Between the Revolution and the Civil War, many merchants, financiers, manufacturers, lawyers, and politicians of Boston’s elite settles on country estates, took up gentleman farming, and founded agricultural and horticultural societies. It is a curious fact of history that these men, who were directly responsible for changing the Massachusetts economy from a farming to a commercial and industrial one, spent so much time identifying themselves with things rural and agrarian. In this lively and well-illustrated book, Tamara Plakins Thornton documents the rural pursuits and argues that elite Bostonians drew on their rich reservoir of associations to characterize themselves as virtuous members of a legitimate American elite.
The essays in this volume explore the broad range of ideas about nature reflected in twentieth-century concepts of natural gardens and their ideological implications. They also investigate garden designers' use of earlier ideas of natural gardens and their relationship to the rich model that nature offers.
The weekly magazine Garden and Forest existed for only nine years (1888-1897). Yet, in that brief span, it brought to light many of the issues that would influence the future of American environmentalism. In The City Natural, Shen Hou presents the first "biography" of this important but largely overlooked vehicle for individuals with the common goal of preserving nature in American civilization. As Hou's study reveals, Garden and Forest was instrumental in redefining the fields of botany and horticulture, while also helping to shape the fledgling professions of landscape architecture and forestry. The publication actively called for reform in government policy, urban design, and future planning for the preservation and inclusion of nature in cities. It also attempted to shape public opinion on these issues through a democratic ideal that every citizen had the right (and need) to access nature. These notions would anticipate the conservation and "city beautiful" movements that followed in the early twentieth century. Hou explains the social and environmental conditions that led to the rise of reform efforts, organizations, and publications such as Garden and Forest. She reveals the intellectual core and vision of the magazine as a proponent of the city natural movement that sought to relate nature and civilization through the arts and sciences. Garden and Forest was a staunch advocate of urban living made better through careful planning and design. As Hou shows, the publication also promoted forest management and preservation, not only as a natural resource but as an economic one. She also profiles the editors and contributors who set the magazine's tone and follows their efforts to expand America's environmental expertise. Through the pages of Garden and Forest, the early period of environmentalism was especially fruitful and optimistic; many individuals joined forces for the benefit of humankind and helped lay the foundation for a coherent national movement. Shen Hou's study gives Garden and Forest its due and adds an important new chapter to the early history of American environmentalism.
The rebuilding of New England during what architectural historians have labeled the Federal period serves as the basis for most Americans visual or mental image of rural New England. This reconstruction became very controversial as a result of the differing definitions of republican virtue, taste, beauty, and economy held by the architects, rural reformers, and those engaged in rebuilding their homes and communities during this time. What could have promoted the attacks, primarily in the agricultural press, on the new two-story-with-ell rural homes? The answer lies in the attitudes and perceptions of cultural aesthetics and the notion of republican virtue. Nora Pat Small sharpens our understanding of the important changes that occurred in the New England landscape during the Federal period, effectively connecting her study of post-Revolutionary reform ideology and political discourse to architectural evidence; the buildings and landscapes express cultural values, aesthetic choice, and personal identity. The Author: Nora Pat Small is an associate professor of history at Eastern Illinois University. She has published articles in William & Mary Quarterly and has contributed chapters to volumes III and VII of Perspectives in Vernacular Architecture. "
From the bestselling author of The Invention of Nature, a fascinating look at the Founding Fathers like none you've seen before. “Illuminating and engrossing.... The reader relives the first decades of the Republic ... through the words of the statesmen themselves.” —The New York Times Book Review For the Founding Fathers, gardening, agriculture, and botany were elemental passions: a conjoined interest as deeply ingrained in their characters as the battle for liberty and a belief in the greatness of their new nation. Founding Gardeners is an exploration of that obsession, telling the story of the revolutionary generation from the unique perspective of their lives as gardeners, plant hobbyists, and farmers. Acclaimed historian Andrea Wulf describes how George Washington wrote letters to his estate manager even as British warships gathered off Staten Island; how a tour of English gardens renewed Thomas Jefferson’s and John Adams’s faith in their fledgling nation; and why James Madison is the forgotten father of environmentalism. Through these and other stories, Wulf reveals a fresh, nuanced portrait of the men who created our nation.
In an innovative fusion of labor and environmental history, Making a Living examines work as a central part of Americans' evolving relationship with nature, revealing the unexpected connections between the fight for workers' rights and the rise of
The preeminent historian of the American Revolution explains why it remains the most significant event in our history. More than almost any other nation in the world, the United States began as an idea. For this reason, Pulitzer Prize-winning historian Gordon S. Wood believes that the American Revolution is the most important event in our history, bar none. Since American identity is so fluid and not based on any universally shared heritage, we have had to continually return to our nation's founding to understand who we are. In The Idea of America, Wood reflects on the birth of American nationhood and explains why the revolution remains so essential. In a series of elegant and illuminating essays, Wood explores the ideological origins of the revolution-from ancient Rome to the European Enlightenment-and the founders' attempts to forge an American democracy. As Wood reveals, while the founders hoped to create a virtuous republic of yeoman farmers and uninterested leaders, they instead gave birth to a sprawling, licentious, and materialistic popular democracy. Wood also traces the origins of American exceptionalism to this period, revealing how the revolutionary generation, despite living in a distant, sparsely populated country, believed itself to be the most enlightened people on earth. The revolution gave Americans their messianic sense of purpose-and perhaps our continued propensity to promote democracy around the world-because the founders believed their colonial rebellion had universal significance for oppressed peoples everywhere. Yet what may seem like audacity in retrospect reflected the fact that in the eighteenth century republicanism was a truly radical ideology-as radical as Marxism would be in the nineteenth-and one that indeed inspired revolutionaries the world over. Today there exists what Wood calls a terrifying gap between us and the founders, such that it requires almost an act of imagination to fully recapture their era. Because we now take our democracy for granted, it is nearly impossible for us to appreciate how deeply the founders feared their grand experiment in liberty could evolve into monarchy or dissolve into licentiousness. Gracefully written and filled with insight, The Idea of America helps us to recapture the fears and hopes of the revolutionary generation and its attempts to translate those ideals into a working democracy. Lin-Manuel Miranda’s smash Broadway musical Hamilton has sparked new interest in the Revolutionary War and the Founding Fathers. In addition to Alexander Hamilton, the production also features George Washington, Thomas Jefferson, James Madison, Aaron Burr, Lafayette, and many more. Look for Gordon's new book, Friends Divided.
This book reconstructs important milestones in the lives of 2,808 white, native-born men who resided in Boston, Massachusetts, in 1860 or 1870. Selected systematically from the census for those two years, these men represent two cross-sections of those vi
Echoes of Thomas Paine and Enlightenment thought resonate throughout the abolitionist movement and in the efforts of its leaders to create an anti-slavery reading public. In Abolition's Public Sphere Robert Fanuzzi critically examines the writings of William Lloyd Garrison, Frederick Douglass, Henry David Thoreau, and Sarah and Angelina Grimke and their massive abolition publicity campaign--pamphlets, newspapers, petitions, and public gatherings--geared to an audience of white male citizens, free black noncitizens, women, and the enslaved. Including provocative readings of Thoreau's Walden and of the symbolic space of Boston's Faneuil Hall, Abolition's Public Sphere demonstrates how abolitionist public discourse sought to reenact eighteenth-century scenarios of revolution and democracy in the antebellum era. Fanuzzi illustrates how the dissemination of abolitionist tracts served to create an "imaginary public" that promoted and provoked the discussion of slavery. However, by embracing Enlightenment abstractions of liberty, reason, and progress, Fanuzzi argues, abolitionist strategy introduced aesthetic concerns that challenged political institutions of the public sphere and prevailing notions of citizenship. Insightful and thought-provoking, Abolition's Public Sphere questions standard versions of abolitionist history and, in the process, our understanding of democracy itself.
