In 1930s Hawaii, after a local man is found innocent of rape by a court, someone kills him. Police arrest the raped woman's husband--a naval lieutenant--and charge him with murder. But did the lieutenant really do it? PI Heller's probe is complicated by distractions from a pretty woman.
Scandal, adultery, secret marriages, divorce, custody battles, suicide attempts, and alcoholism—the trials and tribulations of the Costellos were as riveting as any Hollywood feature film. This eccentric and talented clan was one of the twentieth century's most famous families of actors, until their achievements were eclipsed by their own immutable penchant for self-destruction. Patriarch Maurice Costello was considered the first screen idol until his career, marked by accusations of spousal abuse, drunkenness, and physical assault, abruptly ended. Costello's daughter, Helene, was the first actress to star in an all-talking picture, but her career was ruined by a very public divorce from Lowell Sherman, who testified that his wife was a drunk and an avid reader of pornography. And though the original members of this family may be gone, the legacy lives on—most notably through actress Drew Barrymore. Written with unprecedented access to the family's personal documents and artifacts, as well as interviews with several family members, Film's First Family explores the dramatic history of the Costellos and their extraordinary significance to the stage and screen.
As early as the Silent Era, movie studios were sued over depictions of real people and events. Filmmakers have always altered the details of true stories and actual persons, living or dead, to make narratives more workable and characters more compelling. When truth and fantasy become inextricably mixed, the effect on people's lives can be significant, even devastating. This expanded second edition presents an updated history of legal issues surrounding the on-screen embellishment of reality, with a focus on important court decisions and the use of disclaimers. Seventeen courtroom dramas are given fact-versus-fiction analyses, and the The Perfect Storm (1991) is covered in extensive detail. A concluding chapter is devoted to actors who became so identified with fictionalized characters that they sought exclusive rights to those personas.
Once called "the most gifted character actor of our time" by Broadway theater producer Arthur Hopkins, Lionel Barrymore (1878–1954) was part of the illustrious Barrymore acting dynasty. Although he garnered success on stage and screen and was a talented actor, writer, director, visual artist, and composer, he never quite escaped the shadow of his family members—including his brother, John, famous for his leading roles. Barrymore won the Academy Award for Best Actor in A Free Soul (1931) and was nominated for Best Director for Madame X (1930). However, he is best known for his role as Mr. Potter in It's a Wonderful Life (1946) and as the voice of Ebenezer Scrooge in radio broadcasts of A Christmas Carol from 1934 to 1953. He spent the last two decades of his career playing versions of his signature character—the curmudgeonly but lovable gentleman—in a variety of films from You Can't Take It With You (1938) to Key Largo (1948). Barrymore worked alongside some of Hollywood's most recognizable names, including Humphrey Bogart, James Stewart, Frank Capra, Lauren Bacall, Clark Gable, and Ava Gardner, and his legacy is enshrined at the Hollywood Walk of Fame, where he has two stars—one for radio and one for film. In Lionel Barrymore: Character and Endurance in Hollywood's Golden Age, Kathleen Spaltro examines Barrymore as an individual rather than just a supporting cast member of the famous dynasty. This comprehensive study divides Barrymore's life into three compelling acts. Act One follows Barrymore's early days—his failed endeavor as a visual artist, his performances in the family vaudeville acts, his first silent motion pictures, and his greatest successes and failures on the stage. Act Two details Barrymore's establishment as a fixture at MGM, his foray into directing, his success as the first actor to thrive in the talkies, and his estimable Oscar-winning performance. Finally, Act Three expounds on Barrymore's curation of his trademark character—the endearing grouch—his exploits in radio, and his fateful final years. Spaltro also unearths Barrymore's personal challenges, recounts his difficulties with—and sometimes estrangement from—members of his family, and delves into the devastating losses Barrymore suffered: his divorce, the deaths of his two daughters, and later, the death of his second wife and the accidents that eventually led to permanent disabilities requiring the use of a wheelchair. Lionel Barrymore is a detailed, multifaceted portrait of a brilliant character actor.
The volume addresses the pertinent need to examine childhood trauma revolving around themes of war, sexual abuse, and disability. Drawing narratives from spatial, temporal, and cultural contexts, the book analyses how conflict, abuse, domestic violence, contours of gender construction, and narratives of ableism affect a child’s transactions with society. While exploring complex manifestations of children’s experience of trauma, the volume seeks to understand the issues related to translatability/representation, of trauma bearing in mind the fact that children often lack the language to express their sense of loss. The book in its study of childhood trauma does a close exegesis of select literary pieces, drawings done by children, memoirs, and graphic narratives. Academicians and research scholars from the disciplines of childhood studies, trauma studies, resilience studies, visual studies, gender studies, cultural studies, disability studies, and film studies stand to benefit from this volume. The ideas that have been expressed in this volume will richly contribute towards further research and scholarship in this domain.
Little What's-His-Name (Le Petit Chose) - Alphonse Daudet's (1840-1897) first published, though not his first written, novel - appeared in 1868. The first part was composed in that Southern France it describes so charmingly; its first chapters form one of the most touching of autobiographies. In the second part Daudet has to tell of the struggles of an idealistic young poet in the selfish, devouring whirlpool of Paris. The whole book seems to bear the impress of the circumstances under which it was written. It is full of the milk of human kindness.
Gothic Novel, dark fantasy The Red Demon, an empathic and tormened vampire, has just been converted by his Master, which leads him to lose his "sibfriend" Eva. In this third book we will see that harsh transformation process (physical, moral, social) as the rest of characters gets related in astounding and unexpected associations. Emotion, mystery, pain, suspense, humor and terror will unite in this unsettling volume of the saga to surprise and excite you without limits. Prepare yourself to laugh, cry, get horrified, to FEEL IN ALL CAPS with "I" and Wva, with Leo, the necromancers Luna and Ianire, the diabolic doll Paula, with the demon Arioch and a long cast of connected damned characters.