Presenting a holistic perspective of the Hmong way of life, this book touches on every aspect of the Hmong culture, including an overview of their history and traditions, relationships between Hmong parents and their children, the rites and traditions of Hmong wedding and funeral ceremonies, the celebration of the Hmong New Year, home restrictions and other superstitious taboos, arts and politics. The book features and explains many Hmong words, phrases and proverbs. Instructors considering this book for use in a course may request an examination copy here.
This book is the first to balance an account of the traditional life and history of the Hmong as a global people, with a full account of their modern, urban lives. Culture and Customs of the Hmong takes a global approach to understanding the Hmong, a people who have lived in China for more than 4,000 years. It is the first book to combine an account of the traditional life and history of the Hmong with a full account of their modern, urban lifestyle, balancing traditional lifeways and practices with modern, evolving customs. The book is unique in dealing, not only with the Hmong in the United States, Australia, and other Western nations, but also with their traditional and changing lives in their Asian homelands of Laos, Thailand, Vietnam, and China. This broad international perspective allows readers to look at the Hmong through the complex interplay of the many social, historical, economic, and cultural influences they have been exposed to in their worldwide migration, and at how they manage to maintain their many traditions across national boundaries and great distances.
Since the 1975 communist takeover of Laos, over 60,000 Hmong refugees have immigrated to the United States from Southeast Asia, bringing with them a rich visual and performing arts heritage. HMONG ART: TRADITION AND CHANGE is the first exhibition and publication to document extensively the textiles, jewelry, musical instruments, and other artifacts currently produced by Hmong folk artists throughout this country.
Winner of the National Book Critics Circle Award for Nonfiction, this brilliantly reported and beautifully crafted book explores the clash between a medical center in California and a Laotian refugee family over their care of a child.
Based on more than 200 interviews during 2002-2009 under the auspices of the Hmong Oral History Project. Several full-text interviews are available on the project's website.
Farmers in Laos, U.S. allies during the Vietnam War, refugees in Thailand, citizens of the Western world, the stories of the Hmong who now live in America have been told in detail through books and articles and oral histories over the past several decades. Like any immigrant group, members of the first generation may yearn for the past as they watch their children and grandchildren find their way in the dominant culture of their new home. For Hmong people born and educated in the United States, a definition of self often includes traditional practices and tight-knit family groups but also a distinctly Americanized point of view. How do Hmong Americans negotiate the expectations of these two very different cultures? This book contains a series of essays featuring a range of writing styles, leading scholars, educators, artists, and community activists who explore themes of history, culture, gender, class, family, and sexual orientation, weaving their own stories into depictions of a Hmong American community where people continue to develop complex identities that are collectively shared but deeply personal as they help to redefine the multicultural America of today.
“Calling in the Soul” (Hu Plig) is the chant the Hmong use to guide the soul of a newborn baby into its body on the third day after birth. Based on extensive original research conducted in the late 1980s in a village in northern Thailand, this ethnographic study examines Hmong cosmological beliefs about the cycle of life as expressed in practices surrounding birth, marriage, and death and considers the gender relationships evident in these practices. The Hmong (or Miao, as they are called in China, and Meo, in Thailand) have lived on the fringes of powerful Southeast Asian states for centuries. Their social framework is distinctly patrilineal, granting little direct power to women. Yet within the limits of that structure, Hmong women wield considerable influence in the spiritually critical realms of birth and death. Calling in the Soul will be of interest to sociocultural anthropologists, medical anthropologists, Southeast Asianists, and gender specialists. Replaces ISBN 9780295800424
"The Hmong are among Australia's newest immigrant populations. They came as refugees from Laos after the communist revolution of 1975 ended their life there as highland shifting cultivators. The Hmong originate from southern China where many still remain, and others live in Vietnam, Thailand and Burma. Hmong refugees are now also settled in the USA, Canada, France, Germany and French Guyana. Already the beauty and richness of traditional Hmong culture, in particular their shamanism and embroidered costume, has attracted the attention of the Australian public, but little is known about these people, their background or the struggles they have faced to adjust to a new life in Australia. This interdisciplinary collection of articles deals with their music and textiles, gender and language, their social adaptation and their global diaspora. The book aims to bring knowledge of the Hmong to a wider public and contribute to the understanding of these people."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Hmong story cloths provide a visual documentation of the historical and cultural legacy of the Hmong people from the country of Laos. The Hmong first began making the story cloths during their time in refugee camps, and featured here are 48 vibrant story cloths that provide a comprehensive look at their lives and culture. The creation of a story cloth begins with the selection of fabric and images outlined onto the fabric. Long satin stitches of multi-colored threads fill in the image, while details are applied with intricate satin stitches and borders pieced together and hand-stitched. Topics include history, traditional life in Laos, Hmong New Year, folk tales, and neighboring people. The quality and diversity of content of the story cloths build upon one another to provide a holistic understanding of the Hmong culture and history. Augmented with personal stories and artifacts, this book is perfect for history buffs and textile artisans alike.
Countering the idea of Hmong women as victims, the contributors to this pathbreaking volume demonstrate how the prevailing scholarly emphasis on Hmong culture and men as the primary culprits of women’s subjugation perpetuates the perception of a Hmong premodern status and renders unintelligible women’s nuanced responses to patriarchal strategies of domination both in the United States and in Southeast Asia. Claiming Place expands knowledge about the Hmong lived reality while contributing to broader conversations on sexuality, diaspora, and agency. While these essays center on Hmong experiences, activism, and popular representations, they also underscore the complex gender dynamics between women and men and address the wider concerns of gendered status of the Hmong in historical and contemporary contexts, including deeply embedded notions around issues of masculinity. Organized to highlight themes of history, memory, war, migration, sexuality, selfhood, and belonging, this book moves beyond a critique of Hmong patriarchy to argue that Hmong women have been and continue to be active agents not only in challenging oppressive societal practices within hierarchies of power but also in creating alternative forms of belonging. Contributors: Geraldine Craig, Kansas State U; Leena N. Her, Santa Rosa Junior College; Julie Keown-Bomar, U of Wisconsin–Extension; Mai Na M. Lee, U of Minnesota; Prasit Leepreecha, Chiang Mai U; Aline Lo, Allegheny College; Kong Pha; Louisa Schein, Rutgers U; Cathy J. Schlund-Vials, U of Connecticut; Bruce Thao; Ka Vang, U of Wisconsin–Eau Claire.
