Set in a Sioux Indian reservation, The Grass Dancer weaves back and forth through time from the 1860's to the 1980's, with the unrequited love of Ghost Horse and the beautiful warrior woman Red Dress shaping the fates of their descendants.
The intertribal pow-wow is the most widespread venue for traditional Indian music and dance in North America. Heartbeat of the People is an insider's journey into the dances and music, the traditions and regalia, and the functions and significance of these vital cultural events. Tara Browner focuses on the Northern pow-wow of the northern Great Plains and Great Lakes to investigate the underlying tribal and regional frameworks that reinforce personal tribal affiliations. Interviews with dancers and her own participation in pow-wow events and community provide fascinating on-the-ground accounts and provide detail to a rare ethnomusicological analysis of Northern music and dance.
In Hoedowns, Reels, and Frolics, old-time musician and flatfoot dancer Philip Jamison journeys into the past and surveys the present to tell the story behind the square dances, step dances, reels, and other forms of dance practiced in southern Appalachia. These distinctive folk dances, Jamison argues, are not the unaltered jigs and reels brought by early British settlers, but hybrids that developed over time by adopting and incorporating elements from other popular forms. He traces the forms from their European, African American, and Native American roots to the modern day. On the way he explores the powerful influence of black culture, showing how practices such as calling dances as well as specific kinds of steps combined with white European forms to create distinctly "American" dances. From cakewalks to clogging, and from the Shoo-fly Swing to the Virginia Reel, Hoedowns, Reels, and Frolics reinterprets an essential aspect of Appalachian culture.
Number One bestseller Giraffes Can't Dance from author Giles Andreae has been delighting children for over 20 years. Gerald the tall giraffe would love to join in with the other animals at the Jungle Dance, but everyone knows that giraffes can't dance . . . or can they? A funny, touching and triumphant picture book story about a giraffe who finds his own tune and confidence too, with joyful illustrations from Guy Parker Rees and a foiled cover. ... wonderfully funny. - Independent A fantastically funny and wonderfully colourful romp of a picture book. All toddlers should grow up reading this or hearing their parents read it aloud to them. - Daily Telegraph A joyful read about an outsider who finds acceptance on his own terms.... there's also a simple moral about tolerance and daring to be different. - Junior
This volume is a comprehensive history of of Southern Plains powwow culture - an interdisciplinary, highly collaborative ethnography based on more than two decades of participiation in powwows - addressing how the powwow has changed over time.
For thirteen-year-old Judy Strand, summers in Bay Ridge, Brooklyn, bustle with games of stickball played in the street, fun-filled outings to neighboring Coney Island, and her family’s yearly trip to the Catskill Mountains. But in July 1944, Judy’s carefree days and her innocence are shaken by a discovery: The man she’s always called Pa isn’t her real father. Even more shocking, Judy learns that the father she doesn’t remember was an alcoholic who abandoned his family. That’s why Judy’s mother emigrated to America from Norway. Now Judy feels jumbled inside: She’s angry at her mother for keeping the truth from her–and she’s suddenly awkward around Pa. Nothing her parents say soothes the hurt. At first, even the attentions of Jacob Jacobsen don’t make her feel any better. Judy likes Jacob; it’s just that his dad’s drinking binges hit too close to home. Ashamed, Judy doesn’t want anyone to find out her secret. But as misfortune befalls Jacob, Judy’s close friends, and her own family, Judy rallies to their side, and in the process recognizes that growing up encompasses forgiveness–of others and of herself.
Rake, drunkard, aesthete, gossip, raconteur extraordinaire: the narrator of Bohumil Hrabal’s rambling, rambunctious masterpiece Dancing Lessons for the Advanced in Age is all these and more. Speaking to a group of sunbathing women who remind him of lovers past, this elderly roué tells the story of his life—or at least unburdens himself of a lifetime’s worth of stories. Thus we learn of amatory conquests (and humiliations), of scandals both private and public, of military adventures and domestic feuds, of what things were like “in the days of the monarchy” and how they’ve changed since. As the book tumbles restlessly forward, and the comic tone takes on darker shadings, we realize we are listening to a man talking as much out of desperation as from exuberance. Hrabal, one of the great Czech writers of the twentieth century, as well as an inveterate haunter of Prague’s pubs and football stadiums, developed a unique method which he termed “palavering,” whereby characters gab and soliloquize with abandon. Part drunken boast, part soul-rending confession, part metaphysical poem on the nature of love and time, this astonishing novel (which unfolds in a single monumental sentence) shows why he has earned the admiration of such writers as Milan Kundera, John Banville, and Louise Erdrich.