Reeling from her husband's recent death and the discovery that he had gambled away their home and savings, Iris Chisholm takes a teaching position in a tiny Scottish Highland community, where she becomes involved in the troubles of her charges and pursues relationships with two men.
Holly and Heather share their story and help to walk the reader through the painful yet necessary healing process for when life deals us its harshest blows. Dancing on my ashes soothes and empathizes with the broken heart, while sharing the truth of scripture, and the hope that comes from the heart of God.
In Hoedowns, Reels, and Frolics, old-time musician and flatfoot dancer Philip Jamison journeys into the past and surveys the present to tell the story behind the square dances, step dances, reels, and other forms of dance practiced in southern Appalachia. These distinctive folk dances, Jamison argues, are not the unaltered jigs and reels brought by early British settlers, but hybrids that developed over time by adopting and incorporating elements from other popular forms. He traces the forms from their European, African American, and Native American roots to the modern day. On the way he explores the powerful influence of black culture, showing how practices such as calling dances as well as specific kinds of steps combined with white European forms to create distinctly "American" dances. From cakewalks to clogging, and from the Shoo-fly Swing to the Virginia Reel, Hoedowns, Reels, and Frolics reinterprets an essential aspect of Appalachian culture.
Arguably the world's most popular partnered social dance form, salsa's significance extends well beyond the Latino communities which gave birth to it. The growing international and cross-cultural appeal of this Latin dance form, which celebrates its mixed origins in the Caribbean and in Spanish Harlem, offers a rich site for examining issues of cultural hybridity and commodification in the context of global migration. Salsa consists of countless dance dialects enjoyed by varied communities in different locales. In short, there is not one dance called salsa, but many. Spinning Mambo into Salsa, a history of salsa dance, focuses on its evolution in three major hubs for international commercial export-New York, Los Angeles, and Miami. The book examines how commercialized salsa dance in the 1990s departed from earlier practices of Latin dance, especially 1950s mambo. Topics covered include generational differences between Palladium Era mambo and modern salsa; mid-century antecedents to modern salsa in Cuba and Puerto Rico; tension between salsa as commercial vs. cultural practice; regional differences in New York, Los Angeles, and Miami; the role of the Web in salsa commerce; and adaptations of social Latin dance for stage performance. Throughout the book, salsa dance history is linked to histories of salsa music, exposing how increased separation of the dance from its musical inspiration has precipitated major shifts in Latin dance practice. As a whole, the book dispels the belief that one version is more authentic than another by showing how competing styles came into existence and contention. Based on over 100 oral history interviews, archival research, ethnographic participant observation, and analysis of Web content and commerce, the book is rich with quotes from practitioners and detailed movement description.
Pasargada is a journey where four people find out answers to questions that we all have in mind but never had the opportunity to ask. What is self-help? What is the role of destiny in my life? Am I a pirate or a king? What happens to the ifs and shoulds in my life? Who is charge of that so-called life of mine? Pirates, kings, revolutionaries, monarchy all mixed up in a story that thrills and takes your soul to the limits of your imagination and self-acquaintance.
Four years ago, the author started out on a journey to learn Irish set dancing, at an age, he says When most men and women are pulling the stool closer to the turf fire and dreaming of life when life was young. The journey took him from Nova Scotia to Milwaukee, Killarney, Ballinasloe and many lesser-known places in between, including a wacky little burg in the Catskills where Irish dreamers had painted green shamrocks on the pavement all up and down the principal street. Along the way, Devlin says, he met the wildest assortment of Irish and Irish-American characters imaginable and chapter by chapter, Devlin brings these fascinating people and their sometimes amusing, but always endearing, ways, close to your chair and into your heart. Like all of us who cling to our sense of an Irish heritage, Devlin says, Like a moth to a bright light, I am drawn to Irish ways. As a reader, if you share this life view, you will love this book. ________________________________________________________________ A hilarious account from deep inside the mind of a new set dancer progressing from his wifes reluctant partner to a fully obsessed set dancer who meets a host of entertaining and endearing characters along the way. Bill Lynch; Publisher, Set Dancing News. Swaggering, comical, and shrewd, Devlins memoir is an insiders entertaining tale of the oddities and magical allure of the Irish set dancing world.. Cynthia Neale; Author of the Irish Dresser and Norah.