You’ve heard their voices before, but never like this: from three-time HWA Bram Stoker Award winner Linda D. Addison and multiple Rhysling Award nominee Stephen M. Wilson comes Dark Duet. Two different voices, in harmony, creating verse that sings and moves on the page, taking the reader through time and space on an infinite symphony of self-exploration. Come dance with them and you may find your own song.
'The British, once they take the gloves off - once they forget to play cricket, to be English gentlemen - they are the toughest things on earth,' says one German espionage agent to another in Dark Duet. And the trouble with Michael Kane, hero of this spy thriller is that he never plays cricket with Nazi spies ... 'Dark Duet seems to me damn good' Raymond Chandler
The author has chosen seventeen of the most important or representative British spy novelists to write about. He presents some basic literary analysis and criticism, trying both to place them in historical perspective and to describe and analyze the content and form of their fiction.
This is a critical history of spy fiction, film and television in the United States, with a particular focus on the American fictional spies that rivaled (and were often influenced by) Ian Fleming's James Bond. James Fenimore Cooper's Harvey Birch, based on a real-life counterpart, appeared in his novel The Spy in 1821. While Harvey Birch's British rivals dominated spy fiction from the late 1800s until the mid-1930s, American spy fiction came of age shortly thereafter. The spy boom in novels and films during the 1960s, spearheaded by Bond, heavily influenced the espionage genre in the United States for years to come, including series like The Man from U.N.C.L.E. and Matt Helm. The author demonstrates that, while American authors currently dominate the international spy fiction market, James Bond has cast a very long shadow, for a very long time.
Contains the plots of 150 of the world's most popular operas, short biographies of the 72 composers represented, plus background material pertinent to each work.
Represents the range and diversity of writings on dance from the mid-to-late twentieth century, providing contemporary perspectives on ballet, modern dance, postmodern 'movement performance' jazz and ethnic dance.
In the months following his defeat and unmasking by Prince Maxim Maresh at the climax of the Night of Knives Tournament, Rowan, its architect and Antari magician, has forcefully taken command of a ragtag pirate fleet known as the Rebel Army. Through a campaign of pillaging and conscription of Arnes coastal towns, Rowan has grown the Rebel Army into a force powerful enough to usurp a prince and destroy an empire. Now, all that stands between the fall of the House of Maresh and the sacking of Red London is Maxim and his garrison, unless the young headstrong prince can win the hearts and minds of the inhabitants of Verose and convince them to join him in one final stand against the most powerful magician he has ever faced. Collects Shades of Magic: The Steel Prince: The Rebel Army #1-4 Shades of Magic: The Steel Prince nominated for the GoodReads Best Graphic Novels and Comics Award 2019. “We feel like these individuals are alive… a pleasure to read.” – Reading With A Flight Ring “A masterpiece and a delight to read and admire.” – Depepi
Victoria ("V. E.") Schwab, the #1 New York Times bestselling author of The Invisible Life of Addie LaRue, invites readers to haunted New Orleans in this third installment of her thrillingly spooky City of Ghosts series! Where there are ghosts, Cassidy Blake follows . . .Unless it's the other way around?Cass thinks she might have this ghost-hunting thing down. After all, she and her ghost best friend, Jacob, have survived two haunted cities while traveling for her parents' TV show.But nothing can prepare Cass for New Orleans, which wears all of its hauntings on its sleeve. In a city of ghost tours and tombs, raucous music and all kinds of magic, Cass could get lost in all the colorful, grisly local legends. And the city's biggest surprise is a foe Cass never expected to face: a servant of Death itself.
Since its appearance nearly two centuries ago, crime fiction has gripped readers' imaginations around the world. Detectives have varied enormously: from the nineteenth-century policemen (and a few women), through stars like Sherlock Holmes and Miss Marple, to newly self-aware voices of the present - feminist, African American, lesbian, gay, postcolonial and postmodern. Stephen Knight's fascinating book is a comprehensive analytic survey of crime fiction from its origins in the nineteenth century to the present day. Knight explains how and why the various forms of the genre have evolved, explores a range of authors and movements, and argues that the genre as a whole has three parts – the early development of Detection, the growing emphasis on Death, and the modern celebration of Diversity. The expanded second edition has been thoroughly updated in the light of recent research and new developments, such as ethnic crime fiction, the rise of thrillers in the serial-killer and urban collapse modes, and feel-good 'cozies'. It also explores a number of fictional works which have been published in the last few years and features a helpful glossary. With full references, and written in a highly engaging style, this remains the essential short guide for readers of crime fiction everywhere!
