Are you tired of the conflict all around you? It happens over and over again. A political argument with a friend, a fight about racial issues on the internet, a disagreement with a coworker—at the first sign of conflict, we flee to a bunker with people who think like us and attack everyone else. We feel safe there, but it’s killing us: killing families, friendships, civility, and discourse. Our fractured world desperately needs a different way: people who will speak gently, value truth, and think clearly. Dancing in No Man’s Land is a rallying cry, a life-giving and practical journey into the way of Jesus that will revolutionize how you view conflict. You can choose to speak both truth and peace in the midst of war. You can step out of our bunkers and into no-man’s land, where only brave souls tread. It may look like you’re dodging cultural landmines. But you might just be learning how to dance.
In this powerful, panoramic novel set in the late 1890s, in a sliver of rugged western wilderness, a fourteen-year-old girl named Davey—too young to be given a chance at creating her own life—finds herself raised by a group of eccentrics, hostile misfits who rescued her as an infant on a bloody battlefield. She roams the countryside with them, led by Reverend Brown, a charismatic false prophet, hosting revivals for unsuspecting believers while lingering on the cusp of unimaginable events. Davey tries to locate a semblance of peace in this harrowing, beautiful place, but what she finds instead is an astonishing panoply of falsehoods and depravity, a vicious world comprised of murderers, thieves, and dancing bears. And in this unforgiving landscape of craggy beauty and singular resoluteness, she wages a fight against truth while traversing the delicate line between destiny and fate as she comes to understand the role Reverend Brown plays in her life. No Man’s Land is part classic coming-of-age story, part unwavering portrait of the bloody price of power, a raw and bold novel about the search for family, and a grand story about an education in the pull of predestination and the responsibility of freewill. Haunting on every page, filled with sorrow and awe, and stunning in the tonality of its vision, No Man’s Land is an unflinching meditation on the legacy of violence, its senseless destructiveness, and the fearless dignity and tenderness required to rise above it. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.
The inspiring, heart-pumping true story of soldiers turned cyclists and the historic 1919 Tour de France that helped to restore a war-torn country and its people. On June 29, 1919, one day after the Treaty of Versailles brought about the end of World War I, nearly seventy cyclists embarked on the thirteenth Tour de France. From Paris, the war-weary men rode down the western coast on a race that would trace the country's border, through seaside towns and mountains to the ghostly western front. Traversing a cratered postwar landscape, the cyclists faced near-impossible odds and the psychological scars of war. Most of the athletes had arrived straight from the front, where so many fellow countrymen had suffered or died. The cyclists' perseverance and tolerance for pain would be tested in a grueling, monthlong competition. An inspiring true story of human endurance, Sprinting Through No Man's Land explores how the cyclists united a country that had been torn apart by unprecedented desolation and tragedy. It shows how devastated countrymen and women can come together to celebrate the adventure of a lifetime and discover renewed fortitude, purpose, and national identity in the streets of their towns.
Winner of the National Book Critics Circle Award for Criticism Winner of the Graywolf Press Nonfiction Prize Acclaimed for its frank and fascinating investigation of racial identity, and reissued on its ten-year anniversary, Notes from No Man’s Land begins with a series of lynchings, ends with a list of apologies, and in an unsettling new coda revisits a litany of murders that no one seems capable of solving. Eula Biss explores race in America through the experiences chronicled in these essays—teaching in a Harlem school on the morning of 9/11, reporting from an African American newspaper in San Diego, watching the aftermath of Hurricane Katrina from a college town in Iowa, and rereading Laura Ingalls Wilder in the Rogers Park neighborhood of Chicago. What she reveals is how families, schools, communities, and our country participate in preserving white privilege. Notes from No Man’s Land is an essential portrait of America that established Biss as one of the most distinctive and inventive essayists of our time.
Sometime in the future, after devastating wars and fires, a lonely, windswept island in the north is populated solely by women. Among these women is a group of teenaged Trackers—expert equestrians and archers—whose job is to protect their shores from the enemy. The enemy, they've been told, is men. When these girls come upon a partially buried home from the distant past, they are fascinated by the strange objects—high-heeled shoes, teen magazines, make-up—found there. What are they to make of these mysterious things, which introduce a world they have never known? And what does it mean for their strict society where friendship is forbidden and rules must be obeyed—at all costs? Reminiscent of The Giver but with a feminist twist, Nomansland is a powerful, shocking story that will challenge young readers' perspectives and provoke much discussion over the timely and controversial issues presented.
When experiencing infertility, the unexpected happens. Your feelings about yourself and your relationship with others and your belief in God are confused and complicated. Dancing Upon Barren Land - Prayer, Scripture Reflections, and Hope for Infertility is a helpful companion for those dark, lonely days. *Specific Prayers Topics and Supporting Scripture *Helpful Truths to Living Life While You Wait *Supporting Ideas for Family Members or Friends *Resource Aid for Ministry Leader *Discussion Topics for Support Groups
It came suddenly when it did come, it may be remembered. Every one knew it was coming, and yet—it was all so impossible, so incredible. I remember Clive Draycott looking foolishly at his recall telegram in the club—he had just come home on leave from Egypt—and then brandishing it in front of my nose. "My dear old boy," he remarked peevishly, "it's out of the question. I'm shooting on the 12th." But he crossed the next day to Boulogne. It was a Sunday morning, and Folkestone looked just the same as it always did look. Down by the Pavilion Hotel the usual crowd of Knuts in very tight trousers and very yellow shoes, with suits most obviously bought off the peg, wandered about with ladies of striking aspect. Occasional snatches of conversation, stray gems of wit, scintillated through the tranquil August air, and came familiarly to the ears of a party of some half-dozen men who stood by a pile of baggage at the entrance to the hotel. "Go hon, Bill; you hare a caution, not 'arf." A shrill girlish giggle, a playful jerk of the "caution's" arm, a deprecating noise from his manly lips, which may have been caused by bashfulness at the compliment, or more probably by the unconsumed portion of the morning Woodbine, and the couple moved out of hearing. "I wonder," said a voice from the group, "if we are looking on the passing of the breed." He was a tall, thin, spare fellow, the man who spoke; and amongst other labels on his baggage was one marked Khartoum. His hands were sinewy and his face was bronzed, while his eyes, brown and deep-set, held in them the glint of the desert places of the earth: the mark of the jungle where birds flit through the shadows like bars of glorious colour; the mark of the swamp where the ague mists lie dank and stagnant in the rays of the morning sun. No one answered his remark; it seemed unnecessary, and each was busy with his own thoughts. What did the next few days hold in store for the world, for England, for him? The ghastly, haunting fear that possibly they held nothing for England gnawed at men's hearts. It would be incredible, inconceivable; but impossible things had happened before. Many must have felt that fear, but to none can it have been quite so personal, so hideously personal, as to the officers of the old Army and the Navy. To them it was as if their own honour were at stake, and I can see now a man opposite me almost sobbing with the fury and the shame of it when for a while we thought—the worst. But that was later.
A People Book of the Week & a Kirkus Best Nonfiction of the Year An exquisite and inspiring memoir about one mother’s unimaginable choice in the face of oppression and abuse in Taliban-controlled Afghanistan. In the days before Homeira Qaderi gave birth to her son, Siawash, the road to the hospital in Kabul would often be barricaded because of the frequent suicide explosions. With the city and the military on edge, it was not uncommon for an armed soldier to point his gun at the pregnant woman’s bulging stomach, terrified that she was hiding a bomb. Frightened and in pain, she was once forced to make her way on foot. Propelled by the love she held for her soon-to-be-born child, Homeira walked through blood and wreckage to reach the hospital doors. But the joy of her beautiful son’s birth was soon overshadowed by other dangers that would threaten her life. No ordinary Afghan woman, Homeira refused to cower under the strictures of a misogynistic social order. Defying the law, she risked her freedom to teach children reading and writing and fought for women’s rights in her theocratic and patriarchal society. Devastating in its power, Dancing in the Mosque is a mother’s searing letter to a son she was forced to leave behind. In telling her story—and that of Afghan women—Homeira challenges you to reconsider the meaning of motherhood, sacrifice, and survival. Her story asks you to consider the lengths you would go to protect yourself, your family, and your dignity.
Liz Aggiss and Billy Cowie, known collectively as Divas Dance Theatre, are renowned for their highly visual, interdisciplinary brand of dance performance that incorporates elements of theatre, film, opera, poetry and vaudevillian humour. Anarchic Dance, consisting of a book and downloadable resources, is a visual and textual record of their boundary-shattering performance work. The downloadable resources feature extracts from Aggiss and Cowie's work, including the highly-acclaimed dance film Motion Control (premiered on BBC2 in 2002), rare video footage of their punk-comic live performances as The Wild Wigglers and reconstructions of Aggiss's solo performance in Grotesque Dancer. These films are cross-referenced in the book, allowing readers to match performance and commentary as Aggiss and Cowie invite a broad range of writers to examine their live performance and dance screen practice through analysis, theory, discussion and personal response. Extensively illustrated with black and white and colour photographs Anarchic Dance, provides a comprehensive investigation into Cowie and Aggiss’s collaborative partnership and demonstrates a range of exciting approaches through which dance performance can be engaged critically.
