La Vita Nuova

La Vita Nuova

Author: Dante Dante Alighieri

Publisher: Harvard University Press

Published: 2010-09-15

Total Pages: 159

ISBN-13: 0674050932

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La Vita Nuova (1292–94) has many aspects. Dante’s libello, or “little book,” is most obviously a book about love. In a sequence of thirty-one poems, the author recounts his love of Beatrice from his first sight of her (when he was nine and she eight), through unrequited love and chance encounters, to his profound grief sixteen years later at her sudden and unexpected death. Linked with Dante’s verse are commentaries on the individual poems—their form and meaning—as well as the events and feelings from which they originate. Through these commentaries the poet comes to see romantic love as the first step in a spiritual journey that leads to salvation and the capacity for divine love. He aims to reside with Beatrice among the stars. David Slavitt gives us a readable and appealing translation of one of the early, defining masterpieces of European literature, animating its verse and prose with a fluid, lively, and engaging idiom and rhythm. His translation makes this first major book of Dante’s stand out as a powerful work of art in its own regard, independent of its “junior” status to La Commedia. In an Introduction, Seth Lerer considers Dante as a poet of civic life. “Beatrice,” he reminds us, “lives as much on city streets and open congregations as she does in bedroom fantasies and dreams.”


Dante's Vita Nuova, New Edition

Dante's Vita Nuova, New Edition

Author: Dante Alighieri

Publisher: Indiana University Press

Published: 1973-04-22

Total Pages: 230

ISBN-13: 9780253201621

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"A fresh, new version of a 1962 translation that has had enormous popularity in comparative literature classes. The Vita Nuova (the New Life) is a small book which relates in prose and often very beautiful verse the story of the youthful Dante's love for Beatrice. The esay which follows the translation provides new insights into this puzzling thirteenth-century work. Musa regards Dante's intention in this so-called "Book of Memory" as a cruel and comic commentary on the youthful lover. He argues that Dante, using the tradition of love poetry current in his time, points up the foolishness and shallowness of his protagonist, a self-centered and self-pitying youth who only occasionally in the progress of his suffering catches even a glimpse of the true nature of Love or his beloved. "The sensitive man who would realize a man's destiny must ruthlessly cut out of his heart the canker at its center [i.e. self-pity], the canker that the heart instinctively tends to cultivate." According to Musa, this is one of Dante's central ideas. Dante scholars, libraries, and students of the Italian classics will welcome this distinguished translation and its provocative commentary"--Back cover.


Vita Nuova

Vita Nuova

Author: Dante Alighieri

Publisher: National Geographic Books

Published: 2022-03-22

Total Pages: 0

ISBN-13: 0143106201

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A sparkling translation that gives new life in English to Dante’s Vita Nuova, his transcendent love poems and influential statement on the art and power of poetry, and the most widely read of his works after the Inferno A Penguin Classic Dante was only nine years old when he first met young Beatrice in Florence. Loving her for the rest of his life with a devotion undiminished by even her untimely death, he would dedicate himself to transfiguring her, through poetry, into something far more than a muse—she would become the very proof of love as transcendent spiritual power, and the adoration of her a radiant path into a “new life.” Censored by the Church, written in the Tuscan vernacular rather than Latin, exploding the courtly love tradition of the medieval troubadours, and employing an unprecedented hybrid form to link the thirty-one poems with prose commentary, Vita Nuova, first published in 1294, represents both an innovation in the literature of love and the work of Dante’s that brings this extraordinary poet into clearest view. This limpid new translation, based on the latest authoritative Italian edition and featuring the Italian on facing pages, captures the ineffable quality of a work that has inspired the likes of Ralph Waldo Emerson, Charles Baudelaire, T. S. Eliot, Jorge Luis Borges, Robert Penn Warren, and Louise Glück, and sustains the long afterlife of a masterpiece that is itself a key to the ultimate poetic journey into the afterlife, The Divine Comedy. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.


Aspects of the Performative in Medieval Culture

Aspects of the Performative in Medieval Culture

Author: Manuele Gragnolati

Publisher: Walter de Gruyter

Published: 2010-04-29

Total Pages: 328

ISBN-13: 3110222477

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The volume assesses performative structures within a variety of medieval forms of textuality, from vernacular literature to records of parliamentary proceedings, from prayer books to musical composition. Three issues are central to the volume: the role of ritual speech acts; the way in which authorship can be seen as created within medieval texts rather than as a given category; finally, phenomena of voice, created and situated between citation and repetition, especially in forms which appropriate and transform literary tradition. The volume encompasses articles by historians and musicologists as well as literary scholars. It spans European literature from the West (French, German, Italian) to the East (Church Slavonic), vernacular and Latin; it contrasts modes of liturgical meditation in the Western and Eastern Church with secular plays and songs, and it brings together studies on the character of ‛voice’ in major medieval authors such as Dante with examples of Dante-reception in the early twentieth century.


La Vita Nuova (Vita Nova - The New Life)

La Vita Nuova (Vita Nova - The New Life)

Author: Dante Alighieri

Publisher: Lulu.com

Published: 2018-08-27

Total Pages: 60

ISBN-13: 9781387784653

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La Vita Nuova - in English The New Life - is a poem by Dante Alighieri which expresses the virtues of Medieval courtship and love. First published in 1295 during the dawn of the Italian Renaissance period, this work discusses the praiseworthy aspects of courtship which first appeared during the Medieval era. Dante was a great admirer of this practice, feeling that the tradition elevated both love and courteous behaviour in a manner befitting an experience of such emotive depth. Dante first authored this book during his own association with Beatrice Portinari, a paramour who was to symbolise human love for the artist in both life and death. La Vita Nuova is distinct from other, later works by Dante in that it was authored in his native Italian, rather than the Latin he employed in The Divine Comedy and other works.


Dante's Lyric Poetry

Dante's Lyric Poetry

Author: Teodolinda Barolini

Publisher: University of Toronto Press

Published: 2014-01-01

Total Pages: 344

ISBN-13: 1442626194

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The first comprehensive English translation and commentary on Dante's early verse to be published in almost fifty years, Dante's Lyric Poetry includes all the poems written by the young Dante Aligheri between c. 1283 and c. 1292. Essays by Teodolinda Barolini guide the reader through the new verse translations by Richard Lansing, illuminating Dante's transformation from a young courtly poet into the writer of the vast and visionary Commedia. Barolini's commentary exposes Dante's lyric poems as early articulations of many of the ideas in the Commedia, including the philosophy and psychology of desire and its role as motor of all human activity, the quest for vision and transcendence, the frustrating search for justice on earth, and the transgression of boundaries in society and poetry. A wide-ranging and intelligent examination of one of the most important poets in the Western tradition, this book will be of interest to scholars and poetry-lovers alike.


Dante and the Dynamics of Textual Exchange

Dante and the Dynamics of Textual Exchange

Author: Jelena Todorović

Publisher: Fordham Univ Press

Published: 2016-03-01

Total Pages: 327

ISBN-13: 0823270246

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Dante and the Dynamics of Textual Exchange is the first book-length study to explore the question of poetry and genre in Dante’s Vita Nova (ca. 1292–1294). In paying particular attention to complex and multifaceted interactions between different cultures in Italy in the thirteenth century, this study illuminates the multicultural and plurilinguistic society transitioning from the feudal court to the modern city-state, advanced by the rising mercantile class. Working at the intersection of textual, material, and cultural elements, this study complements the current state of scholarship by providing information and answers informed by an in-depth analysis of the manuscript culture and its role in the birth and development of European vernacular traditions. Furthermore, Dante and the Dynamics of Textual Exchange expands the literature’s understanding of the dynamics between a text and its material support by looking at this relationship within a broader framework of intercultural exchange, which suggests an increased dynamics and fluidity between cultures.


Portrait of Beatrice

Portrait of Beatrice

Author: Fabio Camilletti

Publisher: University of Notre Dame Pess

Published: 2019-03-30

Total Pages: 296

ISBN-13: 026810400X

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The Portrait of Beatrice examines both Dante's and D. G. Rossetti's intellectual experiences in the light of a common concern about visuality. Both render, in different times and contexts, something that resists clear representation, be it the divine beauty of the angel-women or the depiction of the painter's own interiority in a secularized age. By analyzing Dante's Vita Nova alongside Rossetti's Hand and Soul and St. Agnes of Intercession, which inaugurates the Victorian genre of 'imaginary portrait' tales, this book examines how Dante and Rossetti explore the tension between word and image by creating 'imaginary portraits.' The imaginary portrait—Dante's sketched angel appearing in the Vita Nova or the paintings evoked in Rossetti's narratives—is not (only) a non-existent artwork: it is an artwork whose existence lies elsewhere, in the words alluding to its inexpressible quality. At the same time, thinking of Beatrice as an 'imaginary Lady' enables us to move beyond the debate about her actual existence. Rather, it allows us to focus on her reality as a miracle made into flesh, which language seeks incessantly to grasp. Thus, the intergenerational dialogue between Dante and Rossetti—and between thirteenth and nineteenth centuries, literature and painting, Italy and England—takes place between different media, oscillating between representation and denial, mimesis and difference, concealment and performance. From medieval Florence to Victorian London, Beatrice's 'imaginary portrait' touches upon the intertwinement of desire, poetry, and art-making in Western culture.