shaitans is the Vella Gulf, which can jump to the Shaitans' universe and fight them on their own turf. But time is short; will the crew of the Vella Gulf be able to find the mysterious "Dark Star" system of the Shaitans and stop them before they destroy Terra? Faced with an implacable foe, the Terrans have been forced into an alliance where the enemy of their enemy might be their friend...or might not. The crew of the Vella Gulf will have to choose their allies wisely as the stakes are the highest possible-only one race will survive the Dark Star War!
Long before the First Order, before the Empire, before even The Phantom Menace...Jedi lit the way for the galaxy in The High Republic.Padawan Reath Silas is being sent from the cosmopolitan galactic capital of Coruscant to the undeveloped frontier—and he couldn’t be less happy about it. He’d rather stay at the Jedi Temple, studying the archives. But when the ship he’s traveling on is knocked out of hyperspace in a galactic-wide disaster, Reath finds himself at the center of the action. The Jedi and their traveling companions find refuge on what appears to be an abandoned space station. But then strange things start happening, leading the Jedi to investigate the truth behind the mysterious station, a truth that could end in tragedy...Enjoy more adventures from the all-new era of storytelling of the glorious High Republic:Star Wars: Light of the JediStar Wars The High Republic: A Test of Courage - perfect for kids 8-12 years oldStar Wars The High Republic: The Great Jedi Rescue - perfect for kids 5-8 years old
Within the concentric circles of Trump's regime lies an unseen culture of occultists, power-seekers, and mind-magicians whose influence is on the rise. In this unparalleled account, historian Gary Lachman examines the influence of occult and esoteric philosophy on the unexpected rise of the alt-right. Did positive thinking and mental science help put Donald Trump in the White House? And are there any other hidden powers of the mind and thought at work in today's world politics? In Dark Star Rising: Magick and Power in the Age of Trump, historian and cultural critic Gary Lachman takes a close look at the various magical and esoteric ideas that are impacting political events across the globe. From New Thought and Chaos Magick to the far-right esotericism of Julius Evola and the Traditionalists, Lachman follows a trail of mystic clues that involve, among others, Norman Vincent Peale, domineering gurus and demagogues, Ayn Rand, Pepe the Frog, Rene Schwaller de Lubicz, synarchy, the Alt-Right, meme magic, and Vladimir Putin and his postmodern Rasputin. Come take a drop down the rabbit hole of occult politics in the twenty-first century and find out the post-truths and alternative facts surrounding the 45th President of the United States with one of the leading writers on esotericism and its influence on modern culture.
Within the concentric circles of Trump's regime lies an unseen culture of occultists, power-seekers, and mind-magicians whose influence is on the rise. In this unparalleled account, historian Gary Lachman examines the influence of occult and esoteric philosophy on the unexpected rise of the alt-right. Did positive thinking and mental science help put Donald Trump in the White House? And are there any other hidden powers of the mind and thought at work in today's world politics? In Dark Star Rising: Magick and Power in the Age of Trump, historian and cultural critic Gary Lachman takes a close look at the various magical and esoteric ideas that are impacting political events across the globe. From New Thought and Chaos Magick to the far-right esotericism of Julius Evola and the Traditionalists, Lachman follows a trail of mystic clues that involve, among others, Norman Vincent Peale, domineering gurus and demagogues, Ayn Rand, Pepe the Frog, Rene Schwaller de Lubicz, synarchy, the Alt-Right, meme magic, and Vladimir Putin and his postmodern Rasputin. Come take a drop down the rabbit hole of occult politics in the twenty-first century and find out the post-truths and alternative facts surrounding the 45th President of the United States with one of the leading writers on esotericism and its influence on modern culture.
From playing a rogue agent in Tinker, Tailor, Soldier, Spy, to taking on the role of villainous Bane in Batman: The Dark Knight Rises, Tom Hardy is well on the way to becoming the finest actor of his generation. His raw talent, edginess and ability to utterly inhabit the characters he plays have already prompted comparisons to screen legends such as Marlon Brando and Robert De Niro. With a host of critically acclaimed performances under his belt and the bright lights of Hollywood beckoning , Tom's star is undoubtedly in the ascendant. Born into an idyllic, middle-class life in the suburbs, by his teenage years Tom had grown restless and started to rebel. Bad behaviour in the form of alcoholism, drug-taking and criminal activity ensued and after a brief stint working as a model, fate intervened and he found his way onto an acting course at his local college. Having been plucked from drama school to appear in Band of Brothers, by 2003, his addictions had got the better of him and he collapsed in Soho following a drugs binge. Rehabilitation followed, as did a rare second chance at hitting the big time. It was Hardy's standout performance as Stuart Shorter in BBC TV's Stuart: A Life Backwards and as Britain's most notorious prisoner in the film Bronson, which really made audiences and critics sit up and take notice. Since then, he has earned himself a reputation as a shape-shifting actor with the skill to slip effortlessly in and out of contrasting characters such as Eames in blockbusters Inception and Heathcliff in Wuthering Heights. This affectionate and in-depth biography reveals the actor and the life that has shaped him into the star he has become. It explores his wayward youth, his drama school years, his burnout and his complex route to eventual success. With a host of major films on the horizon in 2012 and beyond, his is clearly Hollywood's hottest property - and the best is yet to come.
This book describes how the first African American mass political organization was able to gain support from throughout the African diaspora to finance the Black Star Line, a black merchant marine that would form the basis of an enclave economy after World War I. Ramla M. Bandele explores the concept of diaspora itself and how it has been applied to the study of émigré and other ethnic networks. In characterizing the historical and political context of the Black Star Line, Bandele analyzes the international political economy during 1919-25 and considers the black politics of the era, focusing particularly on Marcus Garvey's Universal Negro Improvement Association for its creation of the Black Star Line. She offers an in-depth case study of the Black Star Line as an instance of the African diaspora attempting to link communities and carry out a transnational political and economic project. Arguing that ethnic networks can be legitimate actors in international politics and economics, Bandele also suggests, however, that activists in any given diaspora do not always function as a unit.
Read on if you dare! This unique in-world collection hallows the spooky tales and ghost stories that would have kept young Luke and Leia up at night. Created by George Mann and Grant Griffin--the same team behind the stunning Star Wars: Myths & Fables--these seven frightful fables have been carefully woven from the expansive fabric that is the Star Wars galaxy (including the thrilling landscape from Galaxy's Edge at Disneyland and Disney World), and beautifully painted in a lush illustrative style that feels intergalactic yet innately archetypal and timeless.
The Black Star Collection at The Image Centre: the expectations, challenges, and results of a decade of research in a key photo agency’s print collection. In 2005, Toronto Metropolitan (formerly Ryerson) University (TMU) acquired the massive collection Black Star Collection of the photo agency previously based in New York City—nearly 292,000 black-and-white prints. Preserved at The Image Centre at TMU, the images include iconic stills of the American Civil Rights movement by Charles Moore, among thousands of ordinary photographs that were classified by theme in the agency’s picture library. While the move of the collection from a corporate photo agency to a public cultural institution enables more access, researchers must still face the size of the collection, its structural organization, the materiality of the prints, and the lack of ephemera. Facing Black Star aims to fruitfully highlight this tension between research expectations and challenges. Coeditors Thierry Gervais and Vincent Lavoie have gathered local, national, and international researchers ranging from graduate students to established scholars and curators to illuminate the staggering range of the collection, from its disquieting record of the Nazis’ rise to power to its visual archive of climate change. Each contribution highlights methodological, epistemological, and political issues inherent to conducting research in photographic archives and collections, such as indexing protocols and their impact on research, the photographic archive as a place of visibility and invisibility, and the photographic archive as a hermeneutic tool. Shedding new light on current issues in the theory and history of photography, this impressive volume containing 100 images will not only discuss the subjects portrayed in the photographs but will also address the history of photojournalism, the role of such a photographic archive in our Western societies, and ultimately photography as a medium. Like the other volumes of the RIC Books series (MIT Press/The Image Centre [formerly the Ryerson Image Centre]), this publication will appeal as much to academics of visual history as it will to photography enthusiasts in general.