Graphic Modernism

Graphic Modernism

Author: Art Institute of Chicago

Publisher: Hudson Hills

Published: 2003

Total Pages: 200

ISBN-13: 9780865592070

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This exhibition catalog highlights a recent gift of works on paper to the Art Institute of Chicago from the Gecht family, longtime Chicago collectors. The catalog comprises 135 drawings, prints, and sculptures from the collection, all of which embody a broad definition of Modernism. The book spans two centuries and contains artists such as Cezanne and Van Gogh as well as Mark Rothko and Philip Guston. Toulouse-Lautrec, Matisse, and Picasso form the backbone of the collection with nearly 30 works of art apiece. Suzanne Folds McCullagh (curator of prints & drawings, Art Inst. of Chicago) provides a short introductory essay that tracks the evolution of the collection. Authored by a bevy of contributors, the well-written entries maintain a consistent tone and quality and strike a good balance between biographical information and interpretations of the work of art itself. While the Gecht collection is certainly quite a boon for the institute, it is not comprehensive enough in itself to make the catalog essential for all art libraries. It does, however, belong on library shelves with strong modern art and graphics collections.-Kraig A. Binkowski, Delaware Art Museum, Wilmington 135 colour illustrations


Brushed Aside

Brushed Aside

Author: Noah Charney

Publisher: Rowman & Littlefield

Published: 2023-10-15

Total Pages: 232

ISBN-13: 1538171007

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Discover anew the herstory of art that Publishers Weekly calls "illuminating" and Foreword Reviews calls "spirited" for an enlightening art history read. How many female artists can you name? Frida Kahlo, Georgia O’Keeffe, Marina Abramovic? How about female artists who lived prior to the Modern era? Maybe Artemisia Gentileschi and then… even a regular museum-goer might run out of steam. What about female curators, critics, patrons, collectors, muses, models and art influencers? This book provides a 360 degree look at the role, influence, and empowerment of women through art—including women artists, but going beyond those who have taken up a brush or a chisel. In 1971, Linda Nochlin published a famous essay, “Why Have There Been No Great Women Artists?” This book responds to it by showing that not only have there been scores of great women artists throughout history, but that great women have shaped the story of art. The result is a book that sheds light on the art world in a very new way, finally celebrating the great women artists and influencers who deserve to be much better known. The entire history of art can be told as a herstory of art.


Exhibitions that Made Art History: Salon to biennial, 1863-1959

Exhibitions that Made Art History: Salon to biennial, 1863-1959

Author: Bruce Altshuler

Publisher:

Published: 2008

Total Pages: 418

ISBN-13:

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This is the most comprehensive reference book on contemporary art group exhibitions. Coverage includes the development of modern art, shown through all of the most influential group exhibitions in history. This is intended to be a two-volume set, with the second volume intended for publication in 2009. Volume 1 opens with the revolutionary first Salon des Refusés in Paris of 1863 and concludes with the multi-locational international exhibition 'The New American Painting', organized by the Museum of Modern Art, New York, 1958-59. This work includes a wealth of rare documentary material and ephemera, such as installation photographs, publications and reviews of the period. This is an exceptional sourcebook for anyone interested in the history of twentieth-century art, exhibition design or curatorial practice. - Publisher.


The Avant-garde in Exhibition

The Avant-garde in Exhibition

Author: Bruce Altshuler

Publisher: ABRAMS

Published: 1994

Total Pages: 296

ISBN-13:

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Through photographs of personalities, installations, and works of art--and in a lively text that recounts the artistic thinking as well as the gossip surrounding each movement--this volume presents a complete overview of 20th century avant-garde art. Focusing on breakthrough exhibitions, the book tells the story of each show and that of the movement that inspired it.