This book is a historical and archeological examination of the Isthmus Zapotec state, which was established at Tehuantepec in late prehispanic times through a campaign of conquest and colonization, and the responses that its descendant populations made to the complex political, economic, and cultural changes introduced by Spanish colonialism. Although the modern-day Isthmus Zapotecs are renowned in Mexico and among Latin Americanists for their vibrant cultural traditions and their legacy of political resistance, only isolated elements of the complex historical processes by which these patterns emerged have been studied previously. Using complementary archival and archeological sources, the book details the transformation of Isthmus Zapotec society under colonialism and the enduring structures through which its members redefined their political autonomy.
This book is a historical and archeological examination of the Isthmus Zapotec state, which was established at Tehuantepec in late prehispanic times through a campaign of conquest and colonization, and the responses that its descendant populations made to the complex political, economic, and cultural changes introduced by Spanish colonialism. Although the modern-day Isthmus Zapotecs are renowned in Mexico and among Latin Americanists for their vibrant cultural traditions and their legacy of political resistance, only isolated elements of the complex historical processes by which these patterns emerged have been studied previously. Using complementary archival and archeological sources, the book details the transformation of Isthmus Zapotec society under colonialism and the enduring structures through which its members redefined their political autonomy.
This impressive collection features the work of archaeologists who systematically explore the material and social consequences of new technological systems introduced after the sixteenth-century Spanish invasion in Mesoamerica. It is the first collection to present case studies that show how both commonplace and capital-intensive technologies were intertwined with indigenous knowledge systems to reshape local, regional, and transoceanic ecologies, commodity chains, and political, social, and religious institutions across Mexico and Central America.
Law’s Political Foundations explains the development of the two basic systems of public and private law and their historical transformations. Examining the historical development of law in China, Japan, Western Europe, and Hispanic America, Haley argues that law is a product, rather than a constitutive element, of political systems.
A unique and wide-ranging introduction to the major prehispanic and colonial societies of Mexico and Central America, featuring new and revised material throughout Mesoamerican Archaeology: Theory and Practice, Second Edition, provides readers with a diverse and well-balanced view of the archaeology of the indigenous societies of Mexico and Central America, helping students better understand key concepts and engage with contemporary debates and issues within the field. The fully updated second edition incorporates contemporary research that reflects new approaches and trends in Mesoamerican archaeology. New and revised chapters from first-time and returning authors cover the archaeology of Mesoamerican cultural history, from the early Gulf Coast Olmec, to the Classic and Postclassic Maya, to the cultures of Oaxaca and Central Mexico before and after colonization. Presenting a wide range of approaches that illustrate political, socio-economic, and symbolic interpretations, this textbook: Encourages students to consider diverse ways of thinking about Mesoamerica: as a linguistic area, as a geographic region, and as a network of communities of practice Represents a wide spectrum of perspectives and approaches to Mesoamerican archaeology, including coverage of the Postclassic and Colonial periods Enables readers to think critically about how explanations of the past are produced, verified, and debated Includes accessible introductory material to ensure that students and non-specialists understand the chronological and geographic frameworks of the Mesoamerican tradition Discusses recent developments in the contemporary theory and practice of Mesoamerican archaeology Presents new and original research by a team of internationally recognized contributors Mesoamerican Archaeology: Theory and Practice, Second Edition, is ideal for use in undergraduate courses on the archaeology of Mexico and Central America, as well as for broader courses on the archaeology of the Americas.
Bridging the Gaps: Integrating Archaeology and History in Oaxaca, Mexico does just that: it bridges the gap between archaeology and history of the Precolumbian, Colonial, and Republican eras of the state of Oaxaca, Mexico, a cultural area encompassing several of the longest-enduring literate societies in the world. Fourteen case studies from an interdisciplinary group of archaeologists, anthropologists, ethnohistorians, and art historians consciously compare and contrast changes and continuities in material culture before and after the Spanish conquest, in Prehispanic and Colonial documents, and in oral traditions rooted in the present but reflecting upon the deep past. Contributors consider both indigenous and European perspectives while exposing and addressing the difficulties that arise from the application of this conjunctive approach. Inspired by the late Dr. Bruce E. Byland’s work in the Mixteca, which exemplified the union of archaeological and historical evidence and inspired new generations of scholars, Bridging the Gaps promotes the practice of integrative studies to explore the complex intersections between social organization and political alliances, religion and sacred landscape, ethnic identity and mobility, colonialism and resistance, and territoriality and economic resources.
Mexican history is as tortured and crooked (in both senses of the word) as an ox cart trail--unexpected turns around every corner, replete with bumps and declivities. The casual reader of general Mexican history will find it difficult keeping up with the list of Mexico s principal characters over the centuries, now expanding, then suddenly contracting due to assassinations, exiles, military defeats, and alliances gone awry. Oaxacan writer Bruce Stores solves that problem by employing a simple technique used for millennia by the local indigenous peoples: storytelling. His take on historical fiction paints a human, everyday face on the historian s cold mask of dates, places, and wars. Structuring his book around key historical events, he asks--and answers--the questions: How did that feel? Who was affected? What happened to the community, the families? The focus of this book, as its title implies, is the Isthmus of Tehuantepec, the bottom of the scorpion s tail of Mexican geography. At its narrowest point, it s only approximately 125 miles wide, spanning the Gulf of Mexico to the Pacific, making the Isthmus an early, much-courted, often-spurned alternative to the Panama Canal. The region s remoteness, heat, and lack of picturesque colonial cities or swank beach resorts have kept tourists far away. And perhaps because of that, and sociological factors as well, the Isthmus has managed to protect its distinct, largely indigenous, culture. Stores explains that culture to us over a 500-year period through the pre-Conquest period with its intertribal warfare to Cortes arrival, the battles for independence from Spain, and the French Intervention. In the modern era, his characters fight political battles from Mexico City s university protests to struggles with the domination of the long-entrenched Institutional Revolutionary Party (PRI). A common thread for all the stories is the importance of land to the Zapotec people. It defines them. Land ownership in Oaxaca, Gomez told the Judge, has different roots. The system of property rights among the pre-Colombian natives was, without a doubt, antagonistic to the Spaniards sense of private property. Yet to the indigenous peoples, their communal property holdings were as natural to them as night and day. Because their land was the provider of their food, they considered it to be divine. Yes. Their land was to them a god. And, just as the air and the wind belong to everyone, they couldn t come to terms with European notions of private property. '" The Isthmus succeeds in elucidating a little-understood region of Mexico. And its telling of tales brings us closer the fierce human spirit that has withstood and shaped-- its history.
Through years of fieldwork in the state of Oaxaca, Mexico, art historian and archaeologist Alessia Frassani formulated a compelling question: How did Mesoamerican society maintain its distinctive cultural heritage despite colonization by the Spanish? In Building Yanhuitlan, she focuses on an imposing structure—a sixteenth-century Dominican monastery complex in the village of Yanhuitlan. For centuries, the buildings have served a central role in the village landscape and the lives of its people. Ostensibly, there is nothing indigenous about the complex or the artwork inside. So how does such a place fit within the Mixteca, where Frassani acknowledges a continuity of indigenous culture in the towns, plazas, markets, churches, and rural surroundings? To understand the monastery complex—and Mesoamerican cultural heritage in the wake of conquest—Frassani calls for a shifting definition of indigenous identity, one that acknowledges the ways indigenous peoples actively took part in the development of post-conquest Mesoamerican culture. Frassani relates the history of Yanhuitlan by examining the rich store of art and architecture in the town’s church and convent, bolstering her account with more than 100 color and black-and-white illustrations. She presents the first two centuries of the church complex’s construction works, maintenance, and decorations as the product of cultural, political, and economic negotiation between Mixtec caciques, Spanish encomenderos, and Dominican friars. The author then ties the village’s present-day religious celebrations to the colonial past, and traces the cult of specific images through these celebrations’ history. Cultural artifacts, Frassani demonstrates, do not need pre-Hispanic origins to be considered genuinely Mesoamerican—the processes attached to their appropriation are more meaningful than their having any pre-Hispanic past. Based on original and unpublished documents and punctuated with stunning photography, Building Yanhuitlan combines archival and ethnographic work with visual analysis to make an innovative statement regarding artistic forms and to tell the story of a remarkable community.
