Between Dancing and Writing

Between Dancing and Writing

Author: Kimerer L. LaMothe

Publisher: Fordham Univ Press

Published: 2004

Total Pages: 332

ISBN-13: 9780823224036

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This book provides philosophical grounds for an emerging area of scholarship: the study of religion and dance. In the first part, LaMothe investigates why scholars in religious studies have tended to overlook dance, or rhythmic bodily movement, in favor of textual expressions of religious life. In close readings of Descartes, Kant, Schleiermacher, Hegel, and Kierkegaard, LaMothe traces this attitude to formative moments of the field in which philosophers relied upon the practice of writing to mediate between the study of religion, on the one hand, and theology, on the other.In the second part, LaMothe revives the work of theologian, phenomenologist, and historian of religion Gerardus van der Leeuw for help in interpreting how dancing can serve as a medium of religious experience and expression. In so doing, LaMothe opens new perspectives on the role of bodily being in religious life, and on the place of theology in the study of religio


A History of Theory and Method in the Study of Religion and Dance

A History of Theory and Method in the Study of Religion and Dance

Author: Kimerer L. LaMothe

Publisher: BRILL

Published: 2018-10-22

Total Pages: 122

ISBN-13: 9004390006

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The relationship between religion and dance is as old as humankind. Contemporary methods for studying this relationship date back a century. The difference between these two time frames is significant: scholars are still developing theories and methods capable of illuminating this vast history that take account of their limited place within it. A History of Theory and Method in the Study of Religion and Dance takes on a primary challenge of doing so: overcoming a conceptual dichotomy between “religion” and “dance” forged in the colonial era that justified western Christian hostility towards dance traditions across six continents over six centuries. Beginning with its enlightenment roots, LaMothe narrates a selective history of this dichotomy, revealing its ongoing work in separating dance studies from religious studies. Turning to the Bushmen of the African Kalahari, LaMothe introduces an ecokinetic approach that provides scholars with conceptual resources for mapping the generative interdependence of phenomena that appear as “dance” and/or “religion.”


And We Shall Learn through the Dance

And We Shall Learn through the Dance

Author: Kathleen S. Turner

Publisher: Wipf and Stock Publishers

Published: 2021-07-28

Total Pages: 238

ISBN-13: 1498245781

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Liturgical dance is a way to present, reflect, instruct, learn, study, and share religious beliefs with one's self, within one's worship community, and with one's God. Such a belief is confirmed and witnessed within a variety of religious settings throughout the world from the beginning of time to this present age. However, there is a vacuum of resources that connect liturgical dance within the Christian context as a tool for religious learning within the field of religious education. With the continual rise of liturgical dance as an artistic form of expression, this book proposes that liturgical dance offers unique attributes conducive to the teaching and learning of faith and to faith formation. Kathleen S. Turner shows how liturgical dance is religious education in two very important ways: first, by addressing the power and potential liturgical dance has in nourishing the faith life of Christian congregants through means that are both educative and reflective; and second, by giving examples of how liturgical dance can be implemented as a religious-education tool within the teaching life of the church.


Why We Dance

Why We Dance

Author: Kimerer L. LaMothe

Publisher: Columbia University Press

Published: 2015-04-07

Total Pages: 305

ISBN-13: 023153888X

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Within intellectual paradigms that privilege mind over matter, dance has long appeared as a marginal, derivative, or primitive art. Drawing support from theorists and artists who embrace matter as dynamic and agential, this book offers a visionary definition of dance that illuminates its constitutive work in the ongoing evolution of human persons. Why We Dance introduces a philosophy of bodily becoming that posits bodily movement as the source and telos of human life. Within this philosophy, dance appears as an activity that humans evolved to do as the enabling condition of their best bodily becoming. Weaving theoretical reflection with accounts of lived experience, this book positions dance as a catalyst in the development of human consciousness, compassion, ritual proclivity, and ecological adaptability. Aligning with trends in new materialism, affect theory, and feminist philosophy, as well as advances in dance and religious studies, this work reveals the vital role dance can play in reversing the trajectory of ecological self-destruction along which human civilization is racing.


Ringleaders of Redemption

Ringleaders of Redemption

Author: Kathryn Dickason

Publisher: Oxford University Press, USA

Published: 2021-01-15

Total Pages: 395

ISBN-13: 0197527272

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In popular thought, Christianity is often figured as being opposed to dance. Conventional scholarship traces this controversy back to the Middle Ages. Throughout the medieval era, the Latin Church denounced and prohibited dancing in religious and secular realms, often aligning it with demonic intervention, lust, pride, and sacrilege. Historical sources, however, suggest that medieval dance was a complex and ambivalent phenomenon. During the High and Late Middle Ages, Western theologians, liturgists, and mystics not only tolerated dance; they transformed it into a dynamic component of religious thought and practice. This book investigates how dance became a legitimate form of devotion in Christian culture. Sacred dance functioned to gloss scripture, frame spiritual experience, and imagine the afterlife. Invoking numerous manuscript and visual sources (biblical commentaries, sermons, saints' lives, ecclesiastical statutes, mystical treatises, vernacular literature, and iconography), this book highlights how medieval dance helped shape religious identity and social stratification. Moreover, this book shows the political dimension of dance, which worked in the service of Christendom, conversion, and social cohesion. In Ringleaders of Redemption, Kathryn Dickason reveals a long tradition of sacred dance in Christianity, one that the professionalization and secularization of Renaissance dance obscured, and one that the Reformation silenced and suppressed.


Dance As Religious Studies

Dance As Religious Studies

Author: Douglas G. Adams

Publisher: Wipf and Stock Publishers

Published: 2001-04-05

Total Pages: 239

ISBN-13: 1579106315

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"Dance as religious studies" reveals resources for the "art of liturgical dance" in terms of both performance and scholarly interpretation. This collection of methodological essays has been arranged to suggest the wide spectrum and the underlying unity of these diverse and varied approaches to understanding dance as religious studies. Part I concentrates on the relationship between liturgical dance and the scriptural traditions of Judaism and Christianity. Part II indicates the feminist possibilities for liturgical and modern dance. Part III presents a spectrum of the contemporary theory and practice of liturgical dance. The book concludes with a bibliographic survey of sources and resources available to both liturgical dancers and students of dance as religious studies.


Dancing to Transform

Dancing to Transform

Author: Emily Wright

Publisher: Intellect (UK)

Published: 2021-06-18

Total Pages: 0

ISBN-13: 9781789382839

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"Since its inception, dance has maintained a tenuous position within Christianity. Yet, despite - or perhaps because of - its contested status, dance persists inside and outside organized religious communities. Using original, multi-site, qualitative studies of four dance companies, this book examines the movements dancing Christians make to transform what they perceive as secular professional dance into religious practices in order to actualize individual and communal religious identities. Dancing to transform is the first book-length analysis that situates developments in contemporary Christian dance in relation to the histories of American modern dance and American Christianity"--Page 4 of cover.


We Have a Religion

We Have a Religion

Author: Tisa Joy Wenger

Publisher: Univ of North Carolina Press

Published: 2009

Total Pages: 357

ISBN-13: 0807832626

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For Native Americans, religious freedom has been an elusive goal. From nineteenth-century bans on indigenous ceremonial practices to twenty-first-century legal battles over sacred lands, peyote use, and hunting practices, the U.S. government has often act


Embodying the Feminine in the Dances of the World's Religions

Embodying the Feminine in the Dances of the World's Religions

Author: Angela M. Yarber

Publisher: Liturgical Studies

Published: 2011

Total Pages: 0

ISBN-13: 9781433115448

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Dances that embody the «feminine» teach the dancer and the observers inside and outside the faith tradition about women's experiences, expressions, and understandings within their respective faith traditions. In Embodying the Feminine in the Dances of the World's Religions, the author immerses herself in four dance traditions and explores what their dance teaches about women's experiences in their faith tradition. Bharatanatyam is a classical Indian dance stemming from the devadasi system; kabuki onnagata are Japanese male enactors of «female-likeness»; the Mevlevi Order of America allows women to train as «whirling dervishes»; and Gurit Kadman created folk dances for Jewish women and men.