Life on earth was about to change forever. Terrible objects were falling from the sky, objects that looked like they should bounce on impact, but instead exploded. Populations were being decimated all over the globe, leaving very few survivors, and no one knew who or what was behind it. But one of those survivors was Carver Chapman, a twenty-six-year-old dock worker who somehow had the exact skill-set necessary to find the truth and make a difference - maybe....
"Built on her ... Modern Love column, 'When a Couch is More Than a Couch' (9/23/2016), a ... memoir of living meaningfully with 'death in the room' by the 38-year-old great-great-great granddaughter of Ralph Waldo Emerson--mother to two young boys, wife of 16 years--after her terminal cancer diagnosis"--
'Bright Dead Things buoyed me in this dismal year. I'm thankful for this collection, for its wisdom and generosity, for its insistence on holding tight to beauty even as we face disintegration and destruction.' Celeste Ng, author of Everything I Never Told You A book of bravado and introspection, of feminist swagger and harrowing loss, Bright Dead Things considers how we build our identities out of place and human contact - tracing in intimate detail the ways the speaker's sense of self both shifts and perseveres as she moves from New York City to rural Kentucky, loses a dear parent, ages past the capriciousness of youth and falls in love. In these extraordinary poems Ada Limón's heart becomes a 'huge beating genius machine' striving to embrace and understand the fullness of the present moment. 'I am beautiful. I am full of love. I am dying,' the poet writes. Building on the legacies of forebears such as Frank O'Hara, Sharon Olds and Mark Doty, Limón's work is consistently generous, accessible, and 'effortlessly lyrical' (New York Times) - though every observed moment feels complexly thought, felt and lived.
A moving and beautifully written story about a British poet’s conversion from staunch atheism to Catholicism in the space of nine electric months. In 2010, Sally Read was heralded as one of the bright young writers of the British poetry scene. Feminist, atheist and deeply anti-Catholic, she was writing a book about women’s reproduction and sexuality when, during her research, she spoke with a Catholic priest. That mysterious encounter led Read on a dramatic journey of spiritual quest and discovery which ended up at the Vatican itself, where she was received into the Catholic Church in December of that year. This story is one that, unsurprisingly, has the vivid flavor and beauty of poetry. Read relates her encounters with the Father, the Spirit and then the Son, exactly in the way they were given to her—timely, revelatory and compelling. These transforming events throw new light onto the experiences of her past—her father’s death, her work as a psychiatric nurse, her life as a single woman in London, as a mother and as a writer. She reveals how she developed a close intimacy with the new love that erupted into her life, Christ himself, and how she comes to embrace a doctrine she had previously rejected as bigoted and stifling. Sally Read’s story is a testimony to the powerhouse of Christianity: divine love and the life-changing encounter with Christ.
A vivid and enlightening oral account of homelessness in the Las Vegas storm drains and the hard work of re-entering mainstream society. Are you aware that hundreds of people live underground in the flood channels of Las Vegas? Few people were until Matthew O'Brien grabbed a flashlight, tape recorder, and expandable baton for protection and explored the storm-drain system in depth. This research resulted in his landmark book Beneath the Neon. Now the drains have been covered by CNN, Fox News, NPR, Dr. Phil, the New York Times, the BBC, Al Jazeera, and many other media outlets. They have even found their way on to popular TV shows, including CSI, Criminal Minds, and into mainstream movies. But the fact that several of these drug- and gambling-addicted tunnel dwellers have clawed their way out of the drains and turned around their lives has received far less attention. Dark Days, Bright Nights shares their harrowing stories and provides a unique perspective on one of America's most fascinating cities. It also paints a larger picture of homelessness and recovery in America. These stories are the happy (though not Hollywood) ending to the infamous tunnel tale. The narrative is complemented by bios and stark, black-and-white images of the survivors, putting a scarred, knowing face to the unblinkingly honest accounts.
