Part Mayberry and part Peyton Place, Culver City has provided the backdrop for Gone with the Wind, Citizen Kane, The Wizard of Oz, Men In Black, Jerry Maguire, "The Andy Griffith Show," "Batman," "Lassie," and the films of Laurel & Hardy. Gwen Verdon grew up here, and so did The Little Rascals. Gene Kelly sang in the rain. Harrison Ford commanded Air Force One. But before glitz and glamour set up shop, the open fields of Culver City were peacefully inhabited by the Gabrielino Indians. Spanish grazing grants of 1819 set the stage for development, and in 1913, Harry Culver announced his ambition to found a city. Two years later, Thomas Ince broke ground on Culver City's first major studio. A star was born. Images of America: Culver City guides you on a VIP back lot tour of a movie town's pioneering moments.
After watching pioneer filmmaker Thomas Ince film one of his famous Westerns on Ballona Creek, city founder Harry Culver saw the economic base for his city. Culver announced plans for the city in 1913 and attracted three major movie studios to Culver City, along with smaller production companies. "The Heart of Screenland" is fittingly etched across the Culver City seal. These vintage images are a tour through the storied past of this company town on the legendary movie lots bearing the names of Thomas Ince, Hal Roach, Goldwyn, Metro-Goldwyn-Mayer, Lorimar, MGM-UA, Columbia, Sony Pictures, DeMille, RKO-Pathe, Selznick, Desilu, Culver City Studios, Laird International, the Culver Studios, and such nearly forgotten mini-factories as the Willat Studios. On these premises, Gone With the Wind, The Wizard of Oz, Citizen Kane, E.T: The Extra-Terrestrial, and other classics were filmed, along with tens of thousands of television shows and commercials featuring Elvis Presley, the Beatles, Michael Jackson, and many others.
Hollywood is a transitory place. Stars and studios rise and fall. Genres and careers wax and wane. Movies and movie moguls and movie makers and movie palaces are acclaimed and patronized and loved and beloved, and then forgotten. And yet… And yet one place in Southern California, built in the 1920s by (allegedly murdered) producer Thomas Ince, acquired by Cecil B. DeMille, now occupied by Amazon.com, has been the home for hundreds of the most iconic and legendary films and television shows in the world for a remarkable and star-studded fifty years. This bizarre, magical place was the location for Tara in Gone with The Wind, the home of King Kong and Superman, of Tarzan and Batman, of the Green Hornet, of Elliot Ness, of Barney Fife, of Tarzan, of Rebecca, of Citizen Kane, of Hogan’s Heroes and Gomer Pyle, of Lasse, of A Star is Born and Star Trek, and at least twice, of Jesus Christ. For decades, every conceivable star in Hollywood, from Clark Gable to Warren Beatty, worked and loved and gave indelible performances on the site. And yet, today, it is completely forgotten. Pretty much anyone alive today, from college professors to longshoremen, have probably heard of Paramount and of MGM, of Warner Bros. and of Universal, and of Disney and Fox and Columbia, but the place where many of these studio’s beloved classics were minted is today as mysterious and unknowable as the sphinx. Hollywood’s Lost Backlot: 40 Acres of Glamour and Mystery will, for the first time ever, unwind the colorful and convoluted threads that make for the tale of one of the most influential and photographed places in the world. A place which most have visited, at least on screen, and which has contributed significantly and unexpectedly to the world’s popular culture, and yet which few people today, paradoxically, have ever heard of.
"Once a guarded cinematic secret, this definitive history reveals for the first time the art and craft of Hollywood's hand painted-backdrops, and pays homage to the scenic artists who brought them to the big screen." -- Slipcase.
Culver City has rivaled Hollywood for nearly a century as the "Heart of Screenland"--a center of the movie and television trades. Here, the giant Metro-Goldwyn-Mayer evolved into Sony Pictures, and the Ince and Selznick movie empires became today's Culver Studios. But the same lands along Ballona Creek had been a wilderness traversed by Native Americans and settled by hardy Spanish pioneers named Machado, Talamantes and Higuera. Union soldiers occupied the area's Civil War-era Camp Latham. By 1910, visionary Harry H. Culver saw possibilities for these ranchlands and led Culver City to incorporate in 1917. Join official city historian Julie Lugo Cerra, a descendant of early settlers, as she relates the fascinating stories of how and why Culver City grew and prospered.
Beloved Jesuit priest and author of the inspirational bestsellers Tattoos on the Heart and Barking to the Choir returns with a call to witness the transformative power of tenderness, rooted in his lifetime of experience counseling gang members in Los Angeles. Over the past thirty years, Gregory Boyle has transformed thousands of lives through his work as the founder of Homeboy Industries, the largest and most successful gang-intervention program in the world. Now, following his acclaimed bestsellers Tattoos on the Heart, “destined to become a classic of both urban reportage and contemporary spirituality” (Los Angeles Times), and Barking to the Choir, deemed “a beautiful and important and soul-transporting book” by Elizabeth Gilbert comes The Whole Language, a book that “filled my cup with hope” (The Jesuit Review). In a community struggling to overcome systemic poverty and violence, The Whole Language shows how those at Homeboy Industries fight despair and remain generous, hopeful, and tender. When Saul was thirteen years old, he killed his abusive stepfather in self-defense; after spending twenty-three years in juvenile and adult jail, he enters the Homeboy Industries training and healing programs and embraces their mission. Declaring, “I’ve decided to grow up to be somebody I always needed as a child,” Saul shows tenderness toward the young men in his former shoes, treating them all like his sons and helping them to find their way. Before coming to Homeboy Industries, a young man named Abel was shot thirty-three times, landing him in a coma for six months followed by a year and a half recuperating in the hospital. He now travels on speaking tours with Boyle and gives guided tours around the Homeboy offices. One day a new trainee joins Abel as a shadow, and Abel recognizes him as the young man who had put him in a coma. “You give good tours,” the trainee tells Abel. They both have embarked on a path to wholeness. Boyle’s moving stories challenge our ideas about God and about people, providing a window into a world filled with fellowship, compassion, and fewer barriers. Bursting with encouragement, humor, and hope, The Whole Language invites us to treat others—and ourselves—with acceptance and tenderness.
After watching pioneer filmmaker Thomas Ince film one of his famous Westerns on Ballona Creek, city founder Harry Culver saw the economic base for his city. Culver announced plans for the city in 1913 and attracted three major movie studios to Culver City, along with smaller production companies. The Heart of Screenland is fittingly etched across the Culver City seal. These vintage images are a tour through the storied past of this company town on the legendary movie lots bearing the names of Thomas Ince, Hal Roach, Goldwyn, Metro-Goldwyn-Mayer, Lorimar, MGM-UA, Columbia, Sony Pictures, DeMille, RKO-Pathe, Selznick, Desilu, Culver City Studios, Laird International, the Culver Studios, and such nearly forgotten mini-factories as the Willat Studios. On these premises, Gone With the Wind, The Wizard of Oz, Citizen Kane, E.T: The Extra-Terrestrial, and other classics were filmed, along with tens of thousands of television shows and commercials featuring Elvis Presley, the Beatles, Michael Jackson, and many others.
"Powerful and important . . . an instant classic." —The Washington Post Book World The award-winning look at an ugly aspect of American racism by the bestselling author of Lies My Teacher Told Me, reissued with a new preface by the author In this groundbreaking work, sociologist James W. Loewen, author of the classic bestseller Lies My Teacher Told Me, brings to light decades of hidden racial exclusion in America. In a provocative, sweeping analysis of American residential patterns, Loewen uncovers the thousands of "sundown towns"—almost exclusively white towns where it was an unspoken rule that blacks weren't welcome—that cropped up throughout the twentieth century, most of them located outside of the South. Written with Loewen's trademark honesty and thoroughness, Sundown Towns won the Gustavus Myers Outstanding Book Award, received starred reviews in Publishers Weekly and Booklist, and launched a nationwide online effort to track down and catalog sundown towns across America. In a new preface, Loewen puts this history in the context of current controversies around white supremacy and the Black Lives Matter movement. He revisits sundown towns and finds the number way down, but with notable exceptions in exclusive all-white suburbs such as Kenilworth, Illinois, which as of 2010 had not a single black household. And, although many former sundown towns are now integrated, they often face "second-generation sundown town issues," such as in Ferguson, Missouri, a former sundown town that is now majority black, but with a majority-white police force.
