Rachel is nearly attacked by a hoodlum on a dark street at night, but she’s saved by a man with an air of danger about him. He leaves Rachel, shaken from the sudden incident, without even giving her his name. The next day she learns that he’s Cullen Logan, a man everyone in the village has heard an unpleasant rumor about. But Rachel can’t believe that the man who saved her could be a bad person. He didn’t seem like such a scary person; he seemed reliable and honest. But maybe Rachel will get the chance to sort out the discrepancy when she is approached by Cullen himself!
Rachel is nearly attacked by a hoodlum on a dark street at night, but she’s saved by a man with an air of danger about him. He leaves Rachel, shaken from the sudden incident, without even giving her his name. The next day she learns that he’s Cullen Logan, a man everyone in the village has heard an unpleasant rumor about. But Rachel can’t believe that the man who saved her could be a bad person. He didn’t seem like such a scary person; he seemed reliable and honest. But maybe Rachel will get the chance to sort out the discrepancy when she is approached by Cullen himself!
Who made an enemy of two ladies through an apple? Why did Tar Baby keep on sayin' nothin'? Which royal residence is built on thirteen thousand piles? Following the best-selling book The World's Most Difficult Quiz comes this sequel which collects the most taxing questions from early King William's College General Knowledge papers published in the Guardian over many years. Again the book includes a new and devilishly difficult set of questions prepared especially for publication by quizmaster Pat Cullen. A challenge for the most erudite of minds, The World's Most Difficult Quiz 2 is the ultimate general knowledge challenge.
The biggest challenge of the twenty-first century is to bring the effects of public life into relation with the intractable problem of global atmospheric change. Climate and the Picturesque in the American Tropics explains how we came to think of the climate as something abstract and remote rather than a force that actively shapes our existence. The book argues that this separation between climate and sensibility predates the rise of modern climatology and has deep roots in the era of colonial expansion, when the American tropics were transformed into the economic supplier for Euro-American empires. The book shows how the writings of American travellers in the Caribbean registered and pushed forward this new understanding of the climate in a pivotal period in modern history, roughly between 1770 and 1860, which was fraught with debates over slavery, environmental destruction, and colonialism. Offering novel readings of authors including J. Hector St. John de Crevecoeur, Leonora Sansay, William Cullen Bryant, Nathaniel Hawthorne, Sophia Peabody, Ralph Waldo Emerson, and James McCune Smith in light of their engagements with the American tropics, this book shows that these authors drew on a climatic epistemology that fused science and sentiment in ways that citizen science is aspiring to do today. By suggesting a new genealogy of modern climate thinking, Climate and the Picturesque in the American Tropics thus highlights the urgency of revisiting received ideas of tropicality deeply ingrained in American culture that continue to inform current debates on climate debt and justice.
This is the only collection ever made of Bryant's letters, two-thirds of which have never before been printed. Their publication was foreseen by the late Allan Nevin as "one of the most important and stimulating enterprises contributory to the enrichment of the nation's cultural and political life that is now within range of individual and group effort. William Cullen Bryant (1794–1878) was America's earliest national poet. His immediate followers—Longfellow, Poe, and Whitman—unquestionably began their distinguished careers in imitation of his verses. But Bryant was even more influential in his long career as a political journalist, and in his encouragement of American art, from his lectures at the National Academy of Design in 1828 to his evocation of the Metropolitan Museum of Art in 1870. Between the appearance of his first major poem, "Thanatopsis," in 1817, and his death sixty-one years later at the age of eight-three, Bryant knew and corresponded with an extraordinary number of eminent men and women. More than 2,100 of his know letters have already been recovered for the present edition. When William Cullen Bryant signed the first of 314 letters in the present volume, in 1809, he was a frail and shy farm boy of fourteen who had nonetheless already won some fame as the satirist of Thomas Jefferson. When he wrote the last, in 1836, he had become the chief poet of his country, the editor of its principal liberal newspaper, and the friend and collaborator of its leading artists and writers. His collected poems, previously published at New York, Boston, and London, were going into their third edition. His incisive editorials in the New York Evening Post were affecting the decisions of Andrew Jackson's administration. His poetic themes were beginning to find expression in the landscape paintings of Robert Weir, Asher Durand, and Thomas Cole. The early letters gathered here in chronological order give a unique picture of Cullen Bryant's youth and young manhood: his discipline in the classics preparatory to an all-too-brief college tenure; his legal study and subsequent law practice; the experiments with romantic versification which culminated in his poetic masterpieces, and those with the opposite sex which led to his courtship and marriage; his eager interest in the politics of the Madison and Monroe Presidencies, and his subsequent activities as a local politician and polemicist in western Massachusetts; his apprenticeship as magazine editor and literary critic in New York City, from which his later eminence as journalist was the natural evolution; the lectures on poetry and mythology which foreshadowed a long career as occasional orator; the collaboration in writing The Talisman, The American Landscape, and Tales of Glauber-Spa, and in forming the National Academy of Design, and the Sketch Club, which brought him intimacy with writers, artists, and publishers; his first trip to the Aemrican West, and his first long visit to Europe, during which he began the practice of writing letters to his newspaper which, throughout nearly half a century, proved him a perceptive interpreter of the distant scene to his contemporaries. Here, in essence, is the first volume of the autobiography of one whom Abraham Lincoln remarked after his first visit to New York City in 1860, "It was worth the journey to the East merely to see such a man." And John Bigelow, who of Bryant's many eulogists knew him best, said in 1878 of his longtime friend and business partner, "There was no eminent American upon whom the judgment of his countrymen would be more immediate and unanimous. The broad simple outline of his character and career had become universally familiar, like a mountain or a sea."
A genealogical compilation of the descendants of Henry & Margareth Crook and their seven children. The couple was married circa 1812 in South Carolina and by 1828 could be found in Rankin County, Mississippi. Many of the descendants are traced to the present, including biographies and photographs when available.
