Cultural and Racial Representation in South African Soap Operas. 'Generations' and 'Muvhango'

Cultural and Racial Representation in South African Soap Operas. 'Generations' and 'Muvhango'

Author: Lutendo Nendauni

Publisher: GRIN Verlag

Published: 2016-12-07

Total Pages: 16

ISBN-13: 3668358907

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Seminar paper from the year 2016 in the subject Film Science, University of Venda, course: Media studies, language: English, abstract: This paper intends to examine how culture and race are represented in South African television industry; the focus is laid on South Africa’s oldest and most watched soap operas: 'Generations' and 'Muvhango'. Culture and race are some of the most crucial terminologies in South African history and because of this reason they are defined and deeply explained in this paper. The paper also defines representation from a philosophical point of view, moving on to a media point of view, which then leads to the critical detailed analysis of how culture and race are represented in South African television paying special attention to two of the most popular soap operas.


Cinema in a Democratic South Africa

Cinema in a Democratic South Africa

Author: Lucia Saks

Publisher: Indiana University Press

Published: 2010-07-19

Total Pages: 270

ISBN-13: 0253221862

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Lucia Saks uses South African cinema as a lens through which to view cultural changes resulting from the end of apartheid in 1994. She examines how media transformed the meaning of race and nation during this period and argues that, as apartheid was disbanded and new racial constructs allowed, South Africa quickly sought a new mode of representation as a way to distance itself from the violence and racism of the half-century prior, as well as to demonstrate stability amid social disruption. This rapid search for a new way to identify and portray itself is what Saks refers to as the race for representation. She contextualizes this race in terms of South African history, the media, apartheid, sexuality, the economy, community, early South African cinema, and finally speculates about the future of "counter-cinema" in present-day South Africa.


“The Park” by James Matthews. Short stories by South African authors in the classroom

“The Park” by James Matthews. Short stories by South African authors in the classroom

Author: Joan-Ivonne Bake

Publisher: GRIN Verlag

Published: 2010-10-22

Total Pages: 17

ISBN-13: 3640731751

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Seminar paper from the year 2003 in the subject Didactics for the subject English - Literature, Works, grade: keine, University of Duisburg-Essen, language: English, abstract: The seminar “Language and Literature in the New South Africa” familiarized students with a range of contemporary and antecedent short stories by South African authors in context of the highly problematic terms of apartheid and post-apartheid especially with regard to South African culture. A major aspect of the seminar was the question of identity and culture as it is recognizable in language and literature. Community should be achieved as an important role in South Africa. To implicate the usability for (short) stories in the English language classroom, the fact that they in general meet a basic human need and a plurality of methodological approaches especially for young people in order to understand the “other” are to be emphasised.


The Truth about Crime

The Truth about Crime

Author: Jean Comaroff

Publisher: University of Chicago Press

Published: 2016-12-05

Total Pages: 368

ISBN-13: 022642491X

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This new book by the well-known anthropologists Jean and John L. Comaroff explores the global preoccupation with criminality in the early twenty-first century, a preoccupation strikingly disproportionate, in most places and for most people, to the risks posed by lawlessness to the conduct of everyday life. Ours in an epoch in which law-making, law-breaking, and law-enforcement are ever more critical registers in which societies construct, contest, and confront truths about themselves, an epoch in which criminology, broadly defined, has displaced sociology as the privileged means by which the social world knows itself. They also argue that as the result of a tectonic shift in the triangulation of capital, the state, and governance, the meanings attached to crime and, with it, the nature of policing, have undergone significant change; also, that there has been a palpable muddying of the lines between legality and illegality, between corruption and conventional business; even between crime-and-policing, which exist, nowadays, in ever greater, hyphenated complicity. Thinking through Crime and Policing is, therefore, an excursion into the contemporary Order of Things; or, rather, into the metaphysic of disorder that saturates the late modern world, indeed, has become its leitmotif. It is also a meditation on sovereignty and citizenship, on civility, class, and race, on the law and its transgression, on the political economy of representation.


The Rhetorical Power of Popular Culture

The Rhetorical Power of Popular Culture

Author: Deanna D. Sellnow

Publisher: SAGE Publications

Published: 2017-02-17

Total Pages: 513

ISBN-13: 1506315232

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Can television shows like Modern Family, popular music by performers like Taylor Swift, advertisements for products like Samuel Adams beer, and films such as The Hunger Games help us understand rhetorical theory and criticism? The Third Edition of The Rhetorical Power of Popular Culture offers students a step-by-step introduction to rhetorical theory and criticism by focusing on the powerful role popular culture plays in persuading us as to what to believe and how to behave. In every chapter, students are introduced to rhetorical theories, presented with current examples from popular culture that relate to the theory, and guided through demonstrations about how to describe, interpret, and evaluate popular culture texts through rhetorical analysis. Author Deanna Sellnow also provides sample student essays in every chapter to demonstrate rhetorical criticism in practice. This edition’s easy-to-understand approach and range of popular culture examples help students apply rhetorical theory and criticism to their own lives and assigned work.


The Art of Human Rights

The Art of Human Rights

Author: Romola Adeola

Publisher: Springer

Published: 2020-04-20

Total Pages: 152

ISBN-13: 9783030301019

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This book highlights the use of art in human rights, specifically within Africa. It advances an innovative pattern of thinking that explores the intersection between art and human rights law. In recent years, art has become an important tool for engagement on several human rights issues. In view of its potency, and yet potential to be a danger when misused, this book seeks to articulate the use of arts in the human rights discourse in its different forms. Chapters cover how music, photography, literature, photojournalism, soap opera, commemorations, sculpting and theatre can be used as an expression of human rights. This book demonstrates how arts have become a formidable expression of thoughts and a means of articulating reality in a form that simplifies truth and congregates resolve to advance change.


International Relations: Which grand theory best describes the world today? Why?

International Relations: Which grand theory best describes the world today? Why?

Author: Jane Vetter

Publisher: GRIN Verlag

Published: 2008-10-13

Total Pages: 11

ISBN-13: 3640186338

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Seminar paper from the year 2007 in the subject Politics - Political systems in general and in comparison, University of North Florida, language: English, abstract: In international relations, we find many different actors with distinctive interests and certain individual instruments to realize goals. Within the following paper, our question cannot necessarily be how important nation-states are in comparison with international organizations such as the United Nations, for example. Instead, we have to find the best match in regard to outlining and observing today's political world. In the following, I will show that realism best describes our world today because of four striking reasons. First, realism is the easiest way to approach international politics and describing the world. Second, realism best applies to our daily individual lives and, therefore, dominates how we shape international relations. Third, the realist theory is our last resort when political circumstances get out of hand, and lives, sovereignty, and power are threatened. This is because we traditionally relied on realist approaches and, consequently, do not hesitate in further outlining our world with the help of realism since it makes us feel more secure in what we are doing. Fourth, realism marks today's hegemon, the United States, and, hence, today's world politics. This reasoning is not an attempt, however, to minimize other grand theories, liberalism and constructivism. International relations is a vast field and therefore must be complemented by alternative views in order to round out the picture and to arrive at valid and persuasive understandings of international politics.


Topics in Audiovisual Translation

Topics in Audiovisual Translation

Author: Pilar Orero

Publisher: John Benjamins Publishing

Published: 2004-10-20

Total Pages: 243

ISBN-13: 9027295123

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The late twentieth-century transition from a paper-oriented to a media-oriented society has triggered the emergence of Audiovisual Translation as the most dynamic and fastest developing trend within Translation Studies. The growing interest in this area is a clear indication that this discipline is going to set the agenda for the theory, research, training and practice of translation in the twenty-first century. Even so, this remains a largely underdeveloped field and much needs to be done to put Screen Translation, Multimedia Translation or the wider implications of Audiovisual Translation on a par with other fields within Translation Studies. In this light, this collection of essays reflects not only the “state of the art” in the research and teaching of Audiovisual Translation, but also the professionals’ experiences. The different contributions cover issues ranging from reflections on professional activities, to theory, the impact of ideology on Audiovisual Translation, and the practices of teaching and researching this new and challenging discipline.In expanding further the ground covered by the John Benjamins’ book (Multi)Media Translation (2001), this book seeks to provide readers with a deeper insight into some of the specific concepts, problems, aims and terminology of Audiovisual Translation, and, by this token, to make these specificities emerge from within the wider nexus of Translation Studies, Film Studies and Media Studies. In a quickly developing technical audiovisual world, Audiovisual Translation Studies is set to become the academic field that will address the complex cultural issues of a pervasively media-oriented society.


Translation, Rewriting, and the Manipulation of Literary Fame

Translation, Rewriting, and the Manipulation of Literary Fame

Author: Andre Lefevere

Publisher: Taylor & Francis

Published: 2016-10-26

Total Pages: 151

ISBN-13: 1315458489

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Lefevere explores how the process of rewriting works of literature manipulates them to ideological and artistic ends, so that the rewritten text can be given a new, sometimes subversive, historical or literary status.


Beauty and the Norm

Beauty and the Norm

Author: Claudia Liebelt

Publisher: Springer

Published: 2018-08-24

Total Pages: 315

ISBN-13: 3319911740

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Recent decades have seen the rise of a global beauty boom, with profound effects on perceptions of bodies worldwide. Against this background, Beauty and the Norm assembles ethnographic and conceptual approaches from a variety of disciplines and across the globe to debate standardization in bodily appearance. Its contributions range from empirical research to exploratory conversations between scholars and personal reflections. Bridging hitherto separate debates in critical beauty studies, cultural anthropology, sociology, the history of science, disability studies, gender studies, and critical race studies, this volume reflects upon the gendered, classed, and racialized body, normative regimes of representation, and the global beauty economy.